A comic tale of three would-be entrepreneurs who set out to invent a rocket belt. The clash of their mismatched personalities soon dissolves the business into a morass of recriminations and... See full summary »
Ivan, a heavily indebted hotel doorman, pretends to have a wealthy father who would be eager to pay off his son's debts. Ivan and a debt collector embark on a journey to what is supposed to... See full summary »
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A woman wakes up next to a mysterious man she's never seen before. Wondering what happened, she is seduced by the man and brutally killed later on in a moment of passion. As she awakes over... See full summary »
Luis Fernando Bohórquez,
Deborah L. Sherman
The violin shop featured in the film, Dahl Violins, is an actual violin shop in downtown Minneapolis. In the film, the shop is supposed to be located in Chicago. However, when Mickey and Randy break into the shop at night, the skyline which is prominently featured in the scene's initial shot is obviously Minneapolis, not Chicago. See more »
Leave Our Worries
Written by Christopher A. Corley and Jon D'Agostino
Performed by Serendipity
Published by Astonishing Music (BMI) /
Music Expressions ASCAP
Courtesy of Crucial Music See more »
If this movie were free, I'd maybe recommend checking it out
I was a bit intrigued to see how the new, re-cut "The Convincer" would stack up to its predecessor. To be honest, I was a bit bias from the start, particularly given the title change to "Thin Ice"
Either way, this film lacks structure. I feel like that, in an attempt to make it to the 90 minute marker, it has sacrificed much of its plot. Scenes jump too quickly, and the characters are not allowed to develop as well as they were in "The Convincer". The most important thing to remember when making a suspenseful film is to allow the suspense to develop. Am I crazy to think this? Did the producers simply decide that this had to be a certain length, and then adjust the plot as such? That's how I felt while watching this film.
There is some true potential amidst all of this though - the chemistry between Alan Arkin and Greg Kinnear is only magnified by the addition of Billy Crudup, whose edgy character brings an "anything can happen" dynamic to the plot.
Unfortunately I still can't get past the jumpy editing and floundering sound track. I'm not well adversed on the business side of film, but this newer version left me disappointed. I'm going to go ahead and point my finger at Werc Werk Works. But that's just me.
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