A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before it's too late.
A factory worker, Douglas Quaid, begins to suspect that he is a spy after visiting Rekall - a company that provides its clients with implanted fake memories of a life they would like to have led - goes wrong and he finds himself on the run.
This movie is set in the mid 1800s and involves poet Edgar Allan Poe. A serial killer is on the loose and murdering people using Poe's descriptions from his published stories and poems. Poe teams up with Detective Fields, a Baltimore policeman to try and catch the killer by using his knowledge of the descriptions. Even though the stories are fictional, they start to become reality and the killer is a step ahead of them. Then it takes on a personal note as Poe's lover becomes a target. Will they stop the killer in time? Written by
Michael Hallows Eve
We liked this movie a lot. It was well staged,and filmed. It didn't drag, and made sense. It was very much in the spirit of Poe. We liked John Cusack in the role. A lot of movies seem chaotic and poorly thought out. This rolled right along, to a satisfactory Poe like ending. The credits were unique and linked to the story itself. I rarely watch horror films, but going to see a movie about Edgar Allen Poe, I expected to see the Poe story lines--he's the original horror-suspense master. They played off these elements. We generally see a movie every week, and this one worked for us. Sherlock Holmes and Hugo had a lot of mindless running around. This one had a plot that hung together. I loved the costumes, the atmosphere, and old buildings.
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