While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her ... See full summary »
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A thief with a unique code of professional ethics is double-crossed by his crew and left for dead. Assuming a new disguise and forming an unlikely alliance with a woman on the inside, he looks to hijack the score of the crew's latest heist.
While Jo (Roberts) is chained down in a dead end supermarket job, her friends are all out on their own separate adventures: Cassandra (Egerton) is jetting off to New York to meet her Internet boyfriend; Kerrys (Warren-Markland) is on a one woman crusade fighting for female liberation and Shannon (Lovibond) is on a one way trip to meet her maker. But a chance encounter with some diamond thieves sends their separate worlds on a collision course with not only each other, but fate itself. These 4 girls are about to have 3 days they will never forget, spanning to 2 cities. That is ... if they survive. Written by
22.214.171.124, is a British-teen aimed film with standard Brit ingredients of guns, sex etc. I went with my mum as she (like me) enjoys gritty street Brit flicks such as Kidulthood, Adulthood, Bullet Boy etc.
Admittedly, my mum was the oldest in the premiere screening, and it was a feisty atmosphere, but I was used to this from when I went to the opening screening of Adulthood.
It started off slow. It was just quite a lot of things happening, with little sense or links between them, but as the characters divided off into 4, the story really kicked in. It was similar in style to Pulp Fiction in the fact it follows the individual stories of the characters, all of which have links that connect them together throughout. This was very, very well done throughout and included flashbacks between the switching of characters so the audience could remember what had happened.
It was very well directed, had a good flow to it, and had lots of comedic parts, all of which were subtlety put in to it so to not make it into a predominately comedic film.
The film was well rounded off, with me actually leaving quite surprised. The ending left scope for a sequel (which I know looks to be in the pipeline) and I actually enjoyed it far more than I expected.
Most films I see at the cinema, I leave thinking I don't want to see it again, not because it was rubbish, but because I felt I'd enjoyed it enough not to need to re-watch it. This, however, was simply brilliantly made, had a strong plot and left me wanting more. My mum even enjoyed it more than me, and she's 40 :P Although not my highest rated film this year so far, this does go down as probably the most enjoyed and well worked film I've seen this year.
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