When his mentor is taken captive by a disgraced Arab sheik, a killer-for-hire is forced into action. His mission: kill three members of Britain's elite Special Air Service responsible for the death of his son.
An air marshal springs into action during a transatlantic flight after receiving a series of text messages that put his fellow passengers at risk unless the airline transfers $150 million into an off-shore account.
Every seven years in an unsuspecting town, The Tournament takes place. A battle royale between 30 of the world's deadliest assassins. The last man standing receiving the $10,000,000 cash ... See full summary »
An ex-CIA agent and his estranged daughter are forced on the run when his employers erase all records of his existence, and mark them both for termination as part of a wide-reaching international conspiracy.
A disgruntled man creates a hit list with a stranger during a drunken night out and must then race to try to save those he marked for extermination as the bodies begin to pile up and all fingers point to him.
Cuba Gooding Jr.,
John Milton is up against the clock: Jonah King, the leader of a Satanic cult, has murdered Milton's daughter and kidnapped her baby. In three days, King and his followers will sacrifice the child at midnight. Milton picks up the trail in Oklahoma as well as rescuing a waitress named Piper from her brutal, two-timing fiancé. There are odd things about Milton: his driver's license is out of date, he has a very strange gun, and he's being pursued by a man in a suit who carries FBI ID and calls himself the Accountant. Piper, who's lived a life on the sidelines, has to piece things together on the fly as they close in on King. Written by
At some point, Milton mocks the Accountant by asking if he thinks he is Anubis, to which the Accountant just shrugs. In Egyptian mythology, the jackal-headed god Anubis was the one in charge of deciding whether a soul belonged to Heaven or Hell by weighing his heart on a scale. See more »
When Milton's facial wound changes inconsistently between scenes. See more »
Since the birth of time, humanity has endeavored to restrain evil men in prisons. But since Cain fled the murder of his brother, evil men have fled the walls of punishment. So, it doesn't matter if you're a bad-ass motherf****r on the run, because you think you're better than everyone else, and somehow entitled to do what you gotta do. No. Because you see bad-ass motherf****rs are never fast enough. In the end, they will all be accounted for.
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The end credits are shown down a speeding broken highway See more »
Fun, fun, fun 'til your daddy takes your Chevelle away!
This goes way beyond "guilty pleasure" all the way to "must-see trash." Does everything that "Grindhouse" failed to do. Dirty, gory, violent, but never unpleasant from start to finish. Patrick Lussier keeps the action efficient and picturesque. Nicolas Cage in one of his only successful forays into the action genre. Amber Heard as a worthy and most attractive sidekick. David Morse and Tom Atkins expertly holding up the "oldster" side of the street. William Fichtner in a performance that would have been a shoo-in for a supporting Oscar nomination if the movie were respectable. But thank goodness--it's thoroughly disreputable. And did I say fun? Let me say it again: fun!
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