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Down Terrace (2009)
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Down Terrace (2009)

R  |   |  Comedy, Crime  |  15 October 2010 (USA)
6.4
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Ratings: 6.4/10 from 2,174 users   Metascore: 68/100
Reviews: 15 user | 49 critic | 14 from Metacritic.com

A crime family looks to unmask the police informant in their midst who threatens to take down their business.

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Down Terrace (2009) on IMDb 6.4/10

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Cast

Cast overview, first billed only:
...
Karl
...
Bill
Julia Deakin ...
Maggie
...
Eric
Kerry Peacock ...
Valda
...
Mark Kempner ...
Councillor Berman
...
Pringle
...
Jon
Kali Peacock ...
Helen Garvey
Kitty Blue ...
Pringle's Child
Luke Hartney ...
Spitz
Simon Smith ...
Bill's Band Member #1
Paul George ...
Bill's Band Member #2
Simon Walker ...
Bill's Band Member #3
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Storyline

After serving jail time for a mysterious crime, Bill and Karl get out of jail and become preoccupied with figuring out who turned them in to the police. On top of that, the "family business" is on the rocks, and the motley crew of criminals who operate out of Down Terrace aren't feeling terribly trusting of one another. It might look like an ordinary house, but at Down Terrace, the walls are closing in... Written by Newport Beach Film Festival

Plot Summary | Add Synopsis

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black comedy | See All (1) »

Taglines:

You're only as good as the people you know. See more »

Genres:

Comedy | Crime

Motion Picture Rating (MPAA)

Rated R for violence, pervasive language and some drug use | See all certifications »

Parents Guide:

 »
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Details

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Release Date:

15 October 2010 (USA)  »

Box Office

Opening Weekend:

$3,088 (USA) (15 October 2010)

Gross:

$9,609 (USA) (29 October 2010)
 »

Company Credits

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Did You Know?

Connections

References Rob Loves Kerry (2006) See more »

Soundtracks

Are You Leaving for the Country?
Performed by Karen Dalton
Courtesy of Light in the Attic Records
Written by Richard Tucker
Courtesy of Peer International Corp
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User Reviews

 
Less Is More, Much more.
8 October 2010 | by (United Kingdom) – See all my reviews

British crime films are a very mixed bunch, for every 'Long Good Friday' or 'Sexy Beast', there is a whole load of low rent, formulaic fayre of diminishing returns.

This film has one advantage from the off, not being set in London - or as many of the characters in the poorer films of this genre say it, 'Laanndan'. (Hiding those well brought up accents can be a strain perhaps).

It's set in Brighton, a town (recently upgraded to a 'City') on England's south coast. But not the Brighton known to many here in recent years, the place of celeb second homes, nightclub culture, a liberal place for homosexuals before most of the rest of the country became more adult and relaxed about this part of society.

The Brighton of mundane suburbia is the setting, not the cultural epicentre.

Largely set in a home, where Bill and his wife live with their 34 year old son, we first see them, the father and son, after being acquitted in a drugs trial, little to celebrate though - how did they get into court in the first place? Who grassed them up - have to be someone close, to their right little, tight little world of lower ranking club employees and drug pushers.

The home is the actual dwelling of the actor playing the father, where the son - his real life son - was actually brought up. Only the mother is played by a quite familiar actress - Julia Deakin. The father, Bill, being an ex hippy who wistfully reflects on the brief period of apparent enlightenment through Cannabis and LSD, via yoga and the Tibetan Book Of The Dead, before money, crime, harder drugs, intruded - which swept up Bill too.

So begins a claustrophobic period of suspicion, paranoia, leading to violence and murder. Between bouts of domestic bickering, including a 'meet my pregnant girlfriend' family dinner that is a mire of passive-aggressiveness.

The cast are largely drawn - when they are not family members of the writer and actor playing the son - from innovative and usually rather dark comedy shows and stand up.

Micro budget it might have, but Down Terrace punches well above it's weight. Lack of flash leads to a concentration on family dynamics - albeit a deeply disturbing one - realistic script and genuine plot shocks and surprises.

This film is refreshing, often laugh out loud funny - darkly funny usually - intense and a real gem. Clearly a labour of love from the small team involved in the whole production, a labour though of inspiration rather than just perspiration.


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