When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and ... See full summary »
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A middle-aged husband's life changes dramatically when his wife asks him for a divorce. He seeks to rediscover his manhood with the help of a newfound friend, Jacob, learning to pick up girls at bars.
Although living a comfortable life in Salon-de-Provence, a charming town in the South of France, Julie has been feeling depressed for a while. To please her, Philippe Abrams, a post office ... See full summary »
A struggling lawyer and volunteer wrestling coach's chicanery comes back to haunt him when the teenage grandson of the client he's double-crossed comes into his life.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
Director:
David O. Russell
Stars:
Bradley Cooper,
Jennifer Lawrence,
Robert De Niro
A struggling screenwriter inadvertently becomes entangled in the Los Angeles criminal underworld after his oddball friends kidnap a gangster's beloved Shih Tzu.
Director:
Martin McDonagh
Stars:
Sam Rockwell,
Colin Farrell,
Christopher Walken
A novelist struggling with writer's block finds romance in a most unusual way: by creating a female character he thinks will love him, then willing her into existence.
When her husband is taken hostage by his striking employees, a trophy wife (Deneuve) takes the reins of the family business and proves to be a remarkably effective leader. Business and personal complications arrive in the form of her ex-lover (Depardieu), a former union leader. Written by
IMDb Editors
A trailer for this film is used in UK cinemas as part of the "Don't let mobile phones spoil your film" campaign run by the telecoms company Orange. The English subtitles have been replaced with new phone-related dialogue and the music in the disco sequence is replaced with a ringtone version. See more »
Goofs
A Renault 4 GTL is seen in the background. This version, with gray bumpers, was introduced in 1978, while the film is set in 1977. See more »
So polished, 3 or 4 trailers would have done the job. Kind of like visiting a small pantheon of contemporary French acting Gods in a lazy Sunday afternoon.
It's a a frothy comedy, but managed to touch upon complex issues of gender, personal triumph and defeat, marriage crisis, ideologies and political dynamics intertwined with personal lives. It's done so without getting heavy, almost effortless, making the viewing experience a delight.
Suzanne Pujol is another star vehicle for Catherine Deneuve. And no matter how many times I've seen this, and regardless of her age, she seems to deserve it as her birth right. Deneuve bounced off descent performances by a star line-up of half of the who's who in French cinema including the likes of Gérard Depardieu, and it was fun to watch.
The plot and the ending are not over the top, though very polished still somewhat true to life. Easy said than done for a personal triumph story in a light comedy.
The Bad
Deneuve seems to be having so much fun in her role, but I never quite cared as much. At more than one occasions, their performance may appear effortless at first, but getting thin and tiring quickly. The characters' youthful indiscretions, twists and turns in the plots seem to be strong spices without good food to cling on to.
The Ugly
It is so polished that, at times, I feel three or four short trailers would have done the job. Kind of like visiting a small pantheon of contemporary French acting Gods in a lazy Sun afternoon.
7 of 12 people found this review helpful.
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Review of POTICHE (Trophy Wife) The Good
It's a a frothy comedy, but managed to touch upon complex issues of gender, personal triumph and defeat, marriage crisis, ideologies and political dynamics intertwined with personal lives. It's done so without getting heavy, almost effortless, making the viewing experience a delight.
Suzanne Pujol is another star vehicle for Catherine Deneuve. And no matter how many times I've seen this, and regardless of her age, she seems to deserve it as her birth right. Deneuve bounced off descent performances by a star line-up of half of the who's who in French cinema including the likes of Gérard Depardieu, and it was fun to watch.
The plot and the ending are not over the top, though very polished still somewhat true to life. Easy said than done for a personal triumph story in a light comedy.
The Bad
Deneuve seems to be having so much fun in her role, but I never quite cared as much. At more than one occasions, their performance may appear effortless at first, but getting thin and tiring quickly. The characters' youthful indiscretions, twists and turns in the plots seem to be strong spices without good food to cling on to.
The Ugly
It is so polished that, at times, I feel three or four short trailers would have done the job. Kind of like visiting a small pantheon of contemporary French acting Gods in a lazy Sun afternoon.