When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Romain is a very successful fashion photographer who's diagnosed with terminal cancer. He copes by being cruel and nasty to those he loves, until a visit with his grandmother changes his outlook. But, his boyfriend's moved out, now what?
Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent... See full summary »
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and personal complications arrive in the form of her ex-lover (Depardieu), a former union leader. Written by
A trailer for this film is used in UK cinemas as part of the "Don't let mobile phones spoil your film" campaign run by the telecoms company Orange. The English subtitles have been replaced with new phone-related dialogue and the music in the disco sequence is replaced with a ringtone version. See more »
Bacarra - Parlez Vous Francais, the song played when they enter the bar, came out in 1978, yet the movie is set in 1977. See more »
Potiche is a delightful French comedy from Francois Ozon (director of Simming Pool) starring Catherine Deneuve and Gerard Depardieu. There is gentle humour but with the style and lightness of touch that one would expect from our European cousins across La Manche. Deneuve and Depardieu are highly watchable, and well supported by the rest of the cast, but it is very much support with Catherine and Gerard at the centre of attention. The plot meanders somewhat, but this need not be a bad thing as it allows some breathing space to take in the beautiful production design that puts the film firmly in mid 1970's France. I cannot help thinking of a comparison with Carry On At Your Convenience as a double bill that would highlight the differences between British and French humour, not to mention culture. That is obviously unfair, since Carry On... was a product of the actual 70's, rather than a film made in 2010 and looking back, but if nothing else Potiche should be taken as a recommendation to go and seek out French comedies of all ages.
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