Even by the standard of the racial insensitivity of the early 60s, this one is a stunner.
Let me note here that I usually take the racism and stereotypes of the studio period in stride. It's ugly, but that's what the period was like.
This episode, though, obviously a backdoor pilot for a series featuring Jack Carter as a lovable con man fails, thanks to Carter's basic unlikeability in the role, the over-the-top characterizations of the Japanese characters (at least two Japanese-American actors are directed to use horrific accents), and the terrible stereotyped writing.
"Ensign O'Toole" was a problematic series at best, but this episode was the final nail in its coffin; a most unfortunate way for the show to go out.
Only for completists of the series or of Carter's work.
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