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Capitalism: A Love Story examines the impact of corporate dominance on the everyday lives of Americans (and by default, the rest of the world). The film moves from Middle America, to the ... See full summary »
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
Director:
Louie Psihoyos
Stars:
Richard O'Barry,
Louie Psihoyos,
Hardy Jones
Young filmmakers document their colleague's budding online friendship with a young woman and her family which leads to an unexpected series of discoveries.
Directors:
Henry Joost,
Ariel Schulman
Stars:
Yaniv Schulman,
Ariel Schulman,
Henry Joost
Unprecedented access to the New York Times newsroom yields a complex view of the transformation of a media landscape fraught with both peril and opportunity.
Danish journalist Mads Brügger goes undercover as a European Ambassador to embark on a dangerous yet hysterical journey to uncover the blood diamond trade in Africa.
This documentary sets a lot of demand on the audience. The number one complaint I hear is that the documentary lacks in information about the different subjects encountered throughout the film. This complaint, however, might just be a bit of an empty can rattle since the idea of the film obviously isn't, as opposed to a say Michael Moore-style documentary, to give a clear black/white picture of a scenario. Instead, Gandini tends to leave his videocratic exclamations hanging freely letting a steady stream of question marks trickle by.
Instead of underrating me as the kind of viewer who demands simple answers to everything right there on the screen (e.g. short cartoon style animated clip, complete with sarcastic touches, of Berlusconi gaining power) Gandini sees his opportunity to leave me and the audience hungry for elaborating facts. In my case, and I feel I might not be alone here, I found myself grabbing for my smart phone just minutes into the movie googling up all the people and places and checking facts mentioned in the film. I was so mind boggled I couldn't get of my computer until about 4 am.
Perhaps Gandini has overrated his audience's capability of coming to their own conclusions, but I for one feel a sense of gratitude towards the film maker. I feel grateful for being a free man and not getting controlled by government television.
However, I do have one complaint. Horror-music really doesn't help a serious documentary to get the message through as being objective. The actual events themselves are scary enough on there own without discrediting music, which only makes for a cheaper feel. Shame on you sound producers!
24 of 29 people found this review helpful.
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This documentary sets a lot of demand on the audience. The number one complaint I hear is that the documentary lacks in information about the different subjects encountered throughout the film. This complaint, however, might just be a bit of an empty can rattle since the idea of the film obviously isn't, as opposed to a say Michael Moore-style documentary, to give a clear black/white picture of a scenario. Instead, Gandini tends to leave his videocratic exclamations hanging freely letting a steady stream of question marks trickle by.
Instead of underrating me as the kind of viewer who demands simple answers to everything right there on the screen (e.g. short cartoon style animated clip, complete with sarcastic touches, of Berlusconi gaining power) Gandini sees his opportunity to leave me and the audience hungry for elaborating facts. In my case, and I feel I might not be alone here, I found myself grabbing for my smart phone just minutes into the movie googling up all the people and places and checking facts mentioned in the film. I was so mind boggled I couldn't get of my computer until about 4 am.
Perhaps Gandini has overrated his audience's capability of coming to their own conclusions, but I for one feel a sense of gratitude towards the film maker. I feel grateful for being a free man and not getting controlled by government television.
However, I do have one complaint. Horror-music really doesn't help a serious documentary to get the message through as being objective. The actual events themselves are scary enough on there own without discrediting music, which only makes for a cheaper feel. Shame on you sound producers!