Exceptional London cop Nicholas Angel is involuntarily transferred to a quaint English village and paired with a witless new partner. While on the beat, Nicholas suspects a sinister conspiracy is afoot with the residents.
A marksman living in exile is coaxed back into action after learning of a plot to kill the president. Ultimately double-crossed and framed for the attempt, he goes on the run to track the real killer and find out who exactly set him up, and why.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
Jerry and Rachel are two strangers thrown together by a mysterious phone call from a woman they have never met. Threatening their lives and family, she pushes Jerry and Rachel into a series of increasingly dangerous situations, using the technology of everyday life to track and control their every move.
A German sign on the door of a chemical lab in Heilbronn warns of "Lebensgefahr" (mortal danger), but then has the English word POISON in large red letters in the middle. It makes no sense for the most important word in a sign to be in a foreign language, and is clearly for the benefit of the audience. (The skull & crossbones symbol might have been used, as it was internationally recognized by the 1880s.) See more »
Dr. John Watson:
The year was 1891. Storm clouds were brewing over Europe. France and Germany were at each other's throats, the result of a series of bombings. Some said it was the Nationalists. Others, the anarchists. But as usual, my friend Sherlock Holmes, had a different theory entirely.
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SPOILER: The closing title "THE END" appears as part of Dr. Watson's manuscript; Holmes corrects the manuscript to make it "THE END?" See more »
Two Mules For Sister Sara
Written by Ennio Morricone
Published by USI B Publishing, adm. by Songs of Universal, Inc.(BMI)
Performed by Movie Screen Orchestra
Courtesy of One Media by arrangement with Source/Q
(P)One Media Publishing Ltd. See more »
What a relief! The trailers lied--it was awesome. :)
We just got back from the earliest showing we could get a sitter for. I can say with confidence that my fears about this movie were totally unfounded, and I now hold Guy Ritchie and these writers in the highest regard. Without going into spoilers, here are the three concerns that were put entirely to rest: 1) After seeing the trailer, my biggest worry was the use of "bullet-time" type photography during a Victorian-era movie. I thought it would be completely anachronistic and pointless. However, they'd already established in this movie and the previous one that Holmes is hyper-aware of his surroundings. The bullet-time was used to convey how traumatic a couple of scenes were to someone with that type of awareness, and it worked beautifully.
2) Jared Harris looked so vanilla and soft in the promo pics and trailers that I couldn't imagine him as a fearsome adversary for Holmes. However, his Moriarty is so devious and cunning, and at one time downright sadistic, that I don't think they could have made a better choice. A couple of times I felt like he was channeling his father (the outstanding Richard Harris) without the warmth and empathy that the late actor conveyed. Can you imagine Richard Harris as a cunning, calculating perfectionist that's totally devoid of concern for human life? You won't have to after watching his son. It's freaky. And he sings.
3) Holmes' relationship with Watson (and in a small way, Irene Adler) is fantastically developed. Saying any more than that would be too spoilery.
So, watching this w/ my husband(who is a die-hard Sherlock fan, and used to read Sherlock Holmes aloud to me every rainy night, complete w/ voices) was a fabulous experience. We can't wait to see it again, and own it.
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