When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
Romain is a very successful fashion photographer who's diagnosed with terminal cancer. He copes by being cruel and nasty to those he loves, until a visit with his grandmother changes his outlook. But, his boyfriend's moved out, now what?
Sasha, a young British woman, is living with her baby daughter at Ile d'Yeu, a peaceful beach community. A stranger appears. Her name is Tatiana, she's passing through, and pitches her tent... See full summary »
The adventures of an upper-class suburban family abruptly confronted with the younger brother's discovery of his homosexuality, the elder sister's suicide attempt and sado-masochist ... See full summary »
Marina de Van
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and personal complications arrive in the form of her ex-lover (Depardieu), a former union leader. Written by
A trailer for this film is used in UK cinemas as part of the "Don't let mobile phones spoil your film" campaign run by the telecoms company Orange. The English subtitles have been replaced with new phone-related dialogue and the music in the disco sequence is replaced with a ringtone version. See more »
A Renault 4 GTL is seen in the background. This version, with gray bumpers, was introduced in 1978, while the film is set in 1977. See more »
Both French stars Catherine Deneuve and Gerard Depardieu have made some of France's finest films and covered a huge array of subjects.
On paper, this Francois Ozon directed comedy should work and has much going for it. Based on a play by Pierre Barillet, it possibly could have worked better in that format. 'Potiche', meaning Trophy Wife refers to the lady at leisure, Suzanne Pujol (Deneuve), married to Robert (Fabrice Luchini) and whose home-making skills are left to the staff.
We initially see Suzanne out jogging at a leisurely pace and even then, the first odd and quirky snippets pop up - fornicating rabbits, a doe, all sort of cheerily saying hello to us - and her. From then on, my thoughts were was that I wasn't going to like Potiche and neither did my friend. We put up with 20 more minutes before switching off.
I decided to borrow the DVD (his parent's) to see if it was actually any good and I still couldn't get into it, though I saw it all. It was, I think, the 1970's style (it IS set then) sort of sitcom, with blindingly fast and largely trite dialogue but without the canned laughter, that I almost expected. Except, I didn't laugh at all, not for the whole of the film.
There were some interesting plot-lines that involved descendants from affairs and the run for Mayor but all the ones regarding the ins and outs of unions and saving the umbrella factory left me cold. Depardieu's character as the Mayor and past romantic interest to Deneuve's Suzanne was a bit one-dimensional and boring, I found.
Unfortunately, Potiche irritated me more than it entertained me and whilst there were many well-timed verbal exchanges between the characters, their straightforward delivery gave no room for acting that was more than what was necessary. I was disappointed with Potiche but can see perhaps why others have enjoyed it.
2 of 4 people found this review helpful.
Was this review helpful to you?