Directed by | |||
| Todd Rohal | |||
Writing credits(in alphabetical order) | ||
| Todd Rohal | screenplay | |
Produced by | |||
| David Bausch | .... | executive producer | |
| Michael B. Clark | .... | executive producer | |
| David Gordon Green | .... | executive producer | |
| John Hodges | .... | executive producer | |
| Lisa Muskat | .... | producer | |
Original Music by | |||
| Ryan Miller | |||
| Joseph Stephens | |||
Cinematography by | |||
| Steve Gainer | |||
Film Editing by | |||
| Alan Canant | |||
| Nat Sanders | |||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Matthew Munn | |||
Set Decoration by | |||
| Theo Sena | |||
Costume Design by | |||
| Jacki Roach | |||
Makeup Department | |||
| Fabian Garcia | .... | department head hair | |
| Brenna McGuire | .... | makeup artist | |
| Johnny Mooi | .... | key hair stylist | |
| Krystle Poulin | .... | makeup artist | |
Production Management | |||
| David Bausch | .... | unit production manager | |
| Jonathan Ferrantelli | .... | post-production supervisor | |
| Anita Sum | .... | production supervisor | |
Art Department | |||
| Lou Charles | .... | leadman | |
| Eileen Dennehy | .... | props | |
| Stephen J. Douglas | .... | props production assistant | |
| Frank-Joseph Frelier | .... | art department visual consultant | |
| Dan Fritz | .... | set dresser | |
| Shane Ingersoll | .... | shop scenic | |
| Dennis Jones | .... | set dresser | |
| Mollie Laurienzo | .... | art department coordinator | |
| Mariah Mills | .... | on-set dresser | |
| Martin Murray Jr. | .... | property master | |
| Ijeoma Onyejiaka | .... | art department production assistant | |
| Maria Sylvania | .... | assistant property master | |
Sound Department | |||
| Jamie Baker | .... | foley editor | |
| Ron Bochar | .... | sound re-recording mixer | |
| Ron Bochar | .... | supervising sound editor | |
| Laurel Bridges | .... | boom operator | |
| Marko A. Costanzo | .... | foley artist | |
| Ruy García | .... | sound designer | |
| Ruth Hernandez | .... | adr editor | |
| George A. Lara | .... | foley mixer | |
| Richard Murphy | .... | production sound mixer | |
| Tom Ryan | .... | adr mixer | |
| Bret Scheinfeld | .... | sound utility | |
| Sara Stern | .... | assistant sound editor | |
| Alexa Zimmerman | .... | dialogue editor | |
Special Effects by | |||
| Drew Jiritano | .... | special effects coordinator | |
| Andrew Mortelliti | .... | special effects foreman | |
| Tim Rossiter | .... | special effects fabrication | |
Visual Effects by | |||
| Andrew J. Bly | .... | visual effects producer: The Molecule | |
| Daniel Cohen | .... | visual effects producer | |
| Thompson Conradi | .... | visual effects artist | |
| Luke DiTommaso | .... | visual effects supervisor: The Molecule | |
| Charlotta Forssman | .... | visual effects | |
| Mark Scott Friedman | .... | compositing supervisor | |
| Brian Houlihan | .... | digital compositor | |
| Henry Jean | .... | compositor | |
| Henry Jean | .... | digital compositor | |
| Bokyeong Kim | .... | compositor | |
| Franz Kol | .... | digital compositor | |
| Lenz Kol | .... | lead compositor | |
| Ted Markovic | .... | visual effects | |
| Erin W. Nash | .... | digital compositor | |
| Victoria Penzes | .... | compositor | |
| Joshua Sacavage | .... | visual effects coordinator | |
| Scott Saling | .... | digital compositor | |
| Adam Schwartz | .... | compositor | |
| Nick Smith | .... | digital compositor | |
| Carlos Soler | .... | compositor | |
| Jung Um | .... | compositor | |
| Yuliya Vinokur | .... | compositor | |
Stunts | |||
| Mike Burke | .... | stunt driver | |
| George B. Colucci Jr. | .... | stunts | |
| Roy Farfel | .... | utility stunts | |
| Greg Harvey | .... | stunt double: Mrs. Harnett | |
| Declan Mulvey | .... | assistant stunt coordinator | |
| Carl Anthony Nespoli | .... | stunt double: Patton Oswalt | |
| Christopher Place | .... | stunts | |
| David Shumbris | .... | stunt double: Johnny Knoxville | |
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Todd Armitage | .... | a camera operator | |
| Richard Bizenza | .... | grip | |
| Marc-Eric Casado | .... | first assistant camera: "a" camera (as Marc-Eric Nielsen) | |
| Carl Casano | .... | electrician | |
| Marque DeWinter | .... | first assistant camera | |
| Anthony Gamiello | .... | key grip | |
| Ted Goodwin | .... | best boy electric | |
| Shaun Joye | .... | second assistant camera | |
| Doug Meils | .... | video playback operator | |
| Jesse L. Saviola | .... | second company grip | |
| George Tur | .... | first assistant camera: "b" camera | |
Animation Department | |||
| Chad Sikora | .... | animation director | |
Casting Department | |||
| Jon Goracy | .... | casting assistant | |
| Sabrina Hyman | .... | casting associate | |
| Jamie Jacobson | .... | child extras casting (uncredited) | |
| Leeba Zakharov | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Lainie Anderson | .... | key costumer | |
| Linde Aseltine | .... | wardrobe supervisor | |
| Tamara Menear | .... | costumer | |
| Abby O'Sullivan | .... | costume design consultant | |
| Kayla Viani | .... | wardrobe assistant | |
Editorial Department | |||
| Matt Breitenbach | .... | digital intermediate editor | |
| Molle DeBartolo | .... | digital intermediate producer | |
| Joe Gawler | .... | digital intermediate colorist | |
| Kate Rose Itzkowitz | .... | first assistant editor | |
| Tom Maloney | .... | pa | |
| Mike Mazzotta | .... | digital lab technician | |
| Zach Wolf | .... | assistant editor | |
Music Department | |||
| Todd Kasow | .... | music editor | |
| Juan Pablo Mantilla | .... | composer: additional music | |
| Eric Milano | .... | music editor | |
| Marguerite Phillips | .... | music supervisor | |
Thanks | |||
| Marissa Gallien | .... | special thanks | |
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| Seven Brides for Seven Brothers | Giant | Supercross | The Social Network | Beautiful Dreamer |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
After watching the trailer and reading a two-line synopsis, I thought this could have been quite entertaining. Unfortunately, it proved to be one of the worst movies I have ever watched. Most characters are not only uninteresting, they are actually annoying. The story could have some potential as it involves overprotecting mothers freaking out about their children being kidnapped - plus a couple of subplots that go totally unexploited, but it is so badly written, directed and edited that it ends up being a complete waste of time.
As the movie progressed, I really wished a monster like "Predator" would appear in the woods and kill everyone, just to add something interesting to this movie...
Don't waste your time on this.