In London, a military plane crashes leaving its highly classified contents strewn across the city. Completely unaware that the city is in lockdown, a group of people become trapped inside a storage facility with a highly unwelcome guest.
Five years ago Alice saw her son murdered; now every day is consumed with the need to find his killer. In the sleepy town of Ludlow, the arrival of the mysterious stranger Alice suspects to... See full summary »
They say the only thing you can depend upon in life is death. Charles Jackson is about to find out that isn't true. Dying is a tricky process and mistakes get made. How many ghost stories ... See full summary »
Dan van Husen
A generation ago, Dr Max Warick was researching a mysterious experimental drug which was scientifically proven to cure certain types of madness. But as the most deranged test subjects ... See full summary »
Six young friends on a road trip in Ireland run afoul of gypsies who curse them for accidentally running down an old woman. The curse takes the form of a terrifying flying creature that tries killing them all.
Four young offenders and their care workers visit the remote Yorkshire village of Mortlake, which prides on keeping itself to itself. A minor incident with locals rapidly escalates into a blood-soaked, deliriously warped nightmare.
In England, the teacher of the Wittering College Robert Anderson is hit in the face by a student and is forced to take three months vacation to avoid being sued by the parents of the student. Robert is affected by the incident and a couple of months later, he is emotionally disturbed, alcoholic and separated of his wife Helen. Their daughter Kate lives with her mother and has classes with Robert, but she does not respect her father. The principal of Wittering College, Sarah Balham (Ruth Gemmell), loathes Robert and wants to get rid of him, but the Union does not allow her to fire him. When Robert reads about violence in another school, he sends a memo advising the employees of the school and he is considered paranoid and delusional by everybody. One day after hours, Robert notes some strange movements outside the school and he advises the security guard James that does not give much attention to the discredited Robert. But sooner Robert realizes that the Wittering College is under ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Hey look, a socially relevant and disturbingly accurate horror/thriller! You don't see a lot of those, that's for sure. Well okay, only the basic premise and main themes behind Johannes Roberts' "F" are realistic, while the further events in the film are pure fictional and exaggeratedly sensational And thank God for that! But as said, the synopsis immediately grabbed my attention. Not a day goes by without hearing depressing reports on the news about chaotic riots or shootouts on school grounds and senseless violence against people who are just doing their jobs, like teachers, bus drivers and train conductors. "F" suitably opens with devoted English literature teacher Mr. Anderson taking a punch in the face from a frustrated student after flunking his exam. The school's board of directors refuses to support Mr. Anderson and even forces him to go on sick leave because the kid's parents threatened with a lawsuit. I don't intend to sound overly embittered and old, but sadly this "fictional" intro gradually turned into a saddening fact! Kids used to answer to their parents regarding bad school grades and unacceptable behavior, but nowadays teachers risk to be held responsible for their disrespectful and uncontrollable attitude. One year later, Mr. Anderson still teaches his class but metamorphosed into a completely different person, struggling with alcoholism, paranoia and a torn apart family situation. One evening, when keeping his daughter in detention, a pack of criminal students (?) hiding their faces underneath hooded caps invade the school's premises and relentlessly begin to terrorize the remaining staff members without apparent motive.
As a social statement, "F" is definitely one of the most remarkable genre movies of the past ten years. The subject matter is relevant and the main characters are identifiable, which automatically puts the film in a league higher than your average and typical slasher movie about a bunch of idiotic teenagers heading out to the remote backwoods and getting butchered by inbred hillbillies, or something. Purely talking in terms of cinematic value and impact, however, "F" unfortunately is too much of a flawed and incoherent accomplishment. Writer/director Roberts does a terrific job generating a tense and involving atmosphere, through detailed character drawings and a terrific use of ominous music, but the movie narrowly collapses as soon as the school invasion truly breaks loose. He wants to intentionally remain vague and distant regarding the hooded hoodlums' identity and motives, presumably in order to keep everything more disturbing, but he overlooks the fact that the viewer expects a minimum of insight. The invasion, clearly influenced by John Carpenter's "Assault on Precinct 13" comes across as too random and implausible. The northern London area obviously suffers from troublesome kids, but there weren't any hints at well-organized criminal gangs to my knowledge. Who are these hoodlums? Exactly how many of them? Are they even students at Mr. Anderson's school? They could be a bunch of circus acrobats gone berserk, for all we know, because their speed and flexibility to move across the hallways and climb atop of school infrastructure is deeply impressive. And also, these assailants aren't just insignificant youthful thugs Judging by the crimes committed here, they're incurably and dangerously deranged psychopaths! If you see what they do to the principle's head or how they mess up secretary Roxanne McKee's cute face, I sincerely doubt we're dealing with rebellious school kids here. Not even the serial killers on death row are this cruel and sadistic. The film actually contains very little on screen violence, but the suggestive cruelty and imagery is more than enough for sensitive people to avoid watching. The ending is a huge letdown and, like many other reviewers already indicated, it looks as if there are fifteen minutes missing and/or Johannes Roberts completely ran out of budget all of a sudden. I think I understand the deeper meaning behind the open ending, but this simply isn't the type of movie for that. It's a worthwhile attempt, but unfortunately not destined to become a cult gem/classic.
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