| Julia McKenzie | ... | Miss Marple | |
| Ian Weichardt | ... | Young Lomax | |
| Laura O'Toole | ... | Agnes | |
| Robert Dunbar | ... | Young Count | |
| Edward Fox | ... | Caterham | |
| Mathew Horne | ... | Eversleigh | |
| Adam Godley | ... | Lomax | |
| Charlotte Salt | ... | Virginia | |
| Jonas Armstrong | ... | Cade | |
| Michelle Collins | ... | Treadwell | |
| Anthony Higgins | ... | Count Ludwig Von Stainach | |
| Dervla Kirwan | ... | Bundle | |
| Ruth Jones | ... | Blenkinsopp | |
| Alex Knight | ... | Jaffers | |
| Stephen Dillane | ... | Finch | |
| Letty Butler | ... | Young Treadwell |
Directed by | |||
| John Strickland | |||
Writing credits | ||
| Agatha Christie | (based on the novel by) | |
| Paul Rutman | (screenplay) | |
Original Music by | |||
| Dominik Scherrer | |||
Cinematography by | |||
| Chris Seager | (director of photography) | ||
Film Editing by | |||
| Nick Arthurs | |||
Casting by | |||
| Susie Parriss | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Miranda Cull | |||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Bee Archer | .... | makeup artist | |
| Pamela Haddock | .... | hair and make-up designer | |
| Julie Kendrick | .... | makeup artist | |
| Tony Lilley | .... | makeup artist | |
| Hannah Proverbs | .... | makeup artist | |
Production Management | |||
| Kate Stannard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Tussy Facchin | .... | third assistant director | |
| Nige Watson | .... | first assistant director | |
| Tom White | .... | additional first assistant director (uncredited) | |
Art Department | |||
| Tim Bonstow | .... | production buyer | |
| Dave Channon | .... | construction manager | |
| Ron Dawling | .... | stand-by props (as Ron Dowling) | |
| Fred Foster | .... | stand-by construction | |
| Paul Gilpin | .... | supervising art director | |
| Jim Grindley | .... | property master | |
| Andrew Lavin | .... | stand-by art director | |
| Richard MacMillan | .... | stand-by props (as Richard Macmillian) | |
| Robert Muskett | .... | stand-by construction (as Bob Muskett) | |
| Jay Pales | .... | dressing props | |
| Mike Rawlings | .... | dressing props | |
| Mike Syson | .... | dressing props | |
| Naomi Moore | .... | assistant production buyer (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | sound maintenance | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | re-recording mixer | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Simon Epstein | .... | foley mixer & editor (uncredited) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
Visual Effects by | |||
| Dolores McGinley | .... | digital artist (uncredited) | |
Stunts | |||
| Andy Bradford | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Ben Gibb | .... | focus puller | |
| Jimmy Harris | .... | best boy | |
| Dermot Hickey | .... | focus puller | |
| Dean Murray | .... | clapper loader | |
| Steve Murray | .... | camera operator | |
| Jim Philpott | .... | camera grip | |
| Gavin Walters | .... | gaffer | |
| Ian Clark | .... | b-camera operator (uncredited) | |
| Peter Davies | .... | electrician (uncredited) | |
| Tommy Holman | .... | camera trainee (uncredited) | |
| Greg Murray | .... | grip assistant (uncredited) | |
| Adam Walker | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Claire Collins | .... | costume supervisor | |
| Philip O'Connor | .... | assistant costume designer (as Phil O'Connor) | |
| Steve O'Sullivan | .... | costume assistant | |
| Sarah Ward | .... | costume assistant | |
Editorial Department | |||
| Simon Giblin | .... | on-line editor | |
| Kevin Horsewood | .... | colourist | |
| Vicky Tooms | .... | assistant editor | |
Music Department | |||
| Richard Hammarton | .... | composer: additional music | |
| Martin Thornton | .... | technical score assistant (uncredited) | |
Other crew | |||
| Meriel Baistow-Clare | .... | script editor | |
| Sam Baker | .... | production coordinator | |
| Natasha Bayford | .... | press officer | |
| Simon Blakey | .... | production secretary | |
| Julie Burnell | .... | production executive | |
| Paula Casarin | .... | script supervisor | |
| Paul Harris | .... | choreographer | |
| Caroline Russell | .... | production accountant | |
| Joanna Sanders | .... | assistant production accountant | |
| Jennie Scanlon | .... | script executive | |
| Patrick Smith | .... | picture publicist | |
| Mark Walledge | .... | assistant location manager | |
| Tracey Waller | .... | title design | |
| Chris White | .... | location manager | |
| Rebecca Kemp | .... | location assistant (uncredited) | |
| Donna Shakesheff | .... | production runner (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Inspector Finch | jmarsh4036-1 |
| Jonas Armstrong is in it! | ekelks-2 |
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| I Confess | Thirteen at Dinner | The Mysterious Pilot | Agatha Christie Marple: The Murder at the Vicarage | Agatha Christie's 'Ten Little Indians' |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
I am a huge fan of Agatha Christie, both her books and most of the adaptations based on her stories. The stories are clever and complex and the characters are interesting. That said, I was disappointed with The Secret of Chimneys. As far as these Marple adaptations go, it is not as awful as At Bertram's Hotel and Sittaford Mystery which were not only poor adaptations but severely lacking on their own terms too, but it is not the best either, Murder is Announced, Moving Finger and Pocket Full of Rye were surprisingly well done.
Starting with the good things, the adaptation is blessed with lovely production values. I loved the scenery and costumes as well as the photography, while the house itself was amazing. The music was very good too, not just the wonderful Vienesse Waltz that repeated itself but the accompanying music too. The script has its moments, there are some juicy red herrings and nice attempts at humour, while the direction was okay. The cast in general are first rate, Julia MacKenzie is a splendid Miss Marple(despite the fact The Secret of Chimneys is not even a Miss Marple story), shrewd, inquisitive yet very charming, while Stephen Dillaine is excellent. Out of the supporting cast, Edward Fox and the lovely Charlotte Salt come off best, and Anthony Higgins(his deep voice and accent reminded me slightly of Gary Oldman's Dracula) and Michelle Collins are decent.
However, despite these good things, the adaptation suffers from a very jumbled and convoluted plot with plot holes galore. I think it started off fine and intriguing, but it was about halfway through where it started getting complicated and hard to follow. The revelation was to say the least baffling, yes I got the culprit and the motive but some other explanations had me reaching for the rewind button. I also think in an attempt to cram a lot in, the adaptation felt rather rushed, so some parts felt skimmed over and underdeveloped. While the cast were fine in general, one or two members suffered from some moments of bad writing and character development. Anthony Cade was the main one, Jonas Armstrong looked dashing but he came across as bland and perhaps too earnest. I think this was the fault of the writer, turning a clever and cunning yet likable character into a very wimpy and uncharismatic shadow of his former self. Plus is it me or did the early attack on Virginia seem rather forced? The other was George Lomax, Adam Godley tried hard, but Lomax was made way too stiff and dull here. Consequently, the relationships between the two men and Virginia were very unconvincing. Just for the record, I don't mind changes to books, as long as the spirit is maintained. Sadly, the adaptation lacked the playful and witty charm of the book.
So overall, not a complete waste of time but disappointing. Hopefully The Blue Geranium will be an improvement. 5/10 Bethany Cox