Set in a future where a failed climate-change experiment kills all life on the planet except for a lucky few who boarded the Snowpiercer, a train that travels around the globe, where a class system emerges.
Two strangers stuck in Manhattan for the night grow into each other's most trusted confidants when an evening of unexpected adventure forces them to confront their fears and take control of their lives.
Richard Kuklinski was a devoted husband, a loving father...and a ruthless killer. A decade after HBO last visited him in prison, the convicted murderer, who freely admits having whacked ... See full summary »
Tells the story of Fisher Willow, the disliked 1920s Memphis débutante daughter of a plantation owner with a distaste for narrow-minded people and a penchant for shocking and insulting ... See full summary »
Bryce Dallas Howard,
In the 1960s, Richard Kuklinski is working as a porn film lab tech until his mob bosses persuade him to change his career into that of a contract killer. For years, Kuklinski gains a reputation for cold blooded professionalism even as he raises a family who are kept in the dark about his true career. Unfortunately, mob politics ultimately forces him to secretly work independently with the psychopathic Robert 'Mr. Freezy' Pronge. As much as Kuklinski tries to keep his lives separate, circumstances and his own weaknesses threaten a terrible collision as the consequences of his choices finally catch up to him. Written by
Kenneth Chisholm (firstname.lastname@example.org)
While in prison, Richard Kuklinski claimed to be responsible along with four other men for the kidnap and murder of former Teamsters union boss Jimmy Hoffa on July 30 1975 in a restaurant parking lot in Detroit. The five-man team were allegedly given the contract on Hoffa by Tony Provenzano, a captain in the Genovese crime family. Kuklinski claimed to have been paid $40,000 for the hit. Kuklinski said that he knocked Hoffa unconscious with a blackjack and, while holding Hoffa's chin up, thrust a hunting knife into the back of his head. Hoffa's body was then allegedly placed in the trunk of a car that was then crushed and sold as scrap metal to Japanese car makers. The claims only surfaced after Kuklinski's death in March 2006 in a book by author Philip Carlo and will probably never be substantiated. See more »
When Richard meets Mr Freezy in the park, after he kills Leo, Mr Freezy gives him a newspaper with a headline that reads "THE ICEMAN MURDERS!!". There are two stories visible on the first page. One is about Roy Demeo's body having been found in the trunk of his car. If it wasn't for Mr Freezy commenting about Roy getting to them, we could've just assumed Richard had killed Roy off-screen. Also, the second story on the first page is titled "New mafia man" , but the text is about helicopters. See more »
Mr. Kuklinski, do you have any regrets about the things you've done?
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No Looking Back
Written by Antonio Beliveau
Performed by Crash Kings
Michael Beliveau - Upright Bass
Engineer - Robert Columbus
Recorded at Brick and Mortar Studios
Produced by Antonio Beliveau and Michael Beliveau
Mixed by Andrew Brohard
Mastered by Joseph Bozzi See more »
Difficult to emotionally invest in but wickedly entertaining.
With 2011's Take Shelter, Michael Shannon is proving to be a fascinating leading man. Just through his presence, he can convey that unstable line between sanity and insanity and bad and good. You can just tell his inner conflict is going to explode at boiling point. It's unfortunate that while Shannon certainly transforms into the 'iceman,' The Iceman's script doesn't call for much of his range. Instead, it's a moody gangster film that revels in the moments where it can step just beyond the clichés while still pressing all the standard buttons. It's interesting in these kinds of scenes where a mob boss forces an associate to give to a homeless person or Shannon lets James Franco's cameo pray to God just to see what happens. It's a well-acted film, particularly Winona Ryder standing out in the supporting cast and it's very slickly made. But the fundamental problem with the film is its rhythm. The editing is constantly hectic even at the smallest things. There's no natural fluctuations that give emotional moments gravitas or action moments excitement. It does end up fatiguing and it lessens the sense of journey and change. Nevertheless, it's still a wickedly entertaining thrill ride to the end, just blunt at its edges.
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