| Videos (see all 6) |
| Chris Messina | ... | Theo | |
| Rashida Jones | ... | Nat | |
| Meital Dohan | ... | Subgirl | |
| Zak Orth | ... | Quinny | |
| Ivan Martin | ... | Will | |
| Madison Arnold | ... | Mr. Margolin | |
| Sarah Burns | ... | Ella | |
| Paul Diomede | ... | Man | |
| Hannah Gilli | ... | Hannah | |
| Neal Huff | ... | Dr. Gleeman | |
| Adam Pally | ... | Allen | |
| Mason Pettit | ... | Groom | |
| Samantha Sherman | ... | Bride | |
| Gil Rogers | ... | Mr. Lasky | |
| Emily Tremaine | ... | Redhead | |
| Alison Lehman | ... | Flower Girl | |
| rest of cast listed alphabetically: | |||
| Steve Beauchamp | ... | Clerk | |
| Mark Cirnigliaro | ... | Dark Room Developer | |
| Robert C. Kirk | ... | Cop | |
| Leslie Lyles | ... | Yasmine | |
| Jamie Richard | ... | Teenage Brother | |
| Cheryl Alessio | ... | Jogger (uncredited) | |
| Courtney Antonioli | ... | Pedestrian (uncredited) | |
| Eliza Morales Brown | ... | Office Worker (uncredited) | |
| Shirley Dluginski | ... | Extra (uncredited) | |
| Wayne K. Gabriel | ... | Man in Audience (uncredited) | |
| Jessica Jones | ... | Bar patron (uncredited) | |
| Richard N. Wilson | ... | Officer Worker (uncredited) | |
Directed by | |||
| Dana Adam Shapiro | |||
Writing credits(in alphabetical order) | ||
| Dana Adam Shapiro | written by | |
| Evan M. Wiener | written by | |
Produced by | |||
| Dash Boyer-Olson | .... | associate producer | |
| Julie Christeas | .... | executive producer | |
| Julie Christeas | .... | line producer | |
| Tim Duff | .... | executive producer | |
| Chuck Goodgal | .... | executive producer | |
| Tom Heller | .... | producer | |
| Jeremy L Kotin | .... | co-producer | |
| Scott Lasky | .... | associate producer | |
| Jeffrey V. Mandel | .... | producer | |
| Randy Manis | .... | producer | |
| Mason Pettit | .... | associate producer | |
| Jeff Prosserman | .... | executive producer | |
| Daryl Roth | .... | co-executive producer | |
| Adam M. Sack | .... | associate producer | |
| Dana Adam Shapiro | .... | producer | |
| Gary Stein | .... | associate producer | |
| Jana Stein | .... | associate producer | |
| Craig T. Wood | .... | supervising producer | |
| Mark Zupan | .... | associate producer | |
Original Music by | |||
| Jamie Saft | |||
Cinematography by | |||
| Doug Emmett | |||
Film Editing by | |||
| Mollie Goldstein | |||
| Jeremy L Kotin | (co-editor) | ||
Casting by | |||
| Billy Hopkins | |||
| Jessica Kelly | |||
Production Design by | |||
| Timothy Whidbee | |||
Art Direction by | |||
| Jeanelle Marie | |||
Costume Design by | |||
| Lisa Hennessy | |||
Makeup Department | |||
| Rebecca Hickey | .... | key make up & hair | |
| Tate Steinsiek | .... | special makeup effects coordinator | |
| Cynthia Vanis | .... | additional hair | |
Production Management | |||
| Amanda Platner | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Anne Marie Dentici | .... | second assistant director | |
| T.J. Federico | .... | first assistant director | |
| Cory McArdle | .... | second second assistant director | |
Art Department | |||
| Brandon Tonner-Connolly | .... | property master | |
Sound Department | |||
| Paul Bercovitch | .... | dialogue editor | |
| Shaun Brennan | .... | foley artist | |
| Brandon Cruz | .... | boom operator | |
| Rusty Dunn | .... | sound effects editor | |
| Tom Efinger | .... | sound re-recording mixer | |
| Tom Efinger | .... | sound supervisor | |
| Jason Friedman-Mendez | .... | sound mixer | |
| Eric Gitelson | .... | foley recordist | |
| Jeff Seelye | .... | sound editor | |
| Joe Troia | .... | additional foley artist (uncredited) | |
Camera and Electrical Department | |||
| T.J. Alston | .... | gaffer | |
| Chad Battinelli | .... | key grip | |
| Jac Cheairs | .... | steadicam operator | |
| Jason De Jesus | .... | grip | |
| Pamela de la Pena | .... | additional second assistant camera | |
| David Feeney-Mosier | .... | additional second assistant camera | |
| Michael Robinson Fleming | .... | additional second assistant camera | |
| Bart Grieb | .... | electrician | |
| David Jacobson | .... | first assistant camera (as Dave Jacobson) | |
| Carole McClintock | .... | grip | |
| Josh Victor Rothstein | .... | still photographer | |
| Johnny Sousa | .... | second assistant camera | |
| Yousheng Tang | .... | grip | |
| Matt Tomko | .... | best boy electric | |
| Greta Zozula | .... | best boy grip | |
Costume and Wardrobe Department | |||
| Olivia Perez | .... | assistant costume designer | |
Editorial Department | |||
| Todd G. Bieber | .... | additional editing | |
| Stewart Griffin | .... | colorist | |
| Joseph M. Lee | .... | on-line editor | |
| Benjamin Schuman | .... | post-production assistant | |
| Alec Styborski | .... | assistant editor | |
| Isaac Urwin | .... | assistant editor | |
| Eugene Yi | .... | associate editor | |
| Cindy Yoon | .... | assistant editor | |
Music Department | |||
| Doug Bernheim | .... | music supervisor | |
| Lindsay Marcus | .... | music editor | |
| Tim Rutili | .... | writer: spider's house | |
Thanks | |||
| Jay Feather | .... | thanks | |
| Michael Godere | .... | thanks | |
| Ana Nasser | .... | special thanks | |
| Geoffrey Richman | .... | special thanks | |
| Jennifer Todd | .... | special thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Monogamy (2010) was co-written and directed by Dana Adam Shapiro. The basic concept of the film is interesting. A photographer--Theo, played by Chris Messina--moonlights as "Gumshoot." Gumshoot is hired by people to take candid shots of themselves. It's an interesting thought--what do we look like when we're being photographed, but we aren't posing.
The problem begins when Theo starts to photograph a striking blonde woman with whose life he becomes obsessed. This obsession begins to control him and eventually begins to cause a split between Theo and his fiancé Nat (Rashida Jones). I can't identify with a guy who doesn't have all that much going for him, and yet puts a wonderful relationship in jeopardy in order to follow his obsession. Of course, that's the point of the movie--if the obsession made sense, it wouldn't really be an obsession. If you can see things from Theo's point of view, you'll enjoy the movie. If not, probably not.
We saw this film, at the Rochester 360-365 Film Festival. (Dumb name, but good festival.) It will work better on a large screen than a small screen, because part of the enjoyment comes from seeing the Brooklyn and Manhattan locations. In my opinion, not a film worth seeking out, but probably worth a look, especially if you're from NYC.