When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
Computer scientist Hannon Fuller has discovered something extremely important. He's about to tell the discovery to his colleague, Douglas Hall, but knowing someone is after him, the old man... See full summary »
Selene, a beautiful vampire warrior, is entrenched in a war between the vampire and werewolf races. Although she is aligned with the vampires, she falls in love with Michael, a werewolf who longs for the war to end.
Alice awakes in Raccoon City, only to find it has become infested with zombies and monsters. With the help of Jill Valentine and Carlos Olivera, Alice must find a way out of the city before it is destroyed by a nuclear missile.
A race of aliens who are non corporeal go from planet to planet looking for hosts. They come to Earth and basically take over human bodies. Now it's believed that once they take over a body all memories of the previous inhabitant are gone. And there are some humans who have remain hidden from them and are basically a resistance movement. So an alien charged with locating them known as the Seeker captures one of them a girl named Melanie and puts one of them who is known as Wanderer in her body, in hopes of finding out where the humans are. But Melanie for some reason is still there and she convinces Wanderer not to say anything to Seeker. Wanderer feels empathy for the humans. When Seeker is disappointed at her lack of progress, she informs Wanderer that she'll be removed and placed in a new host and she will be placed in Melanie. Melanie knowing she can't convince her the way she convinced Wanderer convinces Wanderer to run away and they can meet with the humans. Eventually they find... Written by
Although at first reported as such, this was actually not the last movie Roger Ebert reviewed before his death. As reported by Jim Emerson, the last review Ebert wrote was for Terrence Malick's _To the Wonder (2012)_. However, the Review for _The Host (2013)_ was the last review that was published before his death. See more »
When Melanie/Wanda is driving the blue Volvo through the desert and struggling about which direction to go, the device that makes the car do the spontaneous flip can clearly be seen on the bottom left side of the car, just in front of the rear left wheel. See more »
The earth is at piece. There is no hunger. There is no violence. The environment is healed. Honesty, courtesy, kindness are practiced by all. Our world has never been more perfect. Only, it is no longer our world. We've been invaded by an alien race. They occupy the bodies of almost all human beings on the planet. The few humans who have survived are on the run.
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The Host has an intriguing conceit. It is about a post-apocalypse where aliens take control on every human body then the remaining unpossessed humans fear them despite that these aliens only want peace. The story might have an idea that the humans could be the real enemy here or it's just both of them. The Sci-Fi bits are pretty interesting but it doesn't end there. It's based on a young adult novel so definitely there will be teenage hormones scattered around the context. It has romance that is suppose to save their world and change their lives, but once again just like any other young adult film, the romance is nothing more than a bunch of good looking people falling in love and doing romantic cliché stuff. Love may not be a problem to these stories but this romance is terribly empty. They're just making out and saying ridiculously cheesy lines. It would have been a fascinating idea but it just can't get away from its typical teen angst.
It is kind of similar to the recent young adult novel based film, Warm Bodies, except the antagonists in The Host are virtuous beings instead of ravenous monsters. It seems that both stories have the same morality. Humans are not the most peaceful beings either and maybe the order and mentality of both sides are the reason why they couldn't get along. When it goes to the romance, it says that Melanie and Wanda's love between the boys might revolt their world's condition. But it strays from its plot giving us a lousily told story and romance. Mostly the romance. It is noticeable that most of their "love" only rely on their lips. Which means they kiss a lot. We do not get to know much about why they care for each other, other than being one of the last normal human beings of their age. It is also filled with plot holes because of course it wants to appeal teens for the endless love that didn't even work. It is directed by Andrew Niccol who is somewhat a Sci-Fi expert but it looks like he's afraid that too much Sci-Fi than romance might disappoint these children. He could have been more indulgent.
The film has a solid cast but not all of them standout. Saoirse Ronan plays two roles here and she fills enough heart on both characters. Diane Kruger looks like she is enjoying playing the film's villain. The roles of Max Irons and Jake Abel seems to be only designed for kissing, slapping, and sometimes strangling, leaving William Hurt being the only likable gentleman of the picture.
The script explains some points of the concept which is fine in that way in spite of the plot holes but it gets terrible on the romance. There are dialogues that may get way out of hand, ends up being laughable. Even more laughable is one scene when the protagonist tries to wake up her subconscious by kissing her boyfriend. I don't know if I should blame anyone about it. I mean what choice does she have? Still, it's ridiculous. The film is at least stunning. It gets to explore something magnificent around. The exteriors serves a lot of intrigue to its world. It features shiny cars and choppers. Most of the action are well shot even though the action itself isn't really that interesting but everything in the film looks good.
The Host is not interesting enough. It thematically talks about peace and stuff. Well, you can make peace out of love but the film only shows kissing and I think there is more in love than just making out. Hormonally, this could be a perfect escapism for teens. An apocalyptic world about relationships of these good looking couples with fast awesome cars crashing on the road. But the story seems to offer more. Again, they are unable to show it because the only fan service for adaptations of teen books is to follow every single sequence from the book because they love comparing. Too bad, they could have also shown what's behind the words as well. The Host is another victim of a generic young adult film adaptation that doesn't understand much of the meaning of the story, and throw away the most bland of all romances.
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