When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called the Shadow World.
Jamie Campbell Bower,
Valerie (Seyfried) is a beautiful young woman torn between two men. She is in love with a brooding outsider, Peter (Fernandez), but her parents have arranged for her to marry the wealthy Henry (Irons). Unwilling to lose each other, Valerie and Peter are planning to run away together when they learn that Valerie's older sister has been killed by the werewolf that prowls the dark forest surrounding their village. For years, the people have maintained an uneasy truce with the beast, offering the creature a monthly animal sacrifice. But under a blood red moon, the wolf has upped the stakes by taking a human life. Hungry for revenge, the people call on famed werewolf hunter, Father Solomon (Oldman), to help them kill the wolf. But Solomon's arrival brings unintended consequences as he warns that the wolf, who takes human form by day, could be any one of them. As the death toll rises with each moon, Valerie begins to suspect that the werewolf could be someone she loves. As panic grips the ... Written by
Warner Bros. Pictures
According to the trailer, the story is set in the 1300s. No date is given in the film itself. See more »
Valerie's grandmother made the cloak for her. It is shown several times in the movie to be only ankle length on her. But in many of the scenes it is shown to be about 30 feet long, way too long to be of any practical use. This could be interpreted as an intended difference in length since the 30 feet long cloak only appears in scenes in which Valerie is dreaming of running away with Peter. See more »
Written by Karin Dreijer Andersson, Liliana Zavala, Christoffer Berg, Van Rivers and Peder Mannerfelt p/k/a The Subliminal Kid
Produced by Karin Dreijer Andersson, Brian Reitzell, Liliana Zavala, Christoffer Berg,
Van Rivers and Peder Mannerfelt p/k/a The Subliminal Kid
Performed by Fever Ray
Fever Ray appears courtesy of Rabid Records See more »
I wasn't sure whether I wanted to see this movie. I am not a fan of the Twilight movies(the first of which Catherine Hardwicke also directed) and it didn't look like my kind of film. But I saw it for the wonderful Gary Oldman.
I wasn't expecting much, and I didn't get much. Red Riding Hood(not the fairytale by the way) does try hard to be a lot of things, including introducing a number of horror, fantasy and mystery elements. But due to the sluggish pace and disjointed story structure(that is full of overlong filler, particularly the celebration scene, and the dream sequence was very awkwardly placed) the film fails at pretty much all these elements.
The script is very clunky, underdeveloped and banal as well. A lot of it did not keep my attention and I found myself chuckling into my coke at any unintentionally funny bits. The CGI is quite poor here, with the wolf looking as though it was done in a hurry. Hardwicke's direction never rises above mediocre, the editing is unfocused and frenzied and the three titular characters are incredibly dull and uninteresting with the romantic elements between them poorly written and directed.
The acting doesn't fare much better. Amanda Seyfried is pretty but bland in the title role and shows little or no chemistry with her co-stars, while Max Irons(son of Jeremy), Lukas Haas and Shiloh Fernandez show good looks but awkward line delivery. Virginia Madsen and Billy Burke are both wasted, both over-doing it in a valiant attempt to elevate their weak material(these two actors probably had the worst of the dialogue next to the leads actually). And the climax is little more than a mangled mess and devoid of depth.
Despite these many cons, there are some decent assets. The score is atmospheric enough and the costume and set design are spot on. Plus there are two good performances, Gary Oldman and Julie Christie. Oldman does chew the scenery, but he looks as though he's having a ball, while Christie is very enchanting.
Overall, not terrible, but deeply flawed and over-ambitious. 4/10 Bethany Cox
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