| Priyanka Chopra | ... | Kiara | |
| Ranbir Kapoor | ... | Akash | |
| Carl Marino | ... | Airport Couple | |
| Aubrey K. Miller | ... | Party Kid | |
| Kumar Pallana | |||
| Pooja Kumar | ... | Peshto | |
| Zayed Khan | ... | Kunal | |
| Adrian Bustamante | ... | Chaperone (as Raul Bustamante) | |
| Tanvi Azmi | ... | Doctor | |
| Ilona Marino | ... | Airport Couple (as Ilona Gugan) | |
| Edward Sonnenblick | ... | Emmanuel | |
| Nakul Kamte | ... | Kiara's Dad | |
| Vishal Malhotra | ... | Akash's Friend | |
| Sucheta Khanna | |||
| Laurie Folkes | ... | Homeless Man | |
| Joy Sengupta | |||
| Zach Mami | ... | Gay Bar Patron (as Zachary Mami) | |
| Jade Haviland | ... | Bollywood Dancer | |
| Daniela Mercado | ... | Woman Caroler | |
| Dan Herman | ... | Male Caroler | |
| Harry Mearing | ... | Business Man | |
| Sophia Revelli | ... | Cheerleader | |
| Anil Mehta | |||
| Stephanie Aguilar | ... | Cafe Waitress | |
| Andrew Mearing | ... | Cafe Customer | |
| Kenneth Mearing | ... | Cafe Customer | |
| Sudip Chatterjee | (as Sudeep Chatterjee) | ||
| Shaun Webb | ... | Car thief | |
| Sina Hajassan | ... | Young Akash | |
| David Firestar | ... | Customer in Strip Club (uncredited) | |
| Roni Mazumdar | ... | Extra (uncredited) | |
| Damien Metz | ... | Bar Patron (uncredited) | |
| Rajeev Pahuja | ... | Spectator (uncredited) | |
| Jeremiah Turner | ... | Spectator (uncredited) |
Directed by | |||
| Siddharth Anand | |||
Writing credits(in alphabetical order) | ||
| Mamta Anand | story | |
| Siddharth Anand | dialogue | |
| Siddharth Anand | screenplay | |
| Vishal Dadlani | lyrics | |
| Advaita Kala | screenplay | |
| Kumaar | lyrics | |
| Kausar Munir | lyrics | |
Produced by | |||
| Dipti Jindal | .... | executive producer | |
| Kamlesh Kumar | .... | executive producer | |
| Krishika Lulla | .... | co-producer | |
| Sajid Nadiadwala | .... | producer | |
| Ilana Rossein | .... | line producer | |
Original Music by | |||
| Vishal Dadlani | (music) (as Vishal & Shekhar) | ||
| Salim Merchant | (original background score) (as Salim Sulaiman) | ||
| Suleiman Merchant | (original background score) (as Salim Sulaiman) | ||
| Shekhar Ravjiani | (music) (as Shekhar) | ||
Cinematography by | |||
| Ravi K. Chandran | (director of photography) | ||
Film Editing by | |||
| Rameshwar S. Bhagat | |||
Casting by | |||
| Roshmi Banerjee | |||
| Rita Powers | |||
Art Direction by | |||
| Ian Salter | |||
| Nell Tivnan | |||
Makeup Department | |||
| Alma Adamson | .... | makeup artist: Pooja Kumar | |
Production Management | |||
| Jeanette Aguilar | .... | production manager | |
| Neil Chen | .... | production manager | |
| Nitin Dalvi | .... | production manager | |
| Willoughby Charles Jenett | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Nishit Bhatia | .... | assistant director | |
| Priyanka Ghose | .... | assistant director | |
| Rohan Khambati | .... | first assistant director | |
| Rohan Khambati | .... | second unit director | |
| Bharat Rawail | .... | first assistant director: Thailand | |
| Jatin Shah | .... | assistant director | |
| Jigyasa Sharma | .... | second assistant director | |
| Anand Shankar | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Jason Cronburg | .... | leadman | |
| Keith Garvey | .... | set dresser | |
| Elizabeth Kay | .... | art department production assistant | |
| Surabhi Laddha | .... | first assistant production designer | |
| Ian Salter | .... | leadman | |
| Melody Tolentino | .... | art pa (as Melody Davis) | |
| Brian Chandler | .... | art department assistant (uncredited) | |
Sound Department | |||
| Shawn Allen | .... | boom operator: USA | |
| Vikram Biswas | .... | sound editor | |
| Nakul Kamte | .... | sound recordist | |
| Nakul Kamte | .... | supervising sound editor | |
| Ashraf Khan | .... | boom operator | |
| Gandhar Mokashi | .... | assistant sound re-recordist | |
| Ajay Kumar P.B. | .... | sound re-recording mixer | |
| Travis Robinson | .... | boom operator | |
| Koteswara Rao S.V. | .... | assistant sound re-recording mixer | |
| Sohel Sanwari | .... | assistant sound | |
| Sohel Sanwari | .... | dialogue editor | |
| Varun Visoi | .... | foley recording | |
Special Effects by | |||
| Suchint Mandloi | .... | special effects | |
Visual Effects by | |||
| Shudhdodhan Milind Ambhore | .... | rotoscope artist: Prime Focus Ltd | |
| Uday Bhaskar Bandaru | .... | visual effects | |
| Praveen Bareria | .... | visual effects | |
| Shome Dasgupta | .... | visual effects producer | |
| Samadrita Deb | .... | visual effects artist | |
| Prag Gargatte | .... | compositing lead | |
| Arushi Govil | .... | compositor | |
| Arushi Govil | .... | visual effects artist | |
| Hardik Govindya | .... | motion graphic artist | |
| Rohinton Irani | .... | tracking lead | |
| Shashank Jadhav | .... | digital compositor: Prime Focus | |
| Paras Kawa | .... | digital compositor | |
| Pranav Malasi | .... | cleanup artist | |
| Vidhi Mehra | .... | motion graphics artist | |
| Anand Nayak | .... | lead fx artist | |
| Prem Panigrahi | .... | visual effects artist | |
| Prem Panigrahi | .... | visual effects | |
| Virendra Prajapati | .... | online editor | |
| Rajeev Kumar Rastogi | .... | Line Producer (as Rajeev Kumar) | |
| Dipak Raval | .... | rotoscope artist | |
| Reupal D. Rawal | .... | visual effects supervisor | |
| Amey Sakpal | .... | paint artist | |
| Vaidehi Shinde | .... | matte painter | |
| Shyam Shrivastava | .... | cleanup artist | |
| Nitin Singh | .... | production coordinator | |
| Raunaq Singh | .... | cleanup artist | |
| Suryaji Suryavanshi | .... | digital compositor | |
| Sutrayepavankumar | .... | digital compositor | |
| Merzin Tavaria | .... | visual effects creative director | |
| Shraddha Uppu | .... | roto artist (as Shraddha.Uppu) | |
Camera and Electrical Department | |||
| David Isern | .... | steadicam operator | |
| Neha Parti Matiyani | .... | first assistant camera | |
| Manush Nandan | .... | camera operator | |
Editorial Department | |||
| Rohan Desai | .... | colorist | |
| Rohan Desai | .... | digital intermediate supervisor | |
| Ejaz Shalkh | .... | chief assistant editor | |
Music Department | |||
| Rahat Fateh Ali Khan | .... | playback singer | |
| Lucky Ali | .... | playback singer | |
| Mohit Chauhan | .... | playback singer | |
| Nikhil D'Souza | .... | playback singer | |
| Vishal Dadlani | .... | playback singer | |
| John Stewart Eduri | .... | composer: additional music | |
| Irshad Kamil | .... | lyricist | |
| Neelesh Misra | .... | lyricist | |
| Monali | .... | playback singer | |
| Caralisa Monteiro | .... | playback singer | |
| Shruthi Pathak | .... | playback singer | |
| Shilpa Rao | .... | playback singer | |
| Shekhar Ravjiani | .... | playback singer | |
Transportation Department | |||
| George S. Matsuo | .... | driver: New York | |
Other crew | |||
| Stephanie Aguilar | .... | craft service manager | |
| Elvis D'Silva | .... | behind the scenes director | |
| Mark Fasano | .... | assistant to director | |
| Pep Figueiredo | .... | product integration | |
| Dantel Hood | .... | production assistant | |
| Brent Hook | .... | assistant to Mr. Ravi K. Chandra | |
| Lynsey Tamsen Jones | .... | production assistant | |
| Ben Katz | .... | production coordinator | |
| Ali Khan | .... | stand-in (Ranbir Kapoor ) | |
| Zion Lala | .... | production assistant | |
| Tanit Lee Lascelles | .... | production coordinator | |
| Yovel Schwartz | .... | locations manager: San Francisco | |
| Vrushank Shah | .... | production coordinator | |
| Rohit Sharma | .... | production coordinator | |
| Pooja Singh | .... | production assistant | |
| Natasha C. Smith | .... | production accountant | |
| Anthony M. Vieira | .... | production assistant | |
| Nicholas Williams | .... | assistant accountant | |
| Akhilesh Yadav | .... | production controller | |
| Nikhil Jassawalla | .... | consultant (uncredited) | |
Thanks | |||
| Tanvi Azmi | .... | special thanks | |
| Sudeep Chatterjee | .... | special thanks | |
| Zayed Khan | .... | special thanks | |
| Vishal Malhotra | .... | special thanks | |
| Anil Mehta | .... | special thanks | |
| Recent Posts (updated daily) | User |
|---|---|
| I liked it! | pannugurpreet2007 |
| Background Music | dev221117 |
|
|
|
|
|
| Jhoom Barabar Jhoom | Salaam-E-Ishq | Splendor in the Grass | Devdas | Hum Tum |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb India section |
Few stand outs from this mushy romantic parable directed by Siddarth Anand. "Confusion is the only med for confusion", "Storytellers do not freeze in sub-zero waters", "Blush is better than ram-pyari with free money, clothes, gas and aamir-all-is- well-sense", "Love travels faster than any science" and many more whims.
Diverse characters heart-broken in their own ways - witness each other while ridiculing themselves! PC is heart-broken after losing trust in her infidel lover, while RK is struck with misfortune as his overambitious stunts crash with the stock market and dissolve his firm leaving his co-workers / friends distraught. While the movie starts on a negative note, with the 2 trying to commit suicide, the script moves naturally with the 2 teaming up in their pursuit of death. Unfolding memories, as they confront each other, help them learn and appreciate the optimism of life. The story moves to the obvious, fallin' in love, which changes the genre of the movie to emotional atyachar. And as it happened in KHNH, Love Aajkal and Hum Tum, the Mungeri Lals' realize their feeling for each other after they are miles apart. Of course, they did not commit suicide on Dec 31 as they had initially planned but ended up confessing their love in sub-zero waters at 12 midnight! They eventually commit suicide by getting married.
The amateurish direction brought out scenes that lacked finishing, e.g. 1. Can't you wrap the cling film starting from nose-down instead? 2. In a random desert, how can you walk directly to your stolen car GPS tech, coincidence, ? 3. The fuming radiator just needs fresh air, few prayers and 'Love', to cool off!?
None of the songs were script-worthy, and definitely crowded the script. PC could have done better as Kiara, considering her natural buoyant attitude. However, the script convincingly brings out the entertaining chemistry between them, thanks to RK's smooth acting and personification of Akash.
There are a few good messages, however. As you try running away from life you realize how exciting it becomes. At the same time, the proximity to death makes it easy to live life as there's no tomorrow. Philosophical, isn't it?