The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1980.
The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
F. Murray Abraham,
England's Prince Albert must ascend the throne as King George VII, but he has a speech impediment. Knowing that the country needs her husband to be able to communicate effectively, Elizabeth hires Lionel Logue, an Australian actor and speech therapist, to help him overcome his stammer. An extraordinary friendship develops between the two men, as Logue uses unconventional means to teach the monarch how to speak with confidence. Written by
At Wallis Simpson's party, the music is supposed to be coming out of the gramophone. The turntable is spinning, but the reproducer is not lowered onto the record to actually play the music. See more »
1925 / King George V reigns over a quarter of the world's people. He asks his second son, the Duke of York, to give the closing speech at the Empire Exhibition in Wembley, London.
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I Love You Truly
Written by Carrie Jacobs Bond and Irving King
Performed by Al Bowlly with Ray Noble (uncredited) and His Orchestra
Published by Campbell Connelly & Co Ltd.
Master courtesy of Decca Music Group Ltd.
Unde license from Universal Music Operations Ltd. See more »
You heard it from me: Not even James Franco with his boffo performance in 127 Hours can beat Colin Firth for the Oscar in King's Speech, a docudrama about the Duke of York (Firth) becoming King George VI while overcoming a crushing stutter. Not only does the actor get pitch perfect the stutter, but he also invests a kindness, courage, and vulnerability in the character that work in harmony to create an unforgettable George in an exquisite period peace.
Not to forget how generously Geoffrey Rush underplays Lionel, the speech therapist who is instrumental in making the king a speaker and a friend. That low-key acting allows Firth the room to expand his king's personality without interference from an Oscar-winning co-star. This is history as I like to learn ithonest and engaging with palaces and minor characters well-appointed and underplayed themselves as part of a mosaic of challenges facing a handicapped king and a nation on the brink of WWII. The pace is close to languid, better to allow us to settle in for the painful transformation of a man unused to public speaking but used to family mocking his disability.
George's bravery is the film's heartbeat, not flamboyant courage, mind you, but rather the kind that wakes us up to the character as complex and lovable. But valor is not his exclusively, Guy Pearce's Edward, who abdicates for his love, Wallace Simpson, can be seen as a courageous man giving up a crown for love or a fool falling for a twice-divorced socialite.
Such an ambivalence is fitting for a film that gently introduces you to a period in British history when alliances are not clear and allegiances dangerous. One thing is patently clear, howeverthis is going to be on most critics' best film of the year list with a sure Oscar winner for its star. If Firth missed the brass ring last year in A Single Man, he'll grab it this year in King's Speech.
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