When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called Downworld.
Jamie Campbell Bower,
As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
Rose Hathaway is a Dhampir, half human-half vampire, a guardian of the Moroi, peaceful, mortal vampires living discreetly within our world. Her calling is to protect the Moroi from bloodthirsty, immortal Vampires, the Strigoi.
A race of non-corporeal, parasitic aliens who go from planet to planet looking for hosts have come to Earth and basically taken over the human race. It's believed that, once inside a body, all memories of the host human are gone. Some few free humans remain hidden from them, forming a resistance group. When an alien Seeker captures a girl named Melanie and puts a Wanderer in her body, she hopes to find out where the remaining humans are gathered, but Melanie, a strong fighter able to converse with the alien in her commandeered body, convinces the Wanderer to say nothing. Disappointed by the lack of progress (though suspecting an empathy for the human), the Seeker informs the Wanderer that she'll be removed and placed in a new host while she herself will enter Melanie. With human lives at risk, Melanie convinces Wanderer to run away and hide out with the humans, but finding them doesn't mean they'll allow an alien presence among them. Jared (Melanie's boyfriend) wants her dead, but Jeb... Written by
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Although at first reported as such, this was actually not the last movie Roger Ebert reviewed before his death. As reported by Jim Emerson, the last review Ebert wrote was for Terrence Malick's _To the Wonder (2012)_. However, the Review for _The Host (2013)_ was the last review that was published before his death. See more »
When Wanderer draws the portrait of Jared, Melanie throws away the pencil. You can hear it scratching the paper, but in the next shot there is no mark or stroke of any pencil. See more »
The earth is at peace. There is no hunger. There is no violence. The environment is healed. Honesty, courtesy and kindness are practiced by all. Our world has never been more... perfect. Only, it is no longer our world. We've been invaded by an alien race. They occupy the bodies of almost all human beings on the planet. The few humans who have survived are on the run.
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The Host has an intriguing conceit. It is about a post-apocalypse where aliens take control on every human body then the remaining unpossessed humans fear them despite that these aliens only want peace. The story might have an idea that the humans could be the real enemy here or it's just both of them. The Sci-Fi bits are pretty interesting but it doesn't end there. It's based on a young adult novel so definitely there will be teenage hormones scattered around the context. It has romance that is suppose to save their world and change their lives, but once again just like any other young adult film, the romance is nothing more than a bunch of good looking people falling in love and doing romantic cliché stuff. Love may not be a problem to these stories but this romance is terribly empty. They're just making out and saying ridiculously cheesy lines. It would have been a fascinating idea but it just can't get away from its typical teen angst.
It is kind of similar to the recent young adult novel based film, Warm Bodies, except the antagonists in The Host are virtuous beings instead of ravenous monsters. It seems that both stories have the same morality. Humans are not the most peaceful beings either and maybe the order and mentality of both sides are the reason why they couldn't get along. When it goes to the romance, it says that Melanie and Wanda's love between the boys might revolt their world's condition. But it strays from its plot giving us a lousily told story and romance. Mostly the romance. It is noticeable that most of their "love" only rely on their lips. Which means they kiss a lot. We do not get to know much about why they care for each other, other than being one of the last normal human beings of their age. It is also filled with plot holes because of course it wants to appeal teens for the endless love that didn't even work. It is directed by Andrew Niccol who is somewhat a Sci-Fi expert but it looks like he's afraid that too much Sci-Fi than romance might disappoint these children. He could have been more indulgent.
The film has a solid cast but not all of them standout. Saoirse Ronan plays two roles here and she fills enough heart on both characters. Diane Kruger looks like she is enjoying playing the film's villain. The roles of Max Irons and Jake Abel seems to be only designed for kissing, slapping, and sometimes strangling, leaving William Hurt being the only likable gentleman of the picture.
The script explains some points of the concept which is fine in that way in spite of the plot holes but it gets terrible on the romance. There are dialogues that may get way out of hand, ends up being laughable. Even more laughable is one scene when the protagonist tries to wake up her subconscious by kissing her boyfriend. I don't know if I should blame anyone about it. I mean what choice does she have? Still, it's ridiculous. The film is at least stunning. It gets to explore something magnificent around. The exteriors serves a lot of intrigue to its world. It features shiny cars and choppers. Most of the action are well shot even though the action itself isn't really that interesting but everything in the film looks good.
The Host is not interesting enough. It thematically talks about peace and stuff. Well, you can make peace out of love but the film only shows kissing and I think there is more in love than just making out. Hormonally, this could be a perfect escapism for teens. An apocalyptic world about relationships of these good looking couples with fast awesome cars crashing on the road. But the story seems to offer more. Again, they are unable to show it because the only fan service for adaptations of teen books is to follow every single sequence from the book because they love comparing. Too bad, they could have also shown what's behind the words as well. The Host is another victim of a generic young adult film adaptation that doesn't understand much of the meaning of the story, and throw away the most bland of all romances.
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