A loose adaptation of the Cinderella tale without the magic.



On Disc

at Amazon


Add Image Add an image

Do you have any images for this title?



Episode credited cast:
Rachelle Durkin ...
Patricia Risley ...
Elina Garanca ...
Cenerentola, Angelina
John Relyea ...
Alessandro Corbelli ...
Don Magnifico
Lawrence Brownlee ...
The Prince, Don Ramiro
Simone Alberghini ...
Rest of cast listed alphabetically:
Metropolitan Opera Ballet ...
Maurizio Benini ...
Himself - Conducted by
Thomas Hampson ...
Himself - Host
Metropolitan Opera Chorus ...


A loose adaptation of the Cinderella tale without the magic.

Plot Summary | Add Synopsis

Plot Keywords:

classical | subtitles | opera | italian | See All (4) »





Official Sites:



Release Date:

9 May 2009 (USA)  »

Company Credits

Production Co:

Show detailed on  »

Did You Know?


Version of Cenerentola - Una favola in diretta (2012) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

11 November 2009 | by (Birmingham, England) – See all my reviews

This was the last matinée of the Met's 2008-2009 season and there is an end of term atmosphere about it, as though everyone just wants to get it over with and go away for the summer. It is a star vehicle for Elina Garanca but the Latvian ice maiden makes it clear in the interval interview with Thomas Hampson that she intends to do no more Rossini. Based on this performance, she is probably right. Although her coloratura is thrilling she really does not have the right personality for this sort of opera giocoso. She is quite in-your-face even in the early scenes with her stepfather and stepsisters. This is no subservient Cinderella. Similarly Alessandro Corbelli is a thoroughly nasty Don Magnifico with none of the redeeming dottiness that usually comes with this role.

There is a chorus of courtiers wearing dark suits and bowler hats who look as though they have stepped out of a Magritte painting. This is not as funny as it may sound. On the whole, this is a very grim Cenerentola which is short on laughs and long on scenery. Large opera houses sometimes fill their stages with huge sets. Often, as in this case, the effect is to make the performers look like midgets. This is particularly unfortunate for the vertically challenged tenor Lawrence Brownlee who plays Don Ramiro. Brownlee and the willowy Garanca certainly make an incongruous pair of lovers. In the final, most ridiculous, scene they stand together on a giant wedding cake. Garanca descends to do her big number while Brownlee remains, a lonely figure, gurning on top of the cake.

I was struck by the off-hand way that Elina Garanca summons conductor Maurizio Benini to take his bow at the end of the opera. It is the most half-hearted welcome that I have ever seen on an opera stage.

2 of 3 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: