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Road to Nowhere (2010)

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A young filmmaker gets wrapped up in a crime while shooting his new project on location.



1 nomination. See more awards »



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Cast overview, first billed only:
Mitchell Haven
Nathalie Post
Laurel Graham / Velma Duran
Bobby Billings
Cary Stewart / Rafe Taschen
Bruno Brotherton
Steve Gales (as Robert Kolar)
Nic Paul ...
Johnny Laidlaw
Nestor Duran
Fabio Tricamo ...
Desk Clerk
Moxie ...
Pete Manos ...
El Cholo Bartender
Mallory Culbert ...
Beck Latimore ...


There's a murky tenuous balance between reality and fiction; particularly when it involves a beautiful young woman, murder, a powerful politico, a missing fortune and suicide. A passionate filmmaker creating a film based upon a true crime casts an unknown mysterious young woman bearing a disturbing resemblance to the femme fatale in the story. Unsuspectingly, he finds himself drawn into a complex web of haunting intrigue, obsessed with the woman, the crime, her possibly notorious past and the disturbing complexity between art and truth. From the Smoky Mountains of North Carolina to Verona, Rome and London, new truths are revealed and clues to other crimes and passions, darker and even more complex are uncovered. Written by Anonymous

Plot Summary | Plot Synopsis


Illusion is the first of all pleasures


Romance | Thriller

Motion Picture Rating (MPAA)

Rated R for some language and brief violence | See all certifications »

Parents Guide:





Release Date:

7 April 2011 (Portugal)  »

Also Known As:

Caminho para o Nada  »

Filming Locations:


Box Office

Opening Weekend:

$2,418 (USA) (10 June 2011)


$40,294 (USA) (16 September 2011)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


References The Departed (2006) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

One of the most exotic opening scenes in movie history!
19 June 2011 | by (Southern California) – See all my reviews

Opening medium shot: Shannyn Sossamon is sitting on a bed with her back to the headboard.The camera begins to move s-l-o-w-l-y toward a closeup of her face against a backdrop of silence. 3 minutes elapse as we watch her left hand move toward her face. She is holding a hair dryer. She turns it on. It blows in her face. During the next 2-3 minutes we watch as she moves the hair dryer closer to her face. We hear the motor purr. As this soporific scene concludes it sets the stage for a 120+ minute film that defies description.

We soon learn that the story is about the shooting of a movie. Mademoiselle Sossamon has been chosen for the lead in this 'movie within a movie' She tells the Director she is 'not an actress' but he wants her anyway. I don't blame him..she's gorgeous and mysterious, perfect for a part that is the centerpiece of this convoluted, incomprehensible, maddening movie.

As we watch various scenes of the director 'shooting his movie,' we become more confused regarding the storyline. When the director needs a retake, we watch him shoot the same scene over three times.

More than likely the film editor went mad attempting to splice the scenes together to make a coherent story. Rather than give up, he spliced the scenes at random, collected his check and vanished. I commend him for having the courage to allow his name be listed in the credits.

This movie was an endurance test. After the first 30 minutes, I took a bathroom break and noticed that at least half the audience had left, presumably in time to get their money back. I am aware there is an audience for this type of movie who enjoy obscure plots populated with ill defined characters. I'll acknowledge that Director Monte Hellman has style, but I'm unable to describe it. If money is not an object, go see this movie. But don't delay. I suspect the DVD is imminent.

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