On June 26, 1975, during a period of high tensions on the Pine Ridge reservation in South Dakota, two FBI agents were killed in a shootout with a group of Indians. Although several men were... See full summary »
A story of life on an Indian reservation in Ontario: Silas and Frank are trying to get into college to train to be mechanics but they find themselves having to deal with girls, family ... ... See full summary »
Ryan Rajendra Black,
Depicts the struggles of reservation-dwelling Native Americans in the North Central United States. The main character is an introspective and lovable person in a process of seeking pride ... See full summary »
Joannelle Nadine Romero
A documentary about the evolution of the depiction of First Nations people in film, from the silent era to today. Featuring clips from hundreds of films, candid interviews with famous Native and non-Native directors, writers and actors, Reel Injun traces how the image of First Nations people in cinema have influenced the understanding and misunderstanding of their culture and history. Written by
When we watched the Indians getting slaughtered at the end of every movie... well, my brother would refuse to watch it. Every time that bugle went off and the charge started, my brother - he was a year and a half younger than me - he'd go like this...
[bending over, head between knees]
...and he wouldn't look. He wouldn't watch. And we'd come out of those theaters after the, uh, cavalry had rescued the white people, and all of a sudden we'd hear, "There's those Indians," and we'd start fighting....
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I am an Ojibwe American Indian. In the first place, including Rusell Means in this film proves how absolutely uninformed the film maker really is. Means has been universally discredited as a gangster and killer by the broad American Indian community...there could be no more offensive presence in a film about American Indians. Otherwise the film is a terribly overworked cliché of itself and shows serious problems that are designed to fit the writer's agenda but does not tell an accurate story. There is so little good and correct information available on American Indians that many film-makers, including this one, just make things up. Modern people often feel so guilty and sympathetic, if they feel anything at all, about the American Indian, that a film like this will get good reviews just because it confirms the paranoid tendencies of the new world order. Had the improperly focused writer and film-maker chosen to tell a more positive and honest story, this film could have had some value. As it is, it tells a somewhat true story in such a paranoid and selective way that it, too, has become another part of the problem.
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