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Trash Humpers (2009)

Not Rated | | Drama | 14 April 2011 (Netherlands)
Follows the lives of a small group of sociopathic elderly people in Nashville, Tennessee.

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2 wins & 2 nominations. See more awards »

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Cast

Cast overview:
...
Momma
Brian Kotzur ...
Buddy
...
Travis
...
Hervé
Seth Peterson
...
Plak
Charles Ezell ...
Twin
Crystal
Jennifer
Roxxie
Page Spain
Chris Gantry ...
Singer
Paul Booker
Dave Cloud
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Storyline

Follows the lives of a small group of sociopathic elderly people in Nashville, Tennessee.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »

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Release Date:

14 April 2011 (Netherlands)  »

Also Known As:

Frotadores de basura  »

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1.78 : 1
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Did You Know?

Trivia

The film originally started out as a group of photographs. Harmony Korine would go out late at night and dress his assistants in crude masks that resembled burn victims. He would photograph them fornicating with trash and vandalizing various things using only the worst cameras he could find. The photos came out so creepy that he started thinking, "Maybe this could be a movie". See more »

Quotes

Hervé: Make it! Make it! Don't fake it!
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Connections

Featured in Todd's Pop Song Reviews: 'Drive By', Train (2012) See more »

Soundtracks

Single Girl, Married Girl
Lyrics and Music by A.P. Carter
©Peer International Corp.
With the authorization of La Societe D'Editions Musicales Internationales (S.E.M.I.) -Paris-France
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User Reviews

 
"Make it, make it, don't fake it!"
2 April 2013 | by (United States) – See all my reviews

Harmony Korine's Trash Humpers is an ode to cinematic lawlessness and unadulterated mischief. This is the strangest film Korine has ever made, which says a lot seeing as he was the driving force behind Gummo and Julien Donkey-Boy, two of the most unique films of the nineties decade. What makes it so significant in its perplexing obscurity is that it seems to be devoid of any meaning, where with Korine's two previous films you could totally sense there was something there - regardless of how it was presented or how subtle it appeared to be. Trash Humpers seems to have no meaning at all, and feels like Korine's handwritten insult to the unwritten laws of cinema that have threaded the cloth of conventionality.

The film is shot on a low-quality VHS camera and follows three grotesque subhumans around town, who commit several unthinkable atrocities such as vandalism and public indecency, almost obtaining a strange form of pleasure from it. The three characters also wear petrified masks, resembling elderly people, to hide their identity and further make themselves irredeemably ugly. That's what this picture is in a nutshell - "irredeemably ugly" - as well as repulsive, unappealing, beyond offbeat, and a tough sit, even for its seventy-eight minute runtime.

Korine's goal, if he even has any here, seems to be incorporating so much senseless imagery, unique style, lewd acts, shameless and ugly characters, and no cohesion in an attempt to make the most unwatchable film. And don't forget the touch of old school film editing and taping, which we'll get in to. It's one of the first times I'll call a film "unwatchable" not because of poor content but downright bad content committed by the film's characters. The stuff they are doing, humping mailboxes, running aimlessly screaming, breaking public property, and engaging in murder is unwatchable; the film itself is a mildly-amusing, but trivial novelty.

However, I especially enjoyed the film's shot-on-VHS style, making strong note of the choppiness, the messiness, and the long-forgotten imperfections of VHS-quality tapes in a flawless, digitally-driven world. This gives the film a very lowly look to it, almost appearing like a sick home movie that was released to the public due to a criminal mistake. Some have compared it to Jackass, due to the excessive amount of silliness and pride the characters take in reeking havoc. I simply can't, because Jackass made me smile and laugh, while viewing Trash Humpers left me deeply disturbed and somewhat scarred.

And yet, I emerge more positive than I thought I'd e. The tone of the picture is so eerie and unpleasant, and the effect it has on a viewer is somewhat lasting. I can't give it a completely positive review, for the film doesn't feature many attractive qualities other than its cinematography and is burdened by a longer-than-necessary length (forty-five minutes would've been more ideal). However, it earns a recommendation to the most adventurous and curious cinephiles - a group that might still emerge disgusted and somewhat horrified. It's a hard film to watch, and even harder to like, yet that could be Korine's ultimate goal overall.

Directed by: Harmony Korine.


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