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Road to Nowhere (I) (2010)

R  |   |  Romance, Thriller  |  7 April 2011 (Portugal)
5.6
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Ratings: 5.6/10 from 1,313 users   Metascore: 59/100
Reviews: 24 user | 77 critic | 17 from Metacritic.com

A young filmmaker gets wrapped up in a crime while shooting his new project on location.

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Title: Road to Nowhere (2010)

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Director: Monte Hellman
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Cast

Cast overview, first billed only:
...
Mitchell Haven
...
Nathalie Post
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Laurel Graham / Velma Duran
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Bobby Billings
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Cary Stewart / Rafe Taschen
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Bruno Brotherton
...
Steve Gales (as Robert Kolar)
Nic Paul ...
Johnny Laidlaw
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Nestor Duran
Fabio Tricamo ...
Desk Clerk
Moxie ...
Herself
...
Himself
Pete Manos ...
El Cholo Bartender
...
Mallory
Beck Latimore ...
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Storyline

There's a murky tenuous balance between reality and fiction; particularly when it involves a beautiful young woman, murder, a powerful politico, a missing fortune and suicide. A passionate filmmaker creating a film based upon a true crime casts an unknown mysterious young woman bearing a disturbing resemblance to the femme fatale in the story. Unsuspectingly, he finds himself drawn into a complex web of haunting intrigue, obsessed with the woman, the crime, her possibly notorious past and the disturbing complexity between art and truth. From the Smoky Mountains of North Carolina to Verona, Rome and London, new truths are revealed and clues to other crimes and passions, darker and even more complex are uncovered. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Illusion is the first of all pleasures

Genres:

Romance | Thriller

Motion Picture Rating (MPAA)

Rated R for some language and brief violence | See all certifications »
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Details

Country:

Language:

Release Date:

7 April 2011 (Portugal)  »

Also Known As:

Caminho para o Nada  »

Filming Locations:

 »

Box Office

Opening Weekend:

$2,418 (USA) (10 June 2011)

Gross:

$40,294 (USA) (16 September 2011)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Connections

Featured in Ebert Presents: At the Movies: Episode #2.1 (2011) See more »

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User Reviews

 
Detour to Dullsville
11 January 2013 | by (Old London, New England) – See all my reviews

As 'Road to Nowhere' begins, pre-production is underway on a movie project about a notorious murder case involving an absconded embezzler, faked accidents and substitute corpses. The director is seeking a lead actress to play the crime's femme fatale - and his search soon unearths an uncanny double of the villainous vamp, whose only previous credit is an 'exploitation' movie. Coincidentally her character is called Velma - which also happens to be the name of the duplicitous missing showgirl in Raymond Chandler's 'Farewell, My Lovely'. After two-thirds of the film is wasted on long shots of characters tying their shoelaces, watching nail polish dry and rehearsing inconsequential dialog, the actress embarks on a tepid love affair with the film's director, which results in some unexplained melodramatic discord and a violent conclusion.

Although film-within-a-film concepts have been used previously, as in Truffaut's 'Day For Night' and David Lynch's 'Inland Empire', a disciplined director armed with a coherent screenplay should be able to conjure fresh life from the old dog. Unfortunately 'Road To Nowhere' never provides any useful information about the original crime or those involved, nor does it ever clarify various intrigues amongst the film crew. Director Hellman justifies all the heavy-handed movie references and opaque mysteries by claiming he prefers surreal narratives - but his excuse is fraudulent. This isn't surrealism - it's just dull story-telling - or more accurately, no story-telling.


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