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An tale of revenge, honor and disgrace, centering on a poverty-stricken samurai who discovers the fate of his ronin son-in-law, setting in motion a tense showdown of vengeance against the house of a feudal lord.
A girl that resemble "Sadako" of the movie Ring is being feared by her classmates. She is avoided by everyone.While everyone is avoiding her, the popular boy Shota Kazehaya befriends her, and their love begins to grow.
It's a rarity when I'm given the opportunity to write the first IMDb review of a recent theatrically released film. Such is the case here as I was vacationing in Japan and decided to take in a movie. Since I don't speak Japanese, I based my selection off of the poster art alone. "Hana No Ato" (aka "After the Flowers") was the film that looked most worthy of consideration, so I gave it a shot and it turned out to be a thrilling period piece.
The storyline, from what I gather, concerns a woman (named Ito) who trains in swordfighting with her father. Ito at one point challenges a samurai acquaintance to a friendly, competitive duel involving bamboo sticks which ignites an attraction between the two. Subsequent to this event, a few conflicts involving honor and justice are introduced that drive the rest of the proceedings.
The most apparent observation regarding "Hana No Ato" is that it feels very similar to Yoji Yamada's samurai trilogy "Twilight Samurai" (2002), "The Hidden Blade" (2004), and "Love and Honor" (2006). So much so, in fact, that I was actually surprised to find out that Yamada did not direct this. The similarities, however, are no coincidence. The screenplay was adapted by a short story written by the late Shuhei Fujisawa, whose writings were the basis for Yamada's trilogy. "Hana No Ato" has a comparable focus on character/conflict development to effectively build anticipation for a final confrontation.
The storyline is a familiar premise, but the execution is so strong that it will almost surely impress fans of this genre. There is one training duel and one swordfight, both of which are excellent as they employ realism and proficient choreography. Acting is restrained with emotion expressed through slight mannerisms, and Keiko Kitagawa is entirely convincing as the lead. The cinematography and capturing of natural environments are also fantastic.
It's important to note that I was definitely not in the mood for this type of film when I sat down to watch it, yet it captivated me nonetheless. I plan to purchase it on DVD as soon as it's available.
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