| Photos (See all 18 | slideshow) | Videos (see all 5) |
| Changhua Zhan | ... | Himself | |
| Suqin Chen | ... | Herself | |
| Qin Zhang | ... | Herself | |
| Yang Zhang | ... | Himself | |
| Tingsui Tang | ... | Himself |
Directed by | |||
| Lixin Fan | |||
Produced by | |||
| Mila Aung-Thwin | .... | executive producer | |
| Mila Aung-Thwin | .... | producer | |
| Daniel Cross | .... | executive producer | |
| Daniel Cross | .... | producer | |
| Bob Moore | .... | co-producer | |
| Zhao Qi | .... | executive producer | |
Original Music by | |||
| Olivier Alary | |||
Cinematography by | |||
| Lixin Fan | (director of photography) | ||
Film Editing by | |||
| Yung Chang | |||
| Lixin Fan | |||
| Mary Stephen | |||
Sound Department | |||
| Nicolas Dallaire | .... | foley recordist | |
| Liming Fan | .... | sound recordist | |
| Gavin Fernandes | .... | sound re-recording mixer | |
| Paul Hubert | .... | foley artist | |
| Eric Lagacé | .... | foley recordist | |
| Jacques-Alexandre Levesque | .... | foley artist (as Jacques Alexandre Levesque) | |
| Isabelle Lussier | .... | sound mix assistant | |
| Cory Rizos | .... | sound designer | |
| Cory Rizos | .... | sound re-recording mixer | |
| Cory Rizos | .... | supervising sound editor | |
| Kyle Stanfield | .... | adr recordist | |
| Kyle Stanfield | .... | dialogue editor | |
Visual Effects by | |||
| Anjet Blinde | .... | titles | |
| Xi Feng | .... | titles | |
Editorial Department | |||
| Anjet Blinde | .... | post-production assistant | |
| Yung Chang | .... | editing consultant | |
| Edmund John Duff | .... | post-production assistant (as Edmund Duff) | |
| Xi Feng | .... | assistant editor | |
| Eric Gaudry | .... | colorist | |
| Hannele Halm | .... | additional picture editor | |
| Yi Han | .... | assistant editor | |
| Francis Hanneman | .... | colorist | |
| Michael Siu | .... | on-line editor (as Michael MK Siu) | |
| Mary Stephen | .... | initial picture editor | |
| Peter Wintonick | .... | editing consultant | |
Music Department | |||
| Tim Gowdy | .... | music recording engineer | |
| Johannes Malfatti | .... | musician | |
Other crew | |||
| Claire Aguilar | .... | vice president of programming: ITVS International | |
| Heenan Blaikie | .... | legal counsel | |
| Anjet Blinde | .... | subtitles | |
| Jérôme Branchet | .... | subtitles | |
| Dean Chenoy | .... | legal counsel | |
| Christi Collier | .... | coordinating producer: ITVS International | |
| Daniel Cross | .... | story editor | |
| Wenlong Ding | .... | translation | |
| Edmund John Duff | .... | subtitles (as Edmund Duff) | |
| Liming Fan | .... | transcription | |
| Xi Feng | .... | subtitles | |
| Sally Jo Fifer | .... | executive producer: ITVS International | |
| Daniela Flori | .... | production coordinator | |
| Xiangbo Fu | .... | production assistant | |
| Wenwen Han | .... | translation | |
| Yi Han | .... | production coordinator | |
| Xue Huang | .... | translation supervisor | |
| Xue Huang | .... | translation | |
| Cynthia Kane | .... | program manager: ITVS International | |
| Anuj Khosla | .... | production accountant | |
| Anuj Khosla | .... | project administrator | |
| Lilian Liu | .... | cultural consultant | |
| Naomi Miao | .... | translation | |
| Xiaoyu Niu | .... | production assistant | |
| Halima Ouardiri | .... | marketing supervisor | |
| Halima Ouardiri | .... | subtitles | |
| Rock Pinard | .... | subtitles | |
| Anne Stulz | .... | publicist | |
| Wanyan Sun | .... | translation | |
| Jin Wang | .... | transcription | |
| Jin Wang | .... | translation | |
| Laura Wills | .... | book keeping | |
| Man Xie | .... | translation supervisor | |
| Jifan Yang | .... | translation | |
| Xin Yang | .... | transcription | |
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| The Good Earth | Mao's Last Dancer | The White Countess | Landscape in the Mist | The Painted Veil |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Canada section |
Last Train Home is heartbreaking, incredibly moving, and documentary film-making at its best. Director Lixin Fan forces no comment, political otherwise, as he follows the lives of two Chinese migrant workers over a period of two years. The camera is purely an observer- it's this kind of focused observational film-making that makes this film so moving and poignant.
Reality is bleak for some 130 million Chinese migrant workers who work for long hours sewing clothes in derelict factories and travel huge distances home to their families just once a year during Chinese New Year. The journey is chaotic, brutal, and the physical and emotional toll is high - but the damage it does to families is even greater. Changhua Zhang and Suqin Chen work hard to provide for a more promising future for their children. Their daughter Qin is a lonely and unfulfilled teenager who harbours much resentment towards the parents that have been largely absent from her life. She decides to quit school and become a migrant worker herself, treading that same path that her parents have worked so tirelessly to prevent.
To witness the estrangement and disconnect within the family is heart- wrenching. The camera captures expressions and scenes of humanity that speak volumes of the lifelong ordeal of China's migrant workers. While the country has reaped many benefits from its export-driven economy, it is questionable as to whether the workers, the very engine of this rising prosperity, have seen any margin of fortune themselves.
This is a human story so mercilessly gripping that it should resonate with all. How we live in the western hemisphere is directly interwoven with the lives of people halfway across the world. Last Train Home is a sharp reminder of that. This is a superbly crafted film that you need to watch.