| Michelle Williams | ... | Emily Tetherow | |
| Bruce Greenwood | ... | Stephen Meek | |
| Will Patton | ... | Soloman Tetherow | |
| Zoe Kazan | ... | Millie Gately | |
| Paul Dano | ... | Thomas Gately | |
| Shirley Henderson | ... | Glory White | |
| Neal Huff | ... | William White | |
| Tommy Nelson | ... | Jimmy White | |
| Rod Rondeaux | ... | The Indian |
Directed by | |||
| Kelly Reichardt | |||
Writing credits(in alphabetical order) | ||
| Jonathan Raymond | screenplay (as Jon Raymond) | |
Original Music by | |||
| Jeff Grace | |||
Cinematography by | |||
| Christopher Blauvelt | |||
Film Editing by | |||
| Kelly Reichardt | |||
Casting by | |||
| Laura Rosenthal | |||
Production Design by | |||
| David Doernberg | |||
Art Direction by | |||
| Kat Uhlmansiek | |||
Costume Design by | |||
| Victoria Farrell | (as Vicki Farrell) | ||
Makeup Department | |||
| Linda Andrews | .... | key makeup artist | |
| David Kennedy | .... | key hair stylist | |
| David Kennedy | .... | wig stylist | |
| Jamespatrick Smith Jr. | .... | makeup artist | |
| Leo Won | .... | makeup department head | |
Production Management | |||
| Brett Cranford | .... | unit production manager | |
| Josh Rappaport | .... | post-production supervisor (as Joshua Rappaport) | |
Second Unit Director or Assistant Director | |||
| Chris Carroll | .... | first assistant director | |
| Kyle Eaton | .... | second assistant director | |
| Rose Leiker | .... | additional second assistant director | |
| Matt O'Connor | .... | first assistant director | |
Art Department | |||
| Michael Brophy | .... | storyboard artist | |
| Victoria Farrell | .... | embroidery: title (as Vicki Farrell) | |
| Marlene McCarty | .... | embroidery: title | |
| Guthrie McCarty-Vachon | .... | illustrator: main title | |
| Jason Ruffolo | .... | set dresser | |
| Joe Rynearson | .... | set dresser | |
| Kate Smith | .... | set dresser | |
| Nate Smith | .... | assistant property master | |
| Ryan Warren Smith | .... | property master (as Ryan Smith) | |
| Arly Williams | .... | art intern | |
Sound Department | |||
| Felix Andrew | .... | sound mixer | |
| Javier Bennassar | .... | supervising sound editor | |
| Jean-Michel Beranger | .... | french dubbing mixer | |
| Ryan Collins | .... | assistant sound editor | |
| Lara Dale | .... | foley artist | |
| Ellen Heuer | .... | foley artist | |
| Tim Limer | .... | mix recordist | |
| A. Josh Reinhardt | .... | foley mixer (as Josh Reinhardt) | |
| Leslie Shatz | .... | sound designer | |
| Leslie Shatz | .... | sound re-recording mixer | |
| Dell Winter | .... | dialogue editor (uncredited) | |
| Mandell Winter | .... | supervising sound editor (uncredited) | |
Special Effects by | |||
| Brad Dunten | .... | fire expert | |
Stunts | |||
| Brian Duffy | .... | utility stunts | |
| Khristian Lupo | .... | utility stunts | |
| Jason Rodriguez | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Eric Hill | .... | still photographer | |
| Stephen MacDougall | .... | first assistant camera | |
| Simon Max Hill | .... | still photographer | |
| Jason McCormick | .... | additional first assistant camera | |
| Kyle Metzger | .... | camera swing | |
| Efrem Peter | .... | gaffer | |
| Eliza Plumlee | .... | second assistant camera | |
| Madison Rowley | .... | camera intern | |
| Greg Schmitt | .... | camera operator: "b" camera | |
| Greg Schmitt | .... | steadicam operator | |
| Matthew Semchee | .... | additional key grip | |
| Chris Strauser | .... | additional second assistant camera | |
| Savannah Teller-Brown | .... | camera loader | |
| Corey Walter | .... | still photographer | |
| Greg Wick | .... | camera swing | |
| Brian Shotzbarger | .... | key grip (uncredited) | |
Casting Department | |||
| Maribeth Fox | .... | casting associate | |
| Simon Max Hill | .... | casting: Oregon | |
Costume and Wardrobe Department | |||
| Grace Ryung Kim | .... | costume maker (uncredited) | |
| Jamespatrick Smith Jr. | .... | wardrobe assistant (uncredited) | |
Editorial Department | |||
| Gordon Bell | .... | first assistant editor | |
| Donnie Creighton | .... | digital intermediate producer | |
| Eric Hill | .... | editorial technical consultant | |
| Michael D. Most | .... | digital intermediate colorist (as Mike Most) | |
| Jon Pehlke | .... | on-line editor | |
| Tim Safarik | .... | colorist: dailies | |
| Tomas Vengris | .... | first assistant editor | |
| David Waters | .... | digital intermediate producer | |
| Tricia Chiarenza | .... | color timer (uncredited) | |
| Paul Amadeus Kim | .... | on-line editor (uncredited) | |
Music Department | |||
| Dave Eggar | .... | music producer | |
| Dave Eggar | .... | musician: cello | |
| Jeff Grace | .... | music producer | |
| Stefan Karrer | .... | soundtrack album producer (uncredited) | |
Other crew | |||
| George Adams | .... | assistant production coordinator | |
| Sotirios Bakouros | .... | set intern | |
| Arpita Banker | .... | production accountant | |
| Morgan Bateman | .... | animal trainer | |
| Gordon Bell | .... | script supervisor | |
| Mike Brantley | .... | set teacher | |
| M.E. Buckner | .... | historical consultant | |
| John Burnside | .... | translator: Nez Perce language | |
| Barbara Carr | .... | representative: American Humane Association | |
| Rives Curtright | .... | production assistant | |
| Scott Davis | .... | animal trainer | |
| Sarah Devere | .... | office production assistant | |
| Greta Emang | .... | set medic | |
| Rosario Estrella | .... | set intern | |
| Roger D. Faires | .... | location manager (as Roger Faires) | |
| Evan Franulovich | .... | production assistant | |
| Sam Gaty | .... | production assistant | |
| Nicole Hawkins | .... | production accountant | |
| Mark Jarrett | .... | additional locations | |
| Matt Jay | .... | production assistant | |
| Michael J. Jones | .... | historical consultant | |
| Paul Kohler | .... | additional locations | |
| Rosen Lewis | .... | production legal | |
| Marlene McCarty | .... | title designer: main and end titles | |
| Kalen Mendenhall | .... | set intern | |
| Kellen Molica | .... | production office intern | |
| Mike Morris Jr. | .... | animal trainer (as Mike Morris) | |
| Kristen Parr | .... | translator: Nex Perce language | |
| David Parson | .... | production assistant | |
| John Parson | .... | production assistant | |
| Paul Parson | .... | set intern | |
| Lance Rosen | .... | production legal | |
| Erin Shelley | .... | animal trainer | |
| Natasha Shumny | .... | post facilities coordinator | |
| Alison R. Smith | .... | animal trainer (as Alison Smith) | |
| Cody Smith | .... | animal trainer | |
| Diana Smith | .... | animal trainer | |
| Tanya Smith | .... | production coordinator | |
| Sara Suffriti | .... | chef: dinner | |
| Scott Tuning | .... | medical supervisor | |
| Nicholas Van Atta | .... | chef assistant: dinner (as Nick Van Atta) | |
| Zoe Bower | .... | post facilities manager (uncredited) | |
| Tana David | .... | post facilities coordinator (uncredited) | |
| Evan Franulovich | .... | craft service (uncredited) | |
Thanks | |||
| Matthew Ebert | .... | thanks | |
| Larry Fessenden | .... | thanks | |
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| Walking, Walking | Seraphim Falls | Creation | The Painted Veil | The Kite Runner |
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A film so avant garde it is a parody of avant garde. Shot after shot of slow-moving wagons crossing the screen from right to left in middle distance, scene after scene without any point and sometimes without dialogue and never with any kind of action. I guess it was trying to represent the arduous, tedious, slow and dull journey of settlers going west by being an arduous, tedious, slow and dull film. Trying to be a "meaningful art film" but failing miserably, this is a total waste of viewing time to get to an end that has no ending
The film forsaked entertaining its audience in order to provide what it thinks is some kind of deep and meaningful message. Unfortunately it has no message of any value so, without being entertaining either, the film fails on all fronts. Except I guess, the 3 hours tedium of the film journey has killed any romantic idea that a 3 month wagon train west would have been any kind of fun