A conservative judge is appointed by the President to spearhead America's escalating war against drugs, only to discover that his teenage daughter is a crack addict. Two DEA agents protect an informant. A jailed drug baron's wife attempts to carry on the family business.
Benicio Del Toro,
Freelance covert operative Mallory Kane is hired out by her handler to various global entities to perform jobs which governments can't authorize and heads of state would rather not know about. After a mission to rescue a hostage in Barcelona, Mallory is quickly dispatched on another mission to Dublin. When the operation goes awry and Mallory finds she has been double crossed, she needs to use all of her skills, tricks and abilities to escape an international manhunt, make it back to the United States, protect her family, and exact revenge on those that have betrayed her. Written by
Gina Carano underwent a six-week intensive tactical training course with Aaron Cohen, an ex-Israeli special ops fighter. She spent three hours a day in stunts and three hours a day with Cohen. During a particularly harrowing two-week period when Cohen was teaching Carano the art of surveillance and countersurveillance, he and his team tracked her via a GPS system installed in her car. He gave her a prop blue pistol to use as defense and intercepted her as she was coming out of a hair salon. "I just got extensions and was feeling so pretty and there he was," recalls Carano, laughing. "He taught me entry and exiting a building, clearing a room, he put a GPS on my car, he like, followed me around. He had me stalking people, he had people stalking me. They just put me with a soldier who had never done a film before either. We were just soldier and a fighter thrown together in these unique circumstances and got to know each other's backgrounds. I think that was the biggest part of my preparation." See more »
When Mallory & Scott are driving, she tells him to have a drink of water in her backpack. She wants some too, but has to have him pour it in her mouth because of an injury to her arm. However, just minutes later while running from law enforcement, she is backing up at a high rate of speed, her bad arm is extended and gripping the passenger seat tightly. See more »
What the hell are you doing out here? I had to drive all night. I'm hungover as shit. And you're really starting to cut into my vacation time, so can we go please?
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This movie stands out from any movie I've ever seen for one reason: it is the only movie I've seen where I believed the people fighting were actually fighting. I can't remember ever seeing a film where I was actually wincing and tensing up from fear that somebody was going to get hurt.
This isn't a film that depends on CGI or fast cuts or clever angles or even stunt people for the most part. The star of the film is clearly a very physical and capable woman of action, and she made me believe she was actually hurting the people she was pretending to hurt.
For that reason alone, it will always stand out in my memory. Most action films these days are terribly boring because it's all so cartoonish and exaggerated and stylized, and therefore unbelievable and fake. But this film kept the action grounded in the physical capabilities of its very capable star, and that made it anything but boring. I guess it didn't do to well at the box office, which is too bad. If this had launched a franchise I'd have been a big fan.
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