Apocalypse According to Doris (2011)
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- Not Rated
- 1h 39min
- Comedy
- 2011 (USA)
- Movie
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Cast
Jaime Gomez | ... |
Felix
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Elise Robertson | ... |
Doris
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Christian J. Meoli | ... |
Apperson
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Nicholas Downs | ... |
Mike
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Brynn Horrocks | ... |
Natalie
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Brian Oblak | ... |
Tom
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Ula Gomez | ... |
Tallulah
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Donna Pieroni | ... |
Flo
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Ameenah Kaplan | ... |
Serena
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Cynthia Dane | ... |
Marilee
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Bob Sáenz | ... |
Willard
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Mike Bara | ... |
Mr. Physics of 2012
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Rest of cast listed alphabetically: | |||
Kelly Jean Badgley |
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Bobby Bromley | ... |
Young Jesus
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Clint Culp | ... |
Dave
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Debbie Gomez | ... |
Sheriff
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Dylan Mooney | ... |
Reporter # 2
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Scott Michael Morgan | ... |
Curly
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Sean David Morton | ... |
UFO Group Leader
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Javi Mulero | ... |
Ambassador
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Ricco Ross | ... |
Bauer
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Elizabeth Sandy | ... |
Reporter
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Caleb Strul | ... |
Biker Boy #1
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Dwana White | ... |
Shaniqwa
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Tony Boldi | ... |
Toby Biker Boy #3 (uncredited)
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Directed by
Victor Goss |
Written by
Victor Goss | ... | (written by) |
Produced by
Cathleen Alexander | ... | producer |
Dennis Bishop | ... | producer |
Tony Boldi | ... | producer |
Zora DeHorter | ... | co-producer |
Debbie Gomez | ... | producer |
Jaime Gomez | ... | producer |
Sheila Goss | ... | executive producer |
Victor Goss | ... | producer |
Music by
Nora Kroll-Rosenbaum |
Cinematography by
Richard Walden | ... | director of photography |
Editing by
Richard Mann |
Casting By
Zora DeHorter |
Production Design by
Nathan W. Bailey |
Art Direction by
Mars Feehery | ||
Katelynn Wheelock |
Costume Design by
Manee Leija |
Makeup Department
Emily Nakasone | ... | make-up |
Second Unit Director or Assistant Director
Tony Boldi | ... | first assistant director |
Frederick Snyder | ... | second assistant director |
Art Department
Celia Heath | ... | set dresser (as Celia B. Heath) |
Colleen Larson | ... | art department coordinator |
Danielle Lee | ... | art department assistant |
Cesar Ochoa | ... | property master |
Kil Won Yu | ... | construction coordinator |
Sound Department
Rosa Costanza | ... | sound recordist (as Rosa Tyabji) |
Micky Hohl | ... | boom operator |
Danny Langa | ... | dialogue editor |
Chuck Michael | ... | re-recording mixer / sound designer / supervising sound editor |
Ronald Morgan | ... | adr supervisor |
Visual Effects by
Christopher Scott Knell | ... | visual effects artist |
Camera and Electrical Department
Jennifer Braddock | ... | additional second assistant camera |
Alexandre Dumas | ... | second assistant camera |
Christopher Goss | ... | camera operator / director of photography: second unit |
Patrick Sayre | ... | red media manager |
Bas Tiele | ... | first assistant camera: "a" camera |
Salvador Vega | ... | first assistant camera: "b" camera |
Michael A. Viera III | ... | electrician (as Michael Viera III) |
Additional Crew
Esteban De La Riva | ... | production assistant |
Production Companies
Distributors
- Lifeforce Indy-Films Entertainment (2011) (World-wide)
Special Effects
Other Companies
- PES Payroll (payroll services)
Storyline
Plot Summary |
DORIS takes a spiritually subversive look at channeling, prophesy, and our current obsession with apocalyptic events, warning the dangers of predicting the future. In this story about an unknown housewife living on the edge of the desert, Doris Stiles involuntarily channels predictions of the end of the world, and becomes an overnight media sensation. She opens her door to true believers and nut cases alike, turning her dysfunctional family inside out for the whole world to see, including an unscrupulous reporter who infiltrates her group and has the tragic secret of his life exposed by this gifted woman. Understanding channeling and other involuntary psychic experiences is what Doris struggles hard to integrate into her life as she walks a virtual tightrope of paranormal experiences in a difficult family situation surrounded by an environment of national and political chaos. This narrative shares her experiences with viewers by celebrating the awakening and evolving human consciousness we now seem to be experiencing worldwide. This metaphysical drama might ask us to sort through the Neptunian ambiguousness of the New Age world to seek the actual, authentic, higher nature of ourselves, and to discriminate between that which is our true identity and that which is the comfortable clothing of a familiar delusion. Written by Victor Goss |
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Box Office
Budget | $100,000 (estimated) |