Written in 1931, H.P. Lovecraft's iconic genre-bending tale of suspense and alien terrors is brought to life in the style of the classic horror films of the 1930s like Frankenstein... See full synopsis »
A Seattle history professor, drawn back to his estranged family on the Oregon coast to execute his late mother's estate, is reaquainted with his best friend from childhood, with whom he has... See full summary »
Insane asylums, shallow graves and magick of the blackest kind. Maelstrom Productions' newest project is an updated but faithful adaptation of H.P. Lovecraft's "The Thing on the Doorstep". ... See full summary »
Dan Upton is concerned about the influence of a young woman upon his friend Edward Derby. While a series of dismemberment killings in Arkham seems to be linked to a Cthulhu cult in nearby Innsmouth and Dunwich.
A psychological horror film based on the short story by H.P. Lovecraft. Daniel Upton's relationship with his friend Edward Derby is abruptly changed after Edward becomes romantically ... See full summary »
Mary Jane Hansen
Based on the short story 'The Testimony of Randolph Carter' By H.P. Lovecraft. This faithful adaptation of "The Statement of Randolph Carter" tells the strange story of the demise of occultist Harley Warren.
Who is Goodie Hines? Why did he gouge out the eyes of his victims? Why did they beg him to do it? What could possibly have inspired such horrific imagery in his drawings and paintings that they've been banned--only to be duplicated to seemingly impossible detail by mild-mannered recluse, Robert Pickman, who claims never to have met Goodie nor seen his work, but refuses to reveal his sources? Dare we delve the mind of one dissolving into madness, to uncover his muse? Written by
A treat for Lovecraft fans, and great old-style horror thrills
This adaptation of H.P. Lovecraft's short story "The Haunter of the Dark" is a visually striking and eerily effective blending of the author's elements, and one of the best HPL films I've seen. Eschewing splashy gore effects, it focuses on building an ominous mood and revealing the slow decay of the main character's mental state as he glimpses "worlds unknown" and grinds his way down into violent madness. Beautiful cinematography and economic storytelling balance the claustrophobic environments of the artist's studio and the expansive mysteries of the abandoned church, while suggesting a darker and more malevolent cosmos lurking just beyond this false-front reality.
Key to the movie is the twitchy, introverted and hypnotic performance of Barret Walz. His self-absorbed and socially awkward character could easily alienate the audience, but instead betrays glimpses of vulnerability, loss, and yearning that underlies his visionary drive and artistic obsessions. He's supported by the terrific and colorful turns of a cast of accomplished character actors, including the avuncular Maurice McNicholas, fragile Edy Cullen, and the seething menace of Tom Lodewyck as fellow mad-artist Goodie Hines.
This movie is also a remarkable achievement on a limited budget. Dir. Robert Cappelletto has wisely focused on good storytelling over splashy effects, while still crafting a top-notch look and feel. The insidiously creepy aural landscape digs even deeper, with great sound design and a moody and effective score. Clearly more influenced by the suggestive horror of Val Lewton than today's splatter-tropes, this is a movie for anyone looking for more substance to their scares. A real treat for fans of Lovecraft's writings, as well as anyone seeking atmospheric, old-style horror thrills.
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