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After his wife falls under the influence of a drug dealer, an everyday guy transforms himself into Crimson Bolt, a superhero with the best intentions, but lacking in heroic skills.

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Cast

Cast overview, first billed only:
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Detective John Felkner
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Abe
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Hamilton
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Toby
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Quill
Don Mac ...
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Pet Store Employee
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Cop (as Gerardo Davilla)
Grant Goodman ...
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Frank Sr. (as Paul Taylor)
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Storyline

Frank Darrbo is a hapless fry cook. When his wife Sarah falls off the wagon and dumps him for Jacques, a drug dealer, Frank tries to get her back by reporting her kidnapped, grabbing her from Jacques' car, and wailing for her to return. After watching Christian TV and having a vision, he becomes a superhero to fight evil. He sews a costume, finds a weapon (a pipe wrench) and looks for crimes to stop. He has problems: his wrench inflicts real injury, so the cops want him for being a vigilante, his sense of boundaries is flawed, and Jacques' gang has guns. Libby, a clerk at a comic book store, becomes his sidekick, and it's time to go save Sarah. What chance do they have? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Shut up, crime!

Genres:

Comedy | Crime | Drama

Motion Picture Rating (MPAA)

Rated R for strong bloody violence, pervasive language, sexual content and drug use | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

Language:

Release Date:

10 June 2011 (Iceland)  »

Also Known As:

SUPER  »

Filming Locations:

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Box Office

Budget:

$2,500,000 (estimated)

Opening Weekend:

$46,549 (USA) (1 April 2011)

Gross:

$322,157 (USA) (20 May 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

James and Sean Gunn, Gregg Henry, and Michael Rooker would work together again a few years later in another superhero movie "Guardians of the Galaxy" (2014). See more »

Goofs

After getting shot, Frank drives away and the shadow of the camera man is visible on the Crimson Bolt. The sun is on the other side (car has turned around) in the next shot in the car. See more »

Quotes

[first lines]
Frank D'Arbo: I've had two perfect moments in my life. The first is when I married Sarah. The other, I was downtown.
[purse snatcher runs past]
Frank D'Arbo: He went in there, officer.
Frank D'Arbo: Two perfect moments, which offset a life of pain.
[getting spanked as a child]
See more »

Connections

Featured in Half in the Bag: Super and The Watchman (2011) See more »

Soundtracks

Sometimes Good Guys Don't Wear White
Written by Ed Cobb
Performed by The Nomads
Licensed by Arrangement with Music Sales Corporation
Courtesy of Cosmos Music Group
See more »

Frequently Asked Questions

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User Reviews

 
Likely to divide opinion with its multitude of genres, "Super" will become a cult fave
27 April 2011 | by (IL, USA) – See all my reviews

The superhero film craze has led to a lot of ordinary main characters taking justice into their own hands. In that sense, nothing will strike you as original about "Super," the latest film from James Gunn ("Slither") and one made on a shoestring budget. Rainn Wilson stars as Frank, a man who loses his cool when a drug kingpin (Kevin Bacon) steals away his wife (Liv Tyler). After having a vision in which his brain is quite literally "touched by the finger of God," Frank decides to create his own superhero, the Crimson Bolt, a force against all that is evil in the world, or at least the small town he lives in.

Much like last year's "Kick-Ass," which re-examined superhero tropes using unlikely and subversive heroes, "Super" specializes in being deliberately perverse and relishes in the violation of genre expectation. James Gunn's film is foul, hilarious, real and campy all at different times. The film's disapproving critics will undoubtedly argue that down-to-earth characters and a gritty context cannot coexist with excessive, comical violence. Gunn likely believes that these two universes can be reconciled into one film, but nevertheless, the film delivers roaring entertainment with surprising moments of poignancy despite being a complete brain-scrambler.

"Super" begins like a typical narrated indie comedy. It portrays Frank as a bit of a dreamer, a slightly unrealistic person with a slight but charming naïveté. He finds oddly religious sources of inspiration to become a hero, such as the Holy Avenger (Nathan Fillion), a made-up TV superhero used to promote Christian messages to children. Although Gunn brings Frank's overactive imagination to life, the film stays grounded in its "real person seriously considers being a superhero" concept. As Frank's world comes crashing down, we develop a definitive sense of pity and support his revenge fantasy. Then Gunn blows the lid open.

First off, the Crimson Bolt's weapon of choice is a pipe wrench. It seems goofy and kind of silly at first, but then he's actually bashing people over the head with a pipe wrench until they're bleeding and/or unconscious. Eventually, sweet lovable frank becomes a morally ambiguous hero, especially after he decides to teach the guy who butted in line at the movie theater a thing or two. This certainly makes "Super" a more complicated film, but it also creates a definite discomfort. Enter Ellen Page as the over-zealous comic book shop girl who inserts herself into the equation as Frank's kid sidekick Boltie. She not only attempts to seduce Frank, but she has an even more unrealistic notion of the violence she seeks to create. Together, they serve as a catalyst for the black comedy elements and the campy gore.

Both Wilson and Page push themselves in positive ways with their roles. Page leaves her dry wit comfort zone for some outrageous antics and Wilson shows some range with Frank's emotional side. Their radically different notions of what being a superhero is about leads to great hilarity and disturbing conflict.

Gunn chooses to sacrifice communicating the great depth of these characters by violating viewer expectation with the violence. Some of the gore stays realistic but uncomfortable while other deaths go over the top. The inconsistencies jar the tone of the film and suggest to the audience that they should take the film more or less seriously depending. It can become very difficult to remain engaged in the character sub-plots and the script's other strengths with this distraction. The other issue is the lack of realism with Frank being able to pull of his superhero. He drives around with his own license plates, for example and does a terrible job of concealing his identity. For a film that chooses to create down-to-earth characters, it becomes a bit hypocritical to ignore obvious truths.

Yet the fun, the humor, the strength of character and the way Gunn challenges thematic notions raised by most superhero films definitely elevates "Super" in a way that suggests its future will be as "cult favorite" as opposed to "lauded superhero spoof." The way it toys so carelessly with realism and cartoony realism makes the ride a bit bumpy, but judging it purely on entertainment value it's a hilariously good time. One simply must be able to reconcile its various genre elements in order to remain engaged in Gunn's unique and well-intentioned story that deconstructs our previously unquestioned love of superheroes.

~Steven C


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