Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only ... See full summary »
Grumpy pensioner Arthur honors his recently deceased wife's passion for performing by joining the unconventional local choir to which she used to belong, a process that helps him build bridges with his estranged son, James.
Paul Andrew Williams
Ali's biggest match, his fight with the US government. A film about the politics and hubris surrounding the Vietnam War and the revenge exacted on America's greatest sportsman of the 20th century because he refused to fight in that war.
Ed Begley Jr.
The Independent journalist Tamara Drewe returns to Dorset, Ewedown, to sell the Winnard Farm that belonged to her deceased mother. Her neighbor Beth Hardiment runs a writers retreat with her unfaithful and womanizer husband Nicholas Hardiment that is a successful writer of Inchcombe adventures and cheats Beth every now and then with younger women. Tamara was the sweetheart of the handyman Andy Cobb, whose family owned the Winnard Farm but lost it to Tamara's family, and she sees him, she rekindles her love for him. However, when Tamara travels to interview the unpleasant drummer of the Swipe band Ben Sergeant, he has just found that his girlfriend Fran is having an affair with the other musician Steven Culley and he breaks up with the band. Tamara and Ben have a love affair and Ben moves to Winnard. Meanwhile, Ben's teenager fan Jody Long and her best friend Casey Shaw that are bored in Ewedown feel happy with the presence of Ben in the village. When Ben proposes Tamara, they travel ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In addition to being loosely based on a novel by Thomas Hardy, including a character who is writing a book about Hardy, and having a photograph of Hardy prominently displayed in one scene, the location filming was done in Dorset, where most of Hardy's novels are set - "Wessex" being a thinly fictionalized Dorset. The small ad for the writers' retreat that appears at the beginning of the film is also headed with the title of the novel: "Far from the Madding Crowd". See more »
When the two schoolgirls enter Tamara's house using the key under the flowerpot, they leave it in the front door. Yet when Tamara returns to the house a short while later, she is seen getting her own keys out as she walks up the path, and entering the house with them, the first key seemingly gone. See more »
So, who are your influences?
Everyone asks that. I mean, what do you want me to say? Phil Collins? Animal from The Muppets?
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TAMARA DREWE already had a following from her appearance in the best selling graphic novel by the same name by Posy Simmonds, an so it was probably not too difficult for the talented Stephen Frears to direct a pitch perfect cast to bring the delightful story to the screen. Filled to the brim with excellent actors this strange little story has many levels of meaning, but the main story is very well served.
Tamara Drewe (Gemma Arterton) was historically a face to forget in the town of Ewedon, but she leaves for the city and plastic surgery and returns with a new nose and facelift that makes her as attractive as any lass in the town. She plays on the talents of married highly successful crime novelist Nicholas (Roger Allam) to polish her writing skills - the cost is an affair that leaves Nicholas ready to divorce his perfect wife (Tamsin Grieg). She also attracts the interest of her childhood solid friend Andy (Luke Evans) and the rather superficial and silly rock star Ben (Dominic Cooper) and eventually, with the running of interference by two loathsome little girls (Charlotte Christie and Jessica Barden), and it all turns out with many surprises! It is a dissection of relationships a la Thomas Hardy and Frears know how to make it all work very well.
It is always a pleasure to be in the company of fine British actors in a lovely English countryside setting and this is no exception. Everyone in the cast is excellent - and it continues to be a pleasure to watch the very talented Dominic Cooper grow in the challenging roles he assumes. There are many reasons to enjoy this film, and among them is the sheer craftsmanship of the British cinema.
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