| Jason Ritter | ... | Ben | |
| Jake Sandvig | ... | Alan | |
| Chandler Canterbury | ... | Kelsey | |
| Rebecca Hall | ... | Melanie | |
| Todd Louiso | ... | Marty | |
| Gabriel Macht | ... | Wyatt | |
| Carrie Preston | ... | Lynette | |
| Amanda Seyfried | ... | Amanda | |
| Johnny Simmons | ... | Kelsey, age 18 | |
| Josh Cooke | ... | Cop | |
| Micah A. Hauptman | ... | Vince Ortega (as Micah Hauptman) | |
| Barb Rossmeisl | ... | Hobo (as Barbara Rossmeisl) | |
| Devika Parikh | ... | Interviewer 1 | |
| Greg Clark | ... | Interviewer 2 | |
| Ricardo J. Chacon | ... | Jorge | |
| Dale Waddington | ... | Neighbor (as Dale Waddington Horowitz) | |
| Jordan Green | ... | Scott Owen | |
| Sally Kirkland | ... | Older Jewish lady | |
| Elmarie Wendel | ... | The Mark | |
| rest of cast listed alphabetically: | |||
| Carol Lyn Black | ... | (uncredited) | |
| Erik Eidem | ... | Erik (uncredited) | |
| Kenyetta Lethridge | ... | Volunteer (uncredited) | |
| Hunter James Mckeever | ... | Classmate (uncredited) | |
| Cameron Palatas | ... | Young Alan (uncredited) | |
| Philip Pavel | ... | Interviewer (uncredited) | |
Directed by | |||
| Brian Crano | |||
Writing credits(in alphabetical order) | ||
| Brian Crano | written by | |
| Jake Sandvig | written by | |
Produced by | |||
| Jennifer Barrons | .... | producer | |
| Brian Crano | .... | producer | |
| Lucy Barzun Donnelly | .... | producer | |
| Craig Eisenberg | .... | co-producer | |
| Peter Friedlander | .... | producer | |
| Max Hurwitz | .... | associate producer | |
| Jake Sandvig | .... | co-producer | |
Original Music by | |||
| Johnny Flynn | |||
Cinematography by | |||
| Byron Shah | |||
| Quyen Tran | |||
Film Editing by | |||
| Brian A. Kates | |||
| Travis Sittard | |||
Casting by | |||
| Brad Gilmore | |||
Production Design by | |||
| Bradley Thordarson | |||
Art Direction by | |||
| Justin Allen | |||
| Rachelle House | |||
Set Decoration by | |||
| Jeanne Nicholas | |||
| Elisabeth Stewart | (as Elisabeth 'Lulu' Stewart) | ||
Costume Design by | |||
| Michelle Sandvig | |||
Makeup Department | |||
| Christina Buzas | .... | additional hair stylist | |
| Christina Buzas | .... | additional make-up artist | |
| Molly Cranna | .... | additional hair stylist | |
| Molly Cranna | .... | assistant makeup artist | |
| Keri Ann Luevano | .... | key hair stylist | |
| Keri Ann Luevano | .... | key makeup artist | |
Production Management | |||
| Cynthia Graner | .... | unit production manager | |
Art Department | |||
| Justin Allen | .... | on set dresser | |
| Justin Ayres | .... | leadman (as Justin Ayers) | |
| Jill Blackledge | .... | art p.a. | |
| Sahra Brady | .... | art p.a. | |
| Lia Burton | .... | art intern | |
| Russell Drake | .... | leadman | |
| Frank Duran | .... | leadman | |
| Josue Clotaire Fleurimond | .... | assistant art director (as Josue Fleurimond) | |
| Lauren Klixbull | .... | on set dresser | |
| Shalome Pilson | .... | art p.a. | |
| Kristin Rasmussen | .... | art intern | |
| Jason Ray | .... | property master | |
| Steve Rick | .... | supervising property master | |
| Howard Rosell | .... | prop intern (as Howard Rosen) | |
| Katriel Rotamel | .... | shopper | |
| Kerrie Scher | .... | shopper | |
| Scott Shackelford | .... | leadman | |
| John Stone | .... | leadman | |
| Evelyn Valenzuela | .... | art p.a. | |
Sound Department | |||
| Mark Allen | .... | sound effects editor | |
| Gregg Barbanell | .... | foley artist | |
| Keith Birchfiel | .... | boom operator | |
| Thomas Curley | .... | sound mixer | |
| Pamela Kahn | .... | foley artist | |
| Josh Mantlo | .... | boom operator | |
| Stacey Michaels | .... | foley mixer | |
| Richard Partlow | .... | foley artist | |
| Robert Sharman | .... | sound mixer | |
| Deron Street | .... | additional sound design | |
| Deron Street | .... | first assistant sound editor | |
| Matt Vowles | .... | sound re-recording mixer | |
| Matt Vowles | .... | supervising sound editor | |
| Ronald L. Wright | .... | boom operator | |
Visual Effects by | |||
| Matt McFarland | .... | digital intermediate colorist | |
Stunts | |||
| Larry Rippenkroeger | .... | stunt coordinator | |
Casting Department | |||
| Mike Hendel | .... | casting assistant | |
| Kyle Dean | .... | casting intern (uncredited) | |
Costume and Wardrobe Department | |||
| Courtney Fugate | .... | wardrobe intern | |
| Lauren Nakagawa | .... | wardrobe intern | |
| Lauren Silvestri | .... | wardrobe intern | |
| Tera Struck | .... | wardrobe supervisor | |
| Diane Weisman | .... | wardrobe intern | |
| Lisa Michelle Wolf | .... | wardrobe intern | |
Editorial Department | |||
| Lizzy Calhoun | .... | assistant editor | |
| Matt McFarland | .... | digital intermediate colorist | |
| Christopher M. Meagher | .... | digital intermediate editor | |
| Adam Ohl | .... | digital intermediate producer | |
| Colin Patton | .... | additional editor | |
| Greg Spence | .... | post-production supervisor | |
Music Department | |||
| Doug Bernheim | .... | music business affairs | |
| Nick Bobetsky | .... | music supervisor | |
Transportation Department | |||
| Michael Klein | .... | picture car coordinator | |
| Larry Rippenkroeger | .... | driver | |
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| Bones | Desert Thunder | Tale of the Tribe | Seven Mummies | Innocence Remains |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Brian Crano's film A Bag of Hammers is part of the modern subset of indie dramedies, films that try to embrace cultural or social issues but finding a proper mix of quirky humor and twisted situations that somehow bizarrely mirror real life with a touch of humor and dash of heartbreak. While this mini-genre is at its fullest popularity, Crano's film doesn't reach the brilliance that other films similar has done.
Ben (Jason Ritter) and Alan (Jake Sandvig) are two friends who make a living by stealing cars through their valet service (how they aren't caught, the world may never know) and sublet part of their house to a struggling single mother, desperate to get a job and provide for her son. The boys end up taking care of the child themselves and must decide whether they are ready to move past their own adolescence to raise a son as their own.
The plot suggests class statements, coming-of-age, and a type of conflict that would usually inhabit a Fox sitcom or a 1980's comedy. While some of these ambitions play out, most of them fall flat or are too jumbled to reach any real potential. Ritter and Sandvig give it their all, with Chandler Canterbury given a misdirected performance of vague longing. The film relies on a soundtrack to convey emotion instead of proper, driven dialogue to propel the narrative to create something more. The film has it's heart in the right place, but the execution denies it's ultimate success.
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