5.8/10
75,827
402 user 395 critic

Haywire (2011)

Trailer
1:12 | Trailer

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ON DISC
A black ops super soldier seeks payback after she is betrayed and set up during a mission.

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Writer:

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Popularity
3,234 ( 973)
7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Debby Lynn Ross ...
Diner Waitress (as Debby Ross Rondell)
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Barroso
Lluís Botella Pont ...
Helpful Guy (as Lluís Botella)
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Jamie
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Gomez
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Jiang
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James Flynn ...
Hotel Clerk
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Storyline

Freelance covert operative Mallory Kane is hired out by her handler to various global entities to perform jobs which governments can't authorize and heads of state would rather not know about. After a mission to rescue a hostage in Barcelona, Mallory is quickly dispatched on another mission to Dublin. When the operation goes awry and Mallory finds she has been double crossed, she needs to use all of her skills, tricks and abilities to escape an international manhunt, make it back to the United States, protect her family, and exact revenge on those that have betrayed her. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

They left her no choice.

Genres:

Action | Thriller

Motion Picture Rating (MPAA)

Rated R for some violence | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

20 January 2012 (USA)  »

Also Known As:

Knockout  »

Filming Locations:

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Box Office

Budget:

$23,000,000 (estimated)

Opening Weekend USA:

$8,425,370, 22 January 2012, Wide Release

Gross USA:

$18,942,396, 22 March 2012

Cumulative Worldwide Gross:

$33,372,606, 30 October 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Dennis Quaid was cast but dropped out due to a scheduling conflict with Soul Surfer (2011). Bill Paxton replaced him. See more »

Goofs

When Mallory & Scott are driving, she tells him to have a drink of water in her backpack. She wants some too, but has to have him pour it in her mouth because of an injury to her arm. However, just minutes later while running from law enforcement, she is backing up at a high rate of speed, her bad arm is extended and gripping the passenger seat tightly. See more »

Quotes

[first lines]
Mallory Kane: Shit.
[deep breath]
Aaron: [sitting down] What the hell are you doing out here? I had to drive all night. I'm hungover as shit. And you're really starting to cut into my vacation time, so can we go please?
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Connections

Referenced in Bad Movie Beatdown: Review of 2012 (2013) See more »

Frequently Asked Questions

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User Reviews

 
Mediocre, oh so mediocre...
21 January 2012 | by See all my reviews

It's got a simple, but hugely unoriginal plot - Special Ops agent gets doubled-crossed (yawn) and proceeds to exact her revenge on those who wronged her, yeah, it sounds very much like the standard plot for your average Steven Seagal straight-to-DVD actioner - not a film directed by Steven Soderbergh!

I suspect that Soderbergh is not overly familiar with this particular genre, otherwise he might have avoided the clichéd script like the plague...

The direction for this piece is restrained almost to the point of inertia - any energy generated within the action scenes comes sorely from the mixed-martial artistry of Ms. Carano, it almost feels as if Mr. Soderbergh is embarrassed by the notion of directing an action thriller.

Soderbergh does his usual thing of peppering his films with stars and/or solid character actors, but despite the presence of the likes of Ewan MacGregor, Michael Fassbender, Antonio Banderas, Michael Douglas, etc, they are underused in what are essentially expanded cameos - only MacGregor gets to shine a little, but his character is underwritten and lacks any credible motivation for his actions.

Gina Carano acquits herself quite well, especially so given the fact that she is carrying the movie on her inexperienced shoulders - that and the cold, hard reality that her character is basically a Jason Bourne clone, albeit with female genitalia...

The film also suffers from the fact that it doesn't have a climax, it just simply stops.

The restrained approach Soderbergh adopted for this film is it's undoing - short, sporadic bursts of action in an uninspired and leisurely-paced script damage Haywire badly, if Steven Soderbergh had bothered to have injected a bit more zest and flair into his direction, the film might have been redeemed somewhat and not turned into the lifeless, miserable clone that it is.

PG.


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