| Episode Crew |
Directed by | |||
| Simon Wincer | |||
Writing credits(WGA) | ||
| Larry McMurtry | (novel) | |
| William D. Wittliff | (teleplay) (as Bill Wittliff) | |
Produced by | |||
| Suzanne De Passe | .... | executive producer (as Suzanne de Passe) | |
| Robert Halmi Jr. | .... | co-executive producer | |
| Dyson Lovell | .... | producer | |
| Michael Weisbarth | .... | supervising producer | |
| William D. Wittliff | .... | executive producer (as Bill Wittliff) | |
Original Music by | |||
| Basil Poledouris | |||
Cinematography by | |||
| Douglas Milsome | (director of photography) | ||
Film Editing by | |||
| Corky Ehlers | |||
Casting by | |||
| Lynn Kressel | |||
Production Design by | |||
| Cary White | |||
Set Decoration by | |||
| Michael J. Sullivan | (as Michael Sullivan) | ||
Costume Design by | |||
| Van Broughton Ramsey | |||
Makeup Department | |||
| Manlio Rocchetti | .... | hair supervisor | |
| Manlio Rocchetti | .... | make-up supervisor | |
Production Management | |||
| Dick Gallegly | .... | production manager | |
| Adam Merims | .... | assistant production manager | |
Second Unit Director or Assistant Director | |||
| Matt Bearson | .... | second assistant director | |
| Robert Rooy | .... | first assistant director | |
| Dean Semler | .... | second unit director | |
Art Department | |||
| Jay Raymond | .... | set dresser | |
| Eric A. Williams | .... | property master (as Eric Williams) | |
| Michael Peal | .... | storyboard artist (uncredited) | |
| Joe Self | .... | set dresser (uncredited) | |
Sound Department | |||
| James L. Aicholtz | .... | sound re-recording mixer (as James L. Alcholtz) | |
| Michael Herbick | .... | sound re-recording mixer | |
| Donald F. Johnson | .... | sound mixer (as Don Johnson) | |
| Joseph Melody | .... | supervising sound editor (as Joe Melody) | |
| Kevin O'Connell | .... | sound re-recording mixer | |
| Stephen Grubbs | .... | sound editor (uncredited) | |
Stunts | |||
| William H. Burton | .... | stunt coordinator (as Bill Burton) | |
Camera and Electrical Department | |||
| Danny Eccleston | .... | gaffer (as Daniel Eccleston) | |
| Rusty Edmonson | .... | lighting technician | |
| Gary Jay | .... | first assistant camera | |
| David McGill | .... | assistant camera | |
| Tony Poston | .... | key grip | |
| Don Reddy | .... | camera operator | |
| Dean Semler | .... | director of photography: second unit | |
Casting Department | |||
| Liz Keigley | .... | casting: Texas | |
| Stacey Rhodes | .... | extras casting (as Stacy Resch) | |
Costume and Wardrobe Department | |||
| Joan Thomas | .... | wardrobe supervisor | |
| Laurie Rudd | .... | costume draper/seamstress (uncredited) | |
Editorial Department | |||
| Terry Blythe | .... | assistant editor | |
| Ruben R. Munoz | .... | post-production | |
Music Department | |||
| Jamie Forester | .... | music editor (as Jamie Gelb) | |
| Tom Villano | .... | music editor | |
| Steve Jamerson | .... | music scoring assistant (uncredited) | |
Transportation Department | |||
| Nick W. Pastrano | .... | driver: motor home | |
Other crew | |||
| Marlene Bergman | .... | title designer | |
| George Corsillo | .... | title designer: main title | |
| Jill Lopez | .... | production coordinator | |
| Jimmy Medearis | .... | head wrangler (as Jimmy Meaderis) | |
| Sharon Medearis | .... | head wrangler (as Sharon Meaderis) | |
| Charles Montoya | .... | production assistant | |
| Bill Poague | .... | key set production assistant | |
| Cynthia Upstill | .... | script supervisor | |
| Lewis Meador | .... | wrangler (uncredited) | |
| Paula Randol-Smith | .... | production assistant (uncredited) | |
Thanks | |||
| Arthur Anderson | .... | special thanks | |
| Vinette Bond | .... | special thanks | |
| Jerry G. Callaway | .... | special thanks (as Jerry Callaway) | |
| Mary Lee Copeland | .... | special thanks | |
| John Frick | .... | special thanks | |
| Holly Gent Palmo | .... | special thanks (as Holly Gent) | |
| John Gibson | .... | special thanks | |
| Ira Halberstadt | .... | special thanks | |
| Nikol Hegarty | .... | special thanks | |
| Lionel LaVallee | .... | special thanks | |
| Dan Martin | .... | special thanks | |
| Dennis Milliken | .... | special thanks | |
| Willie Nelson | .... | the producers wish to thank | |
| Janie Nino | .... | special thanks | |
| Candace Suerstedt | .... | special thanks (as Candace Suerstedt Rehmet) | |
| Byron Thomas | .... | special thanks | |
| Henry Tirl | .... | special thanks | |
| Connie Todd | .... | special thanks | |
| Brad Wilson | .... | special thanks | |
| Joel Palmer | ... | Luke Wyatt | |
| Matthew Hotsinpiller | ... | Calvary Man (uncredited) | |
| Howard Young | ... | Outlaw (uncredited) | |
| Elberta Hunter | ... | Townswoman (uncredited) |
| Series Crew These people are regular crew members. Were they in this episode? |
Art Direction by | |||
| John Frick | (uncredited) | ||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist (uncredited) | |
Production Management | |||
| Ruben R. Munoz | .... | post-production supervisor | |
| Larry Sherwood | .... | electronic post-production supervisor | |
| Joel Hatch | .... | production supervisor (uncredited) | |
Second Unit Director or Assistant Director | |||
| Candace Suerstedt | .... | second assistant director | |
Art Department | |||
| Catherine Davis | .... | assistant property master | |
| Catherine Davis | .... | property master | |
| Neale Joudrie | .... | property wrangler | |
| Amy Morrison | .... | scenic artist | |
| John Huke | .... | special art projects (uncredited) | |
Sound Department | |||
| Kristi Johns | .... | adr supervisor | |
| Mark Steele | .... | sound editor | |
| Richard S. Steele | .... | sound editor | |
| Kay Colvin | .... | utility sound (uncredited) | |
| G. Michael Graham | .... | sound editor (uncredited) | |
Special Effects by | |||
| Robert A. Sturtevant | .... | special effects technician | |
| Lyn Caudle | .... | special effects assistant (uncredited) | |
Visual Effects by | |||
| Jesse Silver | .... | matte artist | |
| Jesse Silver | .... | special visual effects supervisor | |
Camera and Electrical Department | |||
| Jeffrey R. Clark | .... | first assistant camera (uncredited) | |
| Glenn Dunn | .... | electrician (uncredited) | |
| William 'Bear' Paul | .... | second key grip (uncredited) | |
| David Sanderson | .... | second assistant camera (uncredited) | |
| John Sheeren | .... | first assistant camera: "b" camera, second unit (uncredited) | |
| Steve Spallone | .... | best boy electric (uncredited) | |
| Henry Tirl | .... | assistant camera (uncredited) | |
Casting Department | |||
| Celeste Gose | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| Neale Joudrie | .... | wardrobe | |
| Cheri Reed | .... | costumer | |
| Annette Hoffman | .... | key set costumer (uncredited) | |
Music Department | |||
| Dan Wallin | .... | score mixer | |
| Tim Boyle | .... | score mixer (uncredited) | |
| John Rotondi | .... | scoring engineer: Y4 (uncredited) | |
Transportation Department | |||
| Lee Stepp | .... | driver: cast (uncredited) | |
Other crew | |||
| Brad Wilson | .... | assistant: Robert Duvall | |
| Anne Carr | .... | craft service (uncredited) | |
| Michael Dellheim | .... | location manager (uncredited) | |
| Tom Goodman | .... | wrangler (uncredited) | |
| Kathryn Korniloff | .... | assistant production accountant (uncredited) | |
| Anne Wilson | .... | key assistant production accountant (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Adventure section |
The saga continues north. The first episode was a broad , leisurely weave, like sitting around with the boys. This one is for the most part a revenge western, more anxious and violent, life is really not worth a damn on godless plains like these, it just blows this way and that with the sand. The focus is on Gus as he trails after kidnapped Lorie and an old enemy.
A pattern begins to emerge; the different strands of plot are obviously going to converge ahead in Oglalla, but in the meantime, we are given different shrapnels of broken lives to contemplate.
Women are the narrative center, this is nice to see in a western. Everything is threaded around lust for them, love, memory.