Freelance covert operative Mallory Kane is hired out by her handler to various global entities to perform jobs which governments can't authorize and heads of state would rather not know about. After a mission to rescue a hostage in Barcelona, Mallory is quickly dispatched on another mission to Dublin. When the operation goes awry and Mallory finds she has been double crossed, she needs to use all of her skills, tricks and abilities to escape an international manhunt, make it back to the United States, protect her family, and exact revenge on those that have betrayed her. Written by
Gina Carano underwent a six-week intensive tactical training course with Aaron Cohen, an ex-Israeli special ops fighter. She spent three hours a day in stunts and three hours a day with Cohen. During a particularly harrowing two-week period when Cohen was teaching Carano the art of surveillance and countersurveillance, he and his team tracked her via a GPS system installed in her car. He gave her a prop blue pistol to use as defense and intercepted her as she was coming out of a hair salon. "I just got extensions and was feeling so pretty and there he was," recalls Carano, laughing. "He taught me entry and exiting a building, clearing a room, he put a GPS on my car, he like, followed me around. He had me stalking people, he had people stalking me. They just put me with a soldier who had never done a film before either. We were just soldier and a fighter thrown together in these unique circumstances and got to know each other's backgrounds. I think that was the biggest part of my preparation." See more »
During the fight scene between Gina Carano and Michael Fassbender, the gun between the mattresses can be seen sticking out halfway when he throws her on the bed, but when she reaches for it moments later she needs to dig for it under the mattress. See more »
What the hell are you doing out here? I had to drive all night. I'm hungover as shit. And you're really starting to cut into my vacation time, so can we go please?
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Not ordinary, but also not far away from the usual
For the number of movies Soderbergh already made (and most of them really good), he proved to be an eclectic director, traveling thru all kind of genres effortless, delivering alternative approaches without getting so much away of the mainstream. He makes American movies but for a different American audience, and sometimes Hollywood movies but for those who want something a little different from the obvious. And that way Soderbergh proved to be one of the top directors of his time, but that is also his main problem because people usually overrate his movies a lot.
He made a huge campaign about Haywire, stating that his decision to make this action movie is for the fact that great action movies wasn't being produced anymore. And "great action movies" for him is those Chuck Norris-ish ones with a real bad ass action star able to make an entire scene without stunts or so many edition tricks. So he met MMA fighter Gina Carano, and so he decided to make a movie specially for her. He also stated that he wanted to make a kick ass movie with a female leading different from the others while most of action movies use their sexuality more than their fighting skills. He succeeds. Gina Carano's expertise really dismiss stunts and the results are intense and realistic scenes.
Being an MMA fighter, Gina Carano delivers a fair performance, but of course that she is better fighting than acting.
The movie gives what it promises and Soderbergh tries to keep the actions scenes focused entirely on the fighting performances and chasing sequences never using soundtracks or gun shots more than the necessary to not overshadow all the technical attention he so wanted to experience. And it works, but not entirely. For ordinary audience the movie may not be what they seek and that may be frustrating.
The plot is extremely predictable and common: an agent that has been betrayed and now has to clean up all the mess to get back a normal life she so desperately want. And we know Soderbergh a lot, and we know that he makes huge twists and turns over a simple plot just to give the false impression that his movies aren't brainless.
Anyway... I admire his efforts to bring back old technical visions into his movies, but Haywire doesn't get off so much of the line as he so hardly stated. Still being a great action movie, and like Hanna (2011), it is not an action movie for ordinary audience and ordinary action lovers.
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