| Adam Kenneth Wilson | ... | Charles Manson (as Adam Wilson) | |
| Tamara Hope | ... | Linda Kasabian | |
| Ryan Blakely | ... | Terry Melcher | |
| Meredith Cheesbrough | ... | Lynette 'Squeaky' Fromme | |
| Sascha Cole | ... | Abigail Folger | |
| Roger Doche | ... | Wojtek Frykowski | |
| Anthony Gerbrandt | ... | Bob Kasabian | |
| James Gilbert | ... | Charles 'Tex' Watson | |
| Paul Anthony Hardy | ... | Stan Shapiro | |
| Morgan Kelly | ... | Dennis Wilson | |
| Cora Kennedy | ... | Nancy 'Brenda' Pitman | |
| Dave Kiner | ... | Bobby Beausoleil (as David Kiner) | |
| Cat McCormick | ... | Patricia 'Katie' Krenwinkel | |
| Sarah Podemski | ... | Catherine 'Gypsy' Share | |
| Brittany Scobie | ... | Susan 'Sadie' Atkins | |
| Melanie Scrofano | ... | Leslie Van Houten | |
| Moti Yona | ... | Gary Hinman | |
| Josh Young | ... | Steven 'Clem' Grogan (as Joshua Young) | |
| rest of cast listed alphabetically: | |||
| Vincent Bugliosi | ... | Himself | |
| Linda Kasabian | ... | Herself | |
| Catherine Share | ... | Herself | |
| Debra Tate | ... | Herself | |
| Christopher Huron | ... | Steve Parent (uncredited) | |
Directed by | |||
| Neil Rawles | |||
Writing credits(in alphabetical order) | ||
| Matthew Broughton | ||
Produced by | |||
| Tara Elwood | .... | line producer | |
| Nick Godwin | .... | executive producer | |
| Greta Knutzen | .... | creative producer | |
| Simon Lloyd | .... | co-executive producer | |
| Tom Parkhouse | .... | producer | |
| John Vandervelde | .... | producer | |
Cinematography by | |||
| Jeremy Benning | (director of photography) | ||
Film Editing by | |||
| Marcus Valentin | |||
Casting by | |||
| Millie Tom | |||
Production Design by | |||
| Brian Rice | |||
Art Direction by | |||
| Adrian Greenlaw | |||
Set Decoration by | |||
| Steven Polley | |||
Makeup Department | |||
| Tina Del Grande | .... | assistant hair stylist | |
| Tina Del Grande | .... | assistant makeup artist | |
| Catherine Hughes | .... | hair stylist (as Catherine Martin Hughes) | |
| Catherine Hughes | .... | makeup artist (as Catherine Martin Hughes) | |
Production Management | |||
| Maria French | .... | production executive | |
| Jane Lloyd | .... | vice president of production | |
| Jed Metzger | .... | production manager (as Jet Metzger) | |
| Allison Todd | .... | head of production | |
| Lynn van Rooyen | .... | head of post-production | |
Art Department | |||
| Sasha Tolstoy | .... | props | |
Sound Department | |||
| Brian Barret Collins | .... | boom operator | |
| Ryan Henwood | .... | sound editorial | |
| Russ Mackay | .... | re-recording engineer | |
| Bill McMillan | .... | sound mixer | |
| Richie Nieto | .... | re-recording engineer | |
| Richie Nieto | .... | sound re-recording mixer | |
Special Effects by | |||
| Matthew Scott | .... | special effects technician | |
Camera and Electrical Department | |||
| Ryan Acker | .... | key grip | |
| Dean Dallas Bentley | .... | grip | |
| Bill Hong | .... | camera | |
| Edmond Kopp | .... | gaffer | |
| Dave Lewis | .... | best boy grip | |
| Kelly Taylor | .... | best boy electric | |
| Jason Vieira | .... | additional steadicam operator | |
| Aaron Wilcox | .... | electric | |
Casting Department | |||
| Roisin McGilly | .... | background casting | |
Costume and Wardrobe Department | |||
| Mark Hiney | .... | assistant wardrobe stylist | |
| Ashley Wood | .... | wardrobe stylist | |
Editorial Department | |||
| Craig Drikis Barnikis | .... | on-line editor | |
| Gwyn Moxham | .... | assistant editor | |
| Paula Talesnik | .... | post-production coordinator | |
| Charlene Short | .... | assistant editor (uncredited) | |
Other crew | |||
| Lana Gorlitz | .... | production intern | |
| Allegra Hill | .... | production coordinator | |
| Susanne Jespersen | .... | archive researcher | |
| Nicolina Lanni | .... | researcher | |
| Joe Melton | .... | location assistant | |
| Sherri Rufh | .... | head of production administration | |
|
|
|
|
|
| Helter Skelter | Manson | The Helter Skelter Murders | Helter Skelter | Pat Garrett & Billy the Kid |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
When I saw that the History Channel was putting together yet another documentary on the Manson Murders, my skepticism was pretty high. Recent attempts to discuss or re-enact the murders and/or trials have added little to the discussion, and in some cases, were downright awful or amateurish at best (see Jim VanBebber's "The Manson Family"). After watching this latest attempt, I was mildly impressed.
The acting is decent, although some of the actors chosen were all wrong for the parts (Terry Melcher as a skinny guy with short brown hair...I mean...REALLY). The re-enactments of the murders were pretty well done, although for some unknown reason, the filmmakers got the clothing wrong AGAIN. It is common knowledge that the killers all wore dark clothing (a mistake also made in the latest TV-movie version of "Helter Skelter" five years ago...WHY???) and the houses used to sub for the Tate and LaBianca residences look all wrong. Surely they could have found houses that looked somewhat like the actual sites? Still, it could have been worse! What made this most intriguing was the participation of star witness Linda Kasabian. She has given few public interviews over the past forty years, so it was interesting to see her here. While some may still disagree with her exoneration due to being the star state's witness, the fact remains that she did not kill anyone either night. Was she an accomplice? Yes...but nowhere as culpable as her colleagues in madness. Vincent Bugliosi and Debra Tate also make appearances in the film, although they add little new to the mix. I really think Bugliosi could do Manson material in his sleep at this point! The program also does a good job of showing Manson's shift from "peace and love" leader to the raving maniac he has since become (partly due to his joy in mocking the mass media by being the madman they want him to be). The scenes of the Spahn Ranch are well done, and for the most part, this is a decent documentary. While few Manson programs will reach the heights of the original TV movie from 1976 (even with its over-the-top moments), this little program does a good job of hitting the primary points of the case.
Classic or definitive? No. A decent introduction to those who do not know the case? Yes.