A reporter stumbles upon the journal of a murderer replete with plans to butcher specific people, and investigates on his own, finding that every trail leads to a 9-year-old orphan living in a group home.
A disgruntled man creates a hit list with a stranger during a drunken night out and must then race to try to save those he marked for extermination as the bodies begin to pile up and all fingers point to him.
Cuba Gooding Jr.,
Disgraced former Presidential guard Mike Banning finds himself trapped inside the White House in the wake of a terrorist attack; using his inside knowledge, Banning works with national security to rescue the President from his kidnappers.
Lewis Hicks (Cuba Gooding Jr.) is a reporter and journalist specializing in writing about the crime of murder. Instead of writing his next story, Lewis becomes the story when his new girlfriend is sadistically murdered, and he is the only suspect. Lewis investigates the murder himself and finds the killer's journal with his past victims and a death list of his future prey. Lewis believes that he is the only person who can stop the killer before time runs out for his next victim. Written by
Douglas Young (the-movie-guy)
Like the opening sequence to Nip Tuck, we're dreaming of a perfect life. We cut away what flaws us, denies us from being who we dream to be, and we dig deep, ripping out those jagged pieces that made us ugly, scarred. But no matter how much we cut away, we can't change what we are, a monster left to madness, and the path of bodies we leave in our wake will never return the innocence believed to have been stolen away. But life is complex, and time is the puzzle we're determined to change. And we want a perfect life, to be the hero, and not the criminal mastermind, but could we truly outrun our fate, change the course of history, or are we pawns dangling on strings, waiting to be cut? Sometimes, we get a second chance, a do-over to avoid the flaws that made us ugly, scarred, but are we any closer to living the perfect life?
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