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When his mentor is taken captive, a retired member of Britain's Elite Special Air Service is forced into action. His mission: kill three assassins dispatched by their cunning leader.
An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
Director:
Philipp Stölzl
Stars:
Aaron Eckhart,
Liana Liberato,
Olga Kurylenko
In the future, the Japanese government captures a class of ninth-grade students and forces them to kill each other under the revolutionary "Battle Royale" act.
Every seven years in an unsuspecting town, The Tournament takes place. A battle royale between 30 of the world's deadliest assassins. The last man standing receiving the $10,000,000 cash ... See full summary »
Shaw is an operative for the United Nations' covert dirty-tricks squad, using espionage and quasi-ethical tactics to secure peace and cooperation. When a shipping container full of dead ... See full summary »
Jack Conrad is awaiting the death penalty in a corrupt Central American prison. He is "purchased" by a wealthy television producer and taken to a desolate island where he must fight to the death against nine other condemned killers from all corners of the world, with freedom going to the sole survivor.
After his family is kidnapped during their sailing trip in Spain, a young Wall Street trader is confronted by the people responsible: intelligence agents looking to recover a mysterious briefcase.
Director:
Mabrouk El Mechri
Stars:
Henry Cavill,
Verónica Echegui,
Bruce Willis
Freelance covert operative Mallory Kane is hired out by her handler to various global entities to perform jobs which governments can't authorize and heads of state would rather not know about. After a mission to rescue a hostage in Barcelona, Mallory is quickly dispatched on another mission to Dublin. When the operation goes awry and Mallory finds she has been double crossed, she needs to use all of her skills, tricks and abilities to escape an international manhunt, make it back to the United States, protect her family, and exact revenge on those that have betrayed her. Written by
Anonymous
The copyright holder of this film is "Five Continents Imports." Five Continents Imports is a cover name for the CIA in the 1975 film Three Days of the Condor. See more »
Goofs
During the fight scene between Gina Carano and Michael Fassbender, the gun between the mattresses can be seen sticking out halfway when he throws her on the bed, but when she reaches for it moments later she needs to dig for it under the mattress. See more »
Quotes
[first lines]
Mallory Kane:
Shit.
[deep breath]
Aaron:
[sitting down]
What the hell are you doing out here? I had to drive all night. I'm hungover as shit. And you're really starting to cut into my vacation time, so can we go please?
See more »
It's got a simple, but hugely unoriginal plot - Special Ops agent gets doubled-crossed (yawn) and proceeds to exact her revenge on those who wronged her, yeah, it sounds very much like the standard plot for your average Steven Seagal straight-to-DVD actioner - not a film directed by Steven Soderbergh!
I suspect that Soderbergh is not overly familiar with this particular genre, otherwise he might have avoided the clichéd script like the plague...
The direction for this piece is restrained almost to the point of inertia - any energy generated within the action scenes comes sorely from the mixed-martial artistry of Ms. Carano, it almost feels as if Mr. Soderbergh is embarrassed by the notion of directing an action thriller.
Soderbergh does his usual thing of peppering his films with stars and/or solid character actors, but despite the presence of the likes of Ewan MacGregor, Michael Fassbender, Antonio Banderas, Michael Douglas, etc, they are underused in what are essentially expanded cameos - only MacGregor gets to shine a little, but his character is underwritten and lacks any credible motivation for his actions.
Gina Carano acquits herself quite well, especially so given the fact that she is carrying the movie on her inexperienced shoulders - that and the cold, hard reality that her character is basically a Jason Bourne clone, albeit with female genitalia...
The film also suffers from the fact that it doesn't have a climax, it just simply stops.
The restrained approach Soderbergh adopted for this film is it's undoing - short, sporadic bursts of action in an uninspired and leisurely-paced script damage Haywire badly, if Steven Soderbergh had bothered to have injected a bit more zest and flair into his direction, the film might have been redeemed somewhat and not turned into the lifeless, miserable clone that it is.
PG.
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It's got a simple, but hugely unoriginal plot - Special Ops agent gets doubled-crossed (yawn) and proceeds to exact her revenge on those who wronged her, yeah, it sounds very much like the standard plot for your average Steven Seagal straight-to-DVD actioner - not a film directed by Steven Soderbergh!
I suspect that Soderbergh is not overly familiar with this particular genre, otherwise he might have avoided the clichéd script like the plague...
The direction for this piece is restrained almost to the point of inertia - any energy generated within the action scenes comes sorely from the mixed-martial artistry of Ms. Carano, it almost feels as if Mr. Soderbergh is embarrassed by the notion of directing an action thriller.
Soderbergh does his usual thing of peppering his films with stars and/or solid character actors, but despite the presence of the likes of Ewan MacGregor, Michael Fassbender, Antonio Banderas, Michael Douglas, etc, they are underused in what are essentially expanded cameos - only MacGregor gets to shine a little, but his character is underwritten and lacks any credible motivation for his actions.
Gina Carano acquits herself quite well, especially so given the fact that she is carrying the movie on her inexperienced shoulders - that and the cold, hard reality that her character is basically a Jason Bourne clone, albeit with female genitalia...
The film also suffers from the fact that it doesn't have a climax, it just simply stops.
The restrained approach Soderbergh adopted for this film is it's undoing - short, sporadic bursts of action in an uninspired and leisurely-paced script damage Haywire badly, if Steven Soderbergh had bothered to have injected a bit more zest and flair into his direction, the film might have been redeemed somewhat and not turned into the lifeless, miserable clone that it is.
PG.