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There's a murky tenuous balance between reality and fiction; particularly when it involves a beautiful young woman, murder, a powerful politico, a missing fortune and suicide. A passionate filmmaker creating a film based upon a true crime casts an unknown mysterious young woman bearing a disturbing resemblance to the femme fatale in the story. Unsuspectingly, he finds himself drawn into a complex web of haunting intrigue, obsessed with the woman, the crime, her possibly notorious past and the disturbing complexity between art and truth. From the Smoky Mountains of North Carolina to Verona, Rome and London, new truths are revealed and clues to other crimes and passions, darker and even more complex are uncovered. Written by
Anonymous
Finally, after 21 years, we get a new Monte Hellman film, and, despite the negative reviews on this site, it is a winner, a magnificent piece of film art! Road to Nowhere is not the typical Hollywood entertainment fluff, and thank goodness. In a world where bad 70's television shows and comic book heroes are shoved down our throats on a weekly basis, a film like this is a lifesaver. Without spoiling anything, I can tell you that the themes of alienation, absurdity, and identity that are the hallmarks of Hellman's direction are present in spades, as well as meditations on the nature of art and the nature of film. If you are looking for intellectual stimulation and some relief from standard Hollywood fare, look no further. As films-about- films go, this one stands with Last Year at Marienbad and Persona. Not to be missed.
5 of 11 people found this review helpful.
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Finally, after 21 years, we get a new Monte Hellman film, and, despite the negative reviews on this site, it is a winner, a magnificent piece of film art! Road to Nowhere is not the typical Hollywood entertainment fluff, and thank goodness. In a world where bad 70's television shows and comic book heroes are shoved down our throats on a weekly basis, a film like this is a lifesaver. Without spoiling anything, I can tell you that the themes of alienation, absurdity, and identity that are the hallmarks of Hellman's direction are present in spades, as well as meditations on the nature of art and the nature of film. If you are looking for intellectual stimulation and some relief from standard Hollywood fare, look no further. As films-about- films go, this one stands with Last Year at Marienbad and Persona. Not to be missed.