When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called Downworld.
Jamie Campbell Bower,
Valerie (Seyfried) is a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Fernandez), but her parents have arranged for her to marry the wealthy Henry (Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie's older sister has been killed by the werewolf that prowls the dark forest surrounding their village. For years, the people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under a blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Oldman), to help them kill the wolf. But Solomon's arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them. As the death toll rises with each moon, Valerie begins to suspect that the werewolf could be someone she loves. As panic grips the ... Written by
Warner Bros. Pictures
Several times through the film Solomon tells his crossbow man to "fire", and expression that wasn't used until the introduction of firearms to Europe in the end of the 14th century. And as such hadn't yet become a common command to use for someone in the middle ages especially since Solomon's men doesn't appear to bring any gunpowder with them. See more »
Do you know how you kill a tiger, Father Auguste? You tie up your best goat and wait.
See more »
After the credits a werewolf suddenly appears and lunges at the camera See more »
I really wonder these days when a movie like this which seems to have something going for it, end so badly. It's rare to find a movie with no dialogue these days, and by that I mean every single word that is spoken in this movie does nothing more then move the plot painfully along. Why all this topic most of the phrases given are old cliché's that apparently never get old, I could almost recite what the actors were going to say before they said it half the time.
Now to be fair the premise for this is actually rather pleasant, it takes the Red Riding Hood story and kind of twists it around a bit. In this version the town Red Riding Hood (Valerie) lives in a village that has been cursed with a werewolf for two or three generations. For the last few years the town has been able to appease the beast by offering it livestock during the full moon. Then a young women is killed and then the town goes on the hunt.
Reading that paragraph it sounds that this should be a good entertaining movie, but it falls horribly short of that. Besides what I already said about the dialogue it actually gets worse then that, the acting by itself ranks up there. Let's put it this way when you're out acted by a computer generated wolf there is something wrong.
Catherine Hardwicke started strong with her great teenage drama "Thirteen" and then steadily declined after that ending with her directing the first of the inane "Twilight" movies. I really wish when directors got bigger budgets they'd spend it on more then CGI or fancier sets.
If this is the type of movie that Hollywood thinks we should be subjected too, then they really have to take a few steps back and rethink who their target audience is and try to give us a movie that can either entertain, educate, or any other number of things. Sadly this movie does none of that and should be skipped.
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