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Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
On June 26, 1975, during a period of high tensions on the Pine Ridge reservation in South Dakota, two FBI agents were killed in a shootout with a group of Indians. Although several men were... See full summary »
A story of life on a First Nation reserve in Ontario: Silas and Frank are trying to get into college to train to be mechanics but they find themselves having to deal with girls, family ... ... See full summary »
Ryan Rajendra Black,
Depicts the struggles of reservation-dwelling Native Americans in the North Central United States. The main character is an introspective and lovable person in a process of seeking pride ... See full summary »
In South Dakota, in an Indian reservation, an old storyteller Indian asks his grandson Shane, who is in trouble owing money to some bad guys, to take his old pony and him to Albuquerque to ... See full summary »
Seymour Polatkin is a successful, gay Native American poet from Spokane who confronts his past when he returns to his childhood home on the reservation to attend the funeral of a dear ... See full summary »
Michelle St. John,
A documentary about the evolution of the depiction of First Nations people in film, from the silent era to today. Featuring clips from hundreds of films, candid interviews with famous Native and non-Native directors, writers and actors, Reel Injun traces how the image of First Nations people in cinema have influenced the understanding and misunderstanding of their culture and history. Written by
I was really looking forward to seeing this documentary. In fairness, it does live up to its promise to expose the "Hollywood Indian" as a fabrication. But seriously, who didn't already know that - at least to some degree? What Reel Injun fails to do is offer any substantial new insight into the reality of Aboriginal cultures. There's so much rich diversity, and yet we learn next to nothing about any particular group. There's a place in the documentary where the point is made that relatively few Americans actually know an Aboriginal person. It's unfortunate that Reel Injun doesn't do much to help in that regard. Maybe I was expecting too much from an 86 minute doc. Hopefully there will be a follow up to Reel Injun that focuses more on who Aboriginal people are, as opposed to what they are not.
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