A comic tale of three would-be entrepreneurs who set out to invent a rocket belt. The clash of their mismatched personalities soon dissolves the business into a morass of recriminations and... See full summary »
Iris can best be described as a wallflower. She begins her first day as a temp for the nondescript Global Credit Association by waiting in a chair for two hours. This sets the scene for her... See full summary »
When a drag-racing, hard-luck parolee moves in with his brother in hopes of that ever-elusive fresh start in life, he's sure to be warm for the form of his brother's bored young wife. ... See full summary »
After fighting for a seat on their morning commute, Sally and Carl begin talking and suddenly their daily train journey becomes a lot more interesting. Carl is happily married, Sally's ... See full summary »
The violin shop featured in the film, Dahl Violins, is an actual violin shop in downtown Minneapolis. In the film, the shop is supposed to be located in Chicago. However, when Mickey and Randy break into the shop at night, the skyline which is prominently featured in the scene's initial shot is obviously Minneapolis, not Chicago. See more »
Written by 'Tim Renwick'
Published by Cavendish Music Co. Ltd. (PRS)
Courtesy of 5 Alarm Music See more »
loads of late twists help this slightly above average fargo-esque flick
"Thin Ice", much like Fargo, is a murder-story set in a snowy-midwestern town. The lead character is an immoral salesmen who's life is literally falling apart around him.
The good news is that "Thin Ice" provides the audience with an even-more-twisty-tale. The performances are steady across the board. Now, I'm not saying this is as good or better than Fargo, IT'S NOT! But, it's a good movie.
The twists in the last 30 minutes are hefty and hard to scrutinize. There are a few aspects of the plot that were a little predictable, but for the most part the twists in the end were well-concealed and somewhat believable.
The film moves fairly slow, but never came off to me as boring. It doesn't really have any style to speak of, and the other director elements are nothing special. Greg Kinnear, Alan Arkin, and Billy Crudip do a fine job with an average script that is completely void of comedic moments(style and comedy were two of Fargo's strengths).
The plot twists in the last third of the film DO set this one apart, and while the film DOES lack style and comedy, the acting helps keep it afloat.
I'd say this deserves a bit higher ranking than it's current 6.1 here, but it also isn't something that you should feel the need to move up to the top of your list.
A Coen Brothers story without some of the Coen Bro's trademarks.
I'm stuck between 6 and 7 here at 65/100, but rounding up and taking into consideration the low 6.1 score.
You might like this if you liked: American Gun(not as good), Fargo(better), Burn After Reading(about even), and Millions(not as good).
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