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Meek's Cutoff (2010)

 -  Drama | Western  -  15 April 2011 (UK)
6.5
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Ratings: 6.5/10 from 6,994 users   Metascore: 85/100
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Settlers traveling through the Oregon desert in 1845 find themselves stranded in harsh conditions.

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Title: Meek's Cutoff (2010)

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Cast

Cast overview:
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Stephen Meek
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Millie Gately
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Glory White
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William White
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Jimmy White
Rod Rondeaux ...
The Indian
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Storyline

The year is 1845, the earliest days of the Oregon Trail, and a wagon team of three families has hired the mountain man Stephen Meek to guide them over the Cascade Mountains. Claiming to know a short cut, Meek leads the group on an unmarked path across the high plain desert, only to become lost in the dry rock and sage. Over the coming days, the emigrants must face the scourges of hunger, thirst and their own lack of faith in each other's instincts for survival. When a Native American wanderer crosses their path, the emigrants are torn between their trust in a guide who has proven himself unreliable and a man who has always been seen as the natural enemy. Written by Oscilloscope

Plot Summary | Add Synopsis

Plot Keywords:

trust | oregon | desert | water | survival | See All (73) »

Genres:

Drama | Western

Motion Picture Rating (MPAA)

Rated PG for some mild violent content, brief language and smoking | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

15 April 2011 (UK)  »

Also Known As:

Meek's Oregon 1845 Cutoff  »

Filming Locations:

 »

Box Office

Opening Weekend:

$20,042 (USA) (8 April 2011)

Gross:

$977,600 (USA) (19 August 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Goofs

When the party are sorting through pots and pans after the wagon wreck, a kettle which by its color could only be aluminum or silver, is shown. Large kettles were not made of silver (and even if they were, would not have been carried by settlers) and aluminum was not in use as a material for cookware in the 1850s. Aluminum was not produced in commercial quantities until well into the 20th century. See more »

Quotes

[first lines]
Jimmy White: [reading from Genesis] In the sweat of thy face shalt thou eat bread, till thou return unto the ground; for out of it wast thou taken: for dust thou art, and unto dust shalt thou return. And Adam called his wife's name Eve, because she was the mother of all living.
See more »

Connections

Featured in At the Movies: Venice Film Festival 2010 (2010) See more »

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User Reviews

 
Meek's Cutoff
30 December 2011 | by (Portland OR) – See all my reviews

It is telling that Reichardt chose to shoot this film in Academy ratio. Right away we know this will not be a romantic image of the Old West, with breathtaking, expansive vistas (although the cinematography is lovely in its own way). Instead, we are constricted, claustrophobic, uncertain of what lies just beyond our limited field of vision. It is a film of quiet desperation, hard-scrabble survival in painstaking detail, and growing mistrust. In some ways it evokes the horror genre, perhaps something like a subdued BLAIR WITCH PROJECT, as the severity of the situation deepens and doubt takes hold. The film manages a sense of gritty realism without resorting to overstating the harsh conditions for dramatic effect. The travelers aren't stumbling around filthy and bloody, they maintain a semblance of civility even as the promise of civilization seems more and more doubtful. The ending will no doubt frustrate many, but didn't bother me one bit.

As for the cast, Michelle Williams impresses me again with her thoughtful restraint, and I'm always pleased to see Shirley Henderson. Greenwood does well with a part that could easily have called too much attention to itself, and for once I didn't hate Paul Dano. The score is wonderful, as haunting and sparse as the landscape. I adored WENDY AND LUCY, and quite liked OLD JOY (in fact, that film seems better in hindsight than I gave it credit for). Reichardt is emerging as one of American cinema's most distinctive and worthwhile voices. I look forward to her next endeavor.


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