Between his tax problems and his legal battle with his wife for the custody of his daughter, these are hard times for the action movie star who finds that even Steven Seagal has pinched a ... See full summary »
Mabrouk El Mechri
Jean-Claude Van Damme,
The youngest son of an alcoholic former boxer returns home, where he's trained by his father for competition in a mixed martial arts tournament - a path that puts the fighter on a collision corner with his older brother.
Frank Darrbo is a hapless fry cook. When his wife Sarah falls off the wagon and dumps him for Jacques, a drug dealer, Frank tries to get her back by reporting her kidnapped, grabbing her from Jacques' car, and wailing for her to return. After watching Christian TV and having a vision, he becomes a superhero to fight evil. He sews a costume, finds a weapon (a pipe wrench) and looks for crimes to stop. He has problems: his wrench inflicts real injury, so the cops want him for being a vigilante, his sense of boundaries is flawed, and Jacques' gang has guns. Libby, a clerk at a comic book store, becomes his sidekick, and it's time to go save Sarah. What chance do they have? Written by
Rainn Wilson came to the project via Jenna Fischer's relationship with her ex-husband James Gunn. Gunn was discussing his script with Fischer and asked her to take a look at it, sending her a copy on the set of The Office. Fischer read the script, loved it and thought Wilson would be a great choice as the lead. She gave the script to her co-worker, and Wilson immediately decided to make the film. See more »
After getting shot, Frank drives away and the shadow of the camera man is visible on the Crimson Bolt. The sun is on the other side (car has turned around) in the next shot in the car. See more »
With a recent emergence of superhero movies aiming to be grittier and more realistic, Super is arguably the most accurate portrayal of what would happen if someone without powers or insane amounts of money decided to be a superhero. It would require a strict devotion to doing what YOU believe is right. There is, of course, almost always a level of ambiguity among superhero stories. Batman is considered by some to be a menace who if ever caught would most likely be charged with assault and breaking and entering, among other offenses. But he decides to be a vigilante because he sees injustice and wishes to fight it. He believes that what he is doing is right. Similarly, Rainn Wilson's character Frank becomes tired of standing idly by after his wife Sarah, portrayed by Liv Tyler is taken away by the slick and dangerous Jacques, played by Kevin Bacon. Frank intends to get his wife back and stop crime in his neighborhood. But as soon as Frank dons a costume and a monkey wrench as his weapon of choice, his mental well-being quickly comes into question. After all, what kind of person would strike someone in the head with a wrench, thus sending him to the ICU, for cutting in line at the movies? Is he psychotic? Is he deluded? Frank argues that it's actually everyone else who is deluded. What if we're the ones with a problem. After all, most of us witness the injustices and evils of this world and simply accept them as facts of life. We tell ourselves that nothing can be done about them and continue with our lives. Frank however knows what is right, even if that truth is only in his heart. The film earns it's R rating with massive amounts of graphic violence and a particularly strange sex scene. While Kick-Ass already tackled similar subject matter, Super takes a different approach. While Hit-Girl had weapons and combat training, Frank a.k.a. The Crimson Bolt and Libby a.k.a. Boltie (Ellen Page) have no experience at all and have nothing but rage and a penchant for violence to help them stop the bad guys. Additionally, Super begs the questions: Are the protagonists defenders of justice or psychopathic killers? Can they be both? While Kick-Ass had Joan Jett's Bad Reputation playing during Hit-Girl's butchering of a group of criminals, Super doesn't always portray our heroes' actions in such a cheery light. In order to save Frank's wife, The Crimson Bolt and Boltie need to be murders. They don't have the money or skill to develop sophisticated weaponry that will incapacitate their opponents. They don't have that luxury. They will gather whatever crude weapons they have in order to exact justice on those who escape the law. And if that makes them crazy, then so be it.
66 of 91 people found this review helpful.
Was this review helpful to you?