Sawa Yamagishi (Sakura Ando) worked as a nursing-care helper. The family of an old man asked Sawa to sleep with him, which led her to eventually lose her job and house. Now, she has nowhere... See full summary »
After 5 years in Tokyo, 5 part-time jobs, 5 boyfriends, Sawako's life is going nowhere. When her father gets seriously ill she have to take over his struggling factory. Gradually she becomes the decider of her own life.
Because of her last name "Kumada" (bear + rice paddy) and her appearance, Misa's high school classmates call her "Pooh" disparagingly. She obviously has no friends and can only let down her... See full summary »
A metaphysical mystery involving a university student's camera getting stolen, and the thief then committing suicide. Looking back upon the event, the situation comes to be questioned if it happened at all.
In the first half of this century, young Li Tienlu joines a travelling puppet theatre and subsequently makes a career as one of Taiwan's leading puppeteers. During World War II the Japanese... See full summary »
Jobless, single and in her early thirties, Hee-soo is miserable. Desperate, she sets out to find her ex-boyfriend, Byoung-woon, who owes her $3,500. Rather inconveniently, it turns out that... See full summary »
The businessman Ogata Shingo works with his son Shuichi, who is his secretary, and they live together in the suburb with their wives Yasuko and Kikuko respectively. Shuichi has a love ... See full summary »
This is a somewhat atmospheric film which explores the budding love between two young women in Japan. The pace is low till about the middle then picks up. The story is about Haru (the versatile and terrific Hikaru Mitsushima, who was memorable in Sono's "Love Exposure), who meets up with Riko (Eriko Nakamura, also very good) in a café and they explore a relationship which is at times tentative, frustrating but, ultimately, very believable. Haru's dead end relationship with a guy however doesn't immediately make her succumb to Riko's charms, which I think is probably the best thing about the film. Its a wonder not more films explore the nature of uncertainty in love and affection like this one. That the film has no intentions of being preachy or politically correct is also a minor revelation. Both actresses have bright futures in film if they stick to challenging roles like this, and director Momoko Ando's craft is also not only obvious but refreshing. I recommend this film, its truly a worthwhile slice of life.
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