| Photos (See all 11 | slideshow) |
| Eliza Dushku | ... | Echo / Caroline Farrell | |
| Harry Lennix | ... | Boyd Langton | |
| Fran Kranz | ... | Topher Brink | |
| Tahmoh Penikett | ... | Paul Ballard (credit only) | |
| Enver Gjokaj | ... | Victor / Topher Brink | |
| Dichen Lachman | ... | Sierra (credit only) | |
| Olivia Williams | ... | Adelle DeWitt | |
| Alexis Denisof | ... | Senator Daniel Perrin | |
| Nelson Franklin | ... | Burt Styne | |
| Summer Glau | ... | Bennett Halverson | |
| Stacey Scowley | ... | Cindy Perrin | |
| Miracle Laurie | ... | Madeline Costley | |
| Ray Wise | ... | Howard Lipman | |
| Matt Riedy | ... | Senator | |
| rest of cast listed alphabetically: | |||
| Chris Gann | ... | Johnson special ops | |
| Selena Johnson | ... | News Reporter (uncredited) | |
| Joseph O'Brien | ... | News Reporter (uncredited) | |
| Episode Crew |
Directed by | |||
| Wendey Stanzler | |||
Writing credits | ||
| Joss Whedon | (creator) | |
| Tracy Bellomo | (written by) | |
Produced by | |||
| Tara Butters | .... | consulting producer | |
| Chris Cheramie | .... | associate producer | |
| Eliza Dushku | .... | producer | |
| Michele Fazekas | .... | consulting producer | |
| Kelly A. Manners | .... | producer | |
| Tim Minear | .... | executive producer | |
| David Solomon | .... | executive producer | |
| Joss Whedon | .... | executive producer | |
Original Music by | |||
| Mychael Danna | (score by) | ||
| Rob Simonsen | (score by) | ||
Cinematography by | |||
| Lisa Wiegand | (director of photography) | ||
Film Editing by | |||
| Elena Maganini | |||
Casting by | |||
| Anya Colloff | |||
Production Design by | |||
| Cameron Birnie | |||
Art Direction by | |||
| Ron Mason | |||
Set Decoration by | |||
| David A. Koneff | (as David Koneff) | ||
Costume Design by | |||
| Shawna Trpcic | |||
Makeup Department | |||
| David Abbott | .... | department head makeup artist | |
| André Dubois | .... | department head hairstylist | |
| Teressa Hill | .... | department head hair | |
| Viola Rock | .... | makeup artist | |
Production Management | |||
| Jessica Bupp | .... | post-production supervisor | |
| Robert D. Nellans | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Athena Alexander | .... | second assistant director | |
| Imhotep Coleman | .... | dga trainee | |
| Brenda Kalosh | .... | first assistant director | |
Art Department | |||
| James L. Eddy | .... | assistant property master | |
| Donald S. Foster | .... | set dresser | |
| Douglas T. Madison | .... | property master | |
| Richard 'Rocky' Nichols | .... | assistant property master | |
| Michael Voelker | .... | on-set dresser | |
| Ted Wilson | .... | construction coordinator | |
| Amy Smith | .... | art department coordinator (uncredited) | |
Sound Department | |||
| William Dotson | .... | sound supervisor | |
| Shawn Kennelly | .... | foley mixer supervisor | |
| Scott C. Kolden | .... | sound effects editor | |
| Laura Macias | .... | foley artist | |
| Ryan Maguire | .... | foley mixer for m&e | |
| Coleman Metts | .... | production sound mixer | |
| Todd Orr | .... | sound re-recording mixer | |
| Cathie Speakman | .... | supervising adr editor | |
| Ken Teaney | .... | sound re-recording mixer | |
Special Effects by | |||
| Chris Nelson | .... | special effects coordinator | |
Visual Effects by | |||
| Michael D. Leone | .... | visual effects supervisor | |
| Zachariah Zaubi | .... | digital compositor | |
Stunts | |||
| Michael Gaines | .... | stunts | |
| Mike Massa | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ron Baldwin | .... | camera operator | |
| Kathryn Comkowycz | .... | assistant camera | |
| John Farr | .... | rigging gaffer | |
| Jay Hunter | .... | camera operator: "a" camera | |
| Jay Hunter | .... | director of photography: second unit | |
| Ben Krout | .... | key rigging grip | |
| Michael Mull | .... | grip | |
| Michael Pizzuto | .... | key grip | |
| Dylan Pomerleau | .... | rigging electrician | |
| Sean Prichard | .... | dolly grip | |
| Chris Reiter | .... | gaffer | |
| Andi Ruane | .... | additional dolly grip | |
| L. Andrew Sigler | .... | best boy grip | |
| Reza Tabrizi | .... | first assistant camera: "a" camera | |
| Ty Trullinger | .... | video playback coordinator | |
| Adam L. Taylor | .... | still photographer (uncredited) | |
Casting Department | |||
| Amy McIntyre Britt | .... | casting | |
| Michael V. Nicolo | .... | casting (as Michael Nicolo) | |
Costume and Wardrobe Department | |||
| Antonina Lerch | .... | costume cutter/fitter (as Antonina Grib) | |
| Cleo Mannell | .... | key costumer | |
Editorial Department | |||
| Jeff Ervin | .... | assistant editor | |
| Larry Field | .... | final colorist | |
| Richard Flores Jr. | .... | telecine colorist | |
| Cody Smith | .... | post-production assistant | |
| Jim Darby | .... | on-line editor (uncredited) | |
Music Department | |||
| Eric Bazilian | .... | composer: theme song | |
| Jonatha Brooke | .... | composer: theme song | |
| Jonatha Brooke | .... | performer: theme song | |
| Jessica Garey | .... | music coordinator | |
| Russ Howard III | .... | composer: additional music | |
| Moira Marquis | .... | music editor | |
| Andrea von Foerster | .... | music supervisor | |
Transportation Department | |||
| Leroy Reed | .... | transportation coordinator | |
Other crew | |||
| Nirvana Adams | .... | script supervisor | |
| Brian Avery | .... | production assistant | |
| Daniel Beals | .... | set production assistant | |
| Tracy Bellomo | .... | story editor | |
| Alex Bente | .... | set production assistant | |
| Josh Botana | .... | office production assistant | |
| Christopher Campbell | .... | location manager (as Chris Campbell) | |
| Andrew Chambliss | .... | story editor | |
| Travis Coles | .... | office production assistant | |
| Jenny DeArmitt | .... | assistant: writer | |
| Natalie Farrell | .... | assistant to executive producer | |
| Virginia Farrell | .... | assistant to Eliza Dushku | |
| John J. Gray | .... | assistant to executive producer | |
| Dave Landaker | .... | video and computer playback operator | |
| Tony Lindo | .... | production accountant | |
| Nicki Maron | .... | assistant to executive producer: joss whedon / assistant to producers | |
| Brian Peralez | .... | production assistant | |
| Lynnet Price | .... | production coordinator | |
| Lisa Randolph | .... | script coordinator | |
| Chandra Smith | .... | assistant to executive producer (as Chandra Farley Smith) | |
| Danielle Snowdon | .... | script supervisor: second unit | |
| Celez Suratos | .... | assistant to producers | |
| Maurissa Tancharoen | .... | story editor | |
| Tammy Thomas | .... | production assistant | |
| Jed Whedon | .... | story editor | |
| Joy Wingard | .... | production assistant | |
| Amy D'Alessandro | .... | titles by (uncredited) | |
| Peter Kelley | .... | acting coach: Eliza Dushku (uncredited) | |
| Tony Rudenko | .... | video computer graphics operator (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Elizabeth Craft | 2008 | |
| Sarah Fain | 2008 | |
| Joss Whedon | creator | |
Costume and Wardrobe Department | |||
| Tina Ficaro | .... | wardrobe supervisor (2008) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb USA section |
*** This review may contain spoilers ***
The good; Once again some great acting from Enver, his Topher impression is flawless. Nice face off between Adele and her Washington counterpart too.
The bad; It all seems a little overly complex, surely there must be simpler ways for Rossum to protect itself. Equally it rather beggars belief that with all the attention focused on him Rossum could get away with controlling the senator in quite so blatant a manner.
Best line; Topher; "The only person in the world I would trust" (HIMSELF!) also like Adele; (grabbing the Washington Dollhouse heads groin)"If you don't return my active I will send someone to cut these off!" plus Adele; (upon finding Topher arguing with Topher/Victor); "Finding him obstinate are we?"
Packing heat; Echo;8 Boyd; 8 Dominic; 9 Sierra; 4 Victor; 3 Ballard; 10 November; 1
Echo kissage; 4
Kinky dinky; Topher thinks Bennett's 'Librarian energy' is through the roof, she has got a serious case of the Diana Princes.
Capt subtext; Bennett remarks to Topher 'Looks like you got the girl'. Love the little smile of pride Adele gives Topher as he tricks his way into Perrin's brain print. Topher asks himself "Who's your backdoor man?" before deciding on a better phrasing.
Notches on the Dollhouse bedpost; Echo; 5 definite, 2 possible November; 1 Ballard; 1 Victor; 1 Adele; 1 Sierra 1 Topher; 1 possible
How'd they get away with that? Echo getting tortured is nasty indeed, she can't pass out and can't even cry out to god. Can we please have an ep without needles, I really don't like them. Bennett's headbutt is also nasty, somehow it's easier to watch people harm one another than themselves. On a similar vein hard to watch Perrin and Echo cutting one another's chips out. Perrin snapping the goons neck and strangling his wife is also disturbing, Alexis showing some of the creepiness he demonstrated in the Angel ep 'Billy'.
Total number personalities; Echo; 28 Sierra; 12 Victor; 10 November; 3
Total LA dolls; Mellie is a Doll once more at the Washington Dollhouse, I wonder what her new name will be? 9-Echo, Sierra, November, Victor, Mike, Tango, Alpha, Whiskey, Kilo
Bondage; Sierra tied up; 1 Ballard; 1 Echo; 2
Knocked out; twice for Echo Echo; 6 November; 1 Sierra; 1 Victor; 1 Topher; 2
Kills; Sierra; 3 kills Echo; 3 November;1
Dolls injured; Echo roughed up again.
Happy hookers; As Bennett stares quizzically at Echo/Bree's brain print Topher explains "She was kinda a hooker"
Know the face? Ray Wise, another great character actor from Twin Peaks, Robocop and especially good as The Devil in Reaper. He'll later turn up as one of the many Whedon alumni on 'How I met your Mother'
14-Whedon alumni-Mark Shepherd-2 (Dollhouse/Firefly), Amy Acker-2 (Dollhouse/Angel), walking action figure-2 (Buffy/Dollhouse), Eliza Dushku-3 (Buffy/Angel/Dollhouse), Jim Piddock-2 (Angel/Dollhouse), Gregg Henry-2 (Dollhouse/Firefly), Alan Tudyk-2 (Dollhouse/Firefly), Felicia Day-2(Dollhouse/Buffy), Alexis Denisoff-3 (Buffy, Angel and Dollhouse), Kristoffer Pohala-2 (Dollhouse/Angel), Stacey Scowley-2 (Buffy/Dollhouse) Clyde Katulas-2 (Buffy/Dollhouse), Maurissa Tanchon-2(Dollhouse/Dr Horrible), Summer Glau-3(Angel/Firefly/Dollhouse).
Reminds me of; With her useless arm Bennett has more than a little Dr Strangelove about her.
Whedon clichés; Maimed characters. Rich and powerful families who cover up the evil deeds of their wayward sons. Top security installations which aren't secure at all. Loving self-sacrificing mothers who risk all for their children
Breaking the programming; Echo can now distance herself from the personality of Caroline and perhaps doesn't want her back. If Bennett's memories are to be trusted we can see why? Echo is now able to overcome her imprinting to the degree that she can use her arm even though Bennett programmed her not to.
Questions and observations; So it appears Caroline is not the saint we might first have thought. Topher refers to Echo as his friend, a small but somehow huge moment. Boyd refers to 'manufacturing a president' (Kennedy?) whilst Adele actually refers to Rossum as 'facists' seeing them for what they really are at last. So it seems that Rossum can 'improve' people, take away their negative qualities and give them beneficial ones? Part of me says that's a wonderful power, part of me says it could so easily be abused. On the one hand we could cure people of phobias, addictions, prevent paedophiles being attracted to children, take away criminals violent and anti-social traits, brave new world. On the other hand who decides what is truly negative and what is beneficial, what if someone decides to 'cure' gay people? To make everyone fit into their narrow vision of morality? The prospect sounds scarily like some form of mental eugenics. So now we have Echo out in the world on her own, dechipped and free of the Dollhouse. How will she cope? Can't wait to find out.
Marks out of 10; 8/10, good ep