After suffering an emotional breakdown in a public place, a young man vows never to leave his apartment. He quickly discovers that in today's world all his needs can be easily met: sex via ... See full summary »
Pedro and Rui kiss after a first-anniversary dinner; Pedro drives home, dying en route in a crash. Another pair of lovers, Odete and Alberto, split over her desire to have a child. Pedro ... See full summary »
João Pedro Rodrigues
Ana Cristina de Oliveira,
Noa Holander has it all. She's one of the richest women in Israel. Her father is one of the one hundred richest men in the world. He owns a chain of international hotels, a private jet and ... See full summary »
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A girl believing in God marries an atheist, who is consumed by doubt. They decide to spend their honeymoon in India. Searching the countryside for a guru called the "perfect man," who fobs ... See full summary »
After suffering an emotional breakdown in a public place, a young man vows never to leave his apartment. He quickly discovers that in today's world all his needs can be easily met: sex via the Internet, food by telephone delivery and entertainment by television. Four years later, his idyllic existence comes under attack when Daniela, a free spirited girl comes into his life while Grumps, the building's real estate agent, informs him that the apartment is about to be sold. Our hero refuses to leave his kingdom and decides to fight till the bitter end. Written by
Retreating from nowhere interesting to nowhere interesting
A traumatized young man retreats into himself, he is induced briefly to reestablish contact with the world, but he wonders whether he wasn't better off by himself after all. The premise isn't a bad one; it worked for The Who's TOMMY, for Dan Wollman's HA-TIMHONI, and for Neil Diamond's SHILOH. Here, unfortunately, not so much-- maybe primarily because we don't get a strong enough sense that the world the protagonist retreated from is so bad, nor that the world he retreats into has much allure, nor that he has any personal merits or promise; he's merely a disturbed fellow with whom we can't identify, and we can't identify with any other major character here either. A girl comes knocking on the door (literally) and is supposed to be the protagonist's hold on reality, but her own behavior is unrealistic even by filmscript standards. Also, there is a syndrome that better Israeli movie makers long ago cured themselves of-- the attempt not to be identifiably Israeli. Pathetically, the movie even includes a grandfatherly character called "Grumps"-- evidently because nobody with an ear for English was around to correct it to "Gramps." On the plus side... the soundtrack is quite good.
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