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After his wife is assaulted, a husband enlists the services of a vigilante group to help him settle the score. Then he discovers they want a 'favor' from him in return.
When two married business executives having an affair are blackmailed by a violent criminal, the two must turn the tables on him to save their families.
Director:
Mikael Håfström
Stars:
Clive Owen,
Jennifer Aniston,
Vincent Cassel
1965, three Mossad agents cross into East Berlin to apprehend a notorious Nazi war criminal. Thirty years later, the secrets the agents share come back to haunt them.
Jean-Baptiste Grenouille, born with a superior olfactory sense, creates the world's finest perfume. His work, however, takes a dark turn as he searches for the ultimate scent.
Director:
Tom Tykwer
Stars:
Ben Whishaw,
Francesc Albiol,
Dustin Hoffman
A troubled hedge fund magnate desperate to complete the sale of his trading empire makes an error that forces him to turn to an unlikely person for help.
Valerie (Seyfried) is a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Fernandez), but her parents have arranged for her to marry the wealthy Henry (Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie's older sister has been killed by the werewolf that prowls the dark forest surrounding their village. For years, the people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under a blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Oldman), to help them kill the wolf. But Solomon's arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them. As the death toll rises with each moon, Valerie begins to suspect that the werewolf could be someone she loves. As panic grips the ... Written by
Warner Bros. Pictures
With the exception of Valerie (Amanda Seyfried), all the characters from Daggerhorn are either played by actors with brown eyes or wearing brown contact lenses. Most notable of the latter is Julie Christie, who plays Valerie's Grandmother, who is famous for her blue eyes. See more »
Goofs
Several times through the film Solomon tells his crossbow man to "fire", and expression that wasn't used until the introduction of firearms to Europe in the end of the 14th century. And as such hadn't yet become a common command to use for someone in the middle ages especially since Solomon's men doesn't appear to bring any gunpowder with them. See more »
Quotes
Solomon:
Do you know how you kill a tiger, father Auguste? You tie up your best goat and wait.
See more »
Crazy Credits
After the credits a werewolf suddenly appears and lunges at the camera See more »
"The Wolf"
Written by Karin Dreijer Andersson, Liliana Zavala, Christoffer Berg, Van Rivers and Peder Mannerfelt p/k/a The Subliminal Kid
Produced by Karin Dreijer Andersson, Brian Reitzell, Liliana Zavala, Christoffer Berg,
Van Rivers and Peder Mannerfelt p/k/a The Subliminal Kid
Performed by Fever Ray
Fever Ray appears courtesy of Rabid Records See more »
This film is a steaming pile of cinematic poop. It's dreadful in every single way. There's not one nice thing I can muster to say about it. It makes the Twilight series, which it so blatantly and unashamedly mimics, look positively brilliant. I can understand the logic from Warner Bros; in a time where Edward Cullen and Bella Swan rule the roost, why wouldn't you want to get in for your share of the pie. I'm sure it will reap the rewards at the box office thanks to the universal lack of taste teenage girls have in picking fads. That doesn't stop it being the worst movie of recent years.
It all begins with the downright hilarious dialogue. In a film rife with atrocities, this stands tall as the most dreadful of the lot. I almost feel sympathy towards the actors as no-one, and I mean no-one, could make some of those clunkers work. Trite clichés such as "I don't want you to see me like this" (complete with sooky head turn) and "I'll do anything to be with you" (barf) rear their ugly head throughout. Even the attempted humour, mainly from Julie Christie's Grandmother, falls flat thanks to some lamely scripted jokes. Hardwicke does what she can to emulate her Twilight success, but her regurgitating attempts at hitting gold twice is boring, lazy and worthy of the regret she'll feel at the end of her career looking back.
Youngsters Seyfried, Fernandez and Irons can be forgiven for signing on as I'm sure they all had grand illusions of being the next Bella, Edward of Jacob. I can even give Burke and Haas a pass as they're not exactly thespians of a standard where they can be too fussy with their roles. What I can't figure out though, is what in the hell is Gary Oldman doing here? An actor who has produced so many memorable characters and starred in so many fantastic films, Hardwicke must've beaten a drunken Oldman in a game of poker to get him to appear in this garbage. Surely he didn't select this role whilst of a sane and sober mind. Hopefully for him his upcoming Tinker, Tailor, Soldier, Spy and The Dark Knight Rises wash away all memory of Red Riding.
Pathetic.
1 out of 5 (1 - Rubbish, 2 - Average, 3 - Good, 4 - Great, 5 - Brilliant)
27 of 44 people found this review helpful.
Was this review helpful to you?
This film is a steaming pile of cinematic poop. It's dreadful in every single way. There's not one nice thing I can muster to say about it. It makes the Twilight series, which it so blatantly and unashamedly mimics, look positively brilliant. I can understand the logic from Warner Bros; in a time where Edward Cullen and Bella Swan rule the roost, why wouldn't you want to get in for your share of the pie. I'm sure it will reap the rewards at the box office thanks to the universal lack of taste teenage girls have in picking fads. That doesn't stop it being the worst movie of recent years.
It all begins with the downright hilarious dialogue. In a film rife with atrocities, this stands tall as the most dreadful of the lot. I almost feel sympathy towards the actors as no-one, and I mean no-one, could make some of those clunkers work. Trite clichés such as "I don't want you to see me like this" (complete with sooky head turn) and "I'll do anything to be with you" (barf) rear their ugly head throughout. Even the attempted humour, mainly from Julie Christie's Grandmother, falls flat thanks to some lamely scripted jokes. Hardwicke does what she can to emulate her Twilight success, but her regurgitating attempts at hitting gold twice is boring, lazy and worthy of the regret she'll feel at the end of her career looking back.
Youngsters Seyfried, Fernandez and Irons can be forgiven for signing on as I'm sure they all had grand illusions of being the next Bella, Edward of Jacob. I can even give Burke and Haas a pass as they're not exactly thespians of a standard where they can be too fussy with their roles. What I can't figure out though, is what in the hell is Gary Oldman doing here? An actor who has produced so many memorable characters and starred in so many fantastic films, Hardwicke must've beaten a drunken Oldman in a game of poker to get him to appear in this garbage. Surely he didn't select this role whilst of a sane and sober mind. Hopefully for him his upcoming Tinker, Tailor, Soldier, Spy and The Dark Knight Rises wash away all memory of Red Riding.
Pathetic.
1 out of 5 (1 - Rubbish, 2 - Average, 3 - Good, 4 - Great, 5 - Brilliant)