Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of ... See full summary »
Fragancia is arrested for the attempted murder of Richard Persson, the son of a powerful factory owner. During the interrogation her amazing and remarkable life story is revealed. We follow... See full summary »
Erika has it all: a good job, lots of friends and a secure relationship. Until the day it all falls apart. Suddenly this perfect life means nothing, and the feelings she once was able to ... See full summary »
A series of tableaux of everyday settings with people in various stages of their lives. Relations form and finish, memories of meetings mingle with the yearning for meetings that have not ... See full summary »
This is a story of IDA and KRISTER. It's about a relationship that goes to hell. They are both crazy in love but manage to strangle the supply of oxygen and adapt to each other in a way that will lead to catastrophic consequences.
Mani Maserrat Agah
Love and Sebastian meet each other by a coincidence at a street in the romantic Swedish summer night. They happen to share the same secret, but their encounter is going to cause severe ... See full summary »
Locked up for a minor crime, 19 year old JR quickly learns the harsh realities of prison life. Protection, if you can get it, is paramount. JR soon finds himself under the watchful eye of ... See full summary »
Susan is longing for her boyfriend Anders who is away on business. Isolated in the flat they recently moved into, she has got the feeling that someone is visiting the apartment during ... See full summary »
Kristian A. Söderström
Katarina is 20 years old. With a troubled past in a dreary suburb, her life seems to be already set in stone - until she discovers music. Everything changes when she hears a performance of Mozart's Requiem at the Gothenburg Concert Hall that sends her reeling and opens up a beautiful new world. She feels that she has to change her life and get as far away from her ugly reality as possible. But the path she has to follow proves a treacherous one, filled with lies, betrayal and a dangerous liaison with the married conductor Adam. Yet Katarina is ready to do anything to gain her new identity. Written by
PURE ('Till det som är vackert') is a stunning little film from Sweden written and directed by newcomer Lisa Langseth. It is currently in the 'on demand' section of Eurocinema on television and will likely be released on a USA format DVD soon. The film embraces many subjects - coming of age, the impact of classical music on young minds, affaires de coeur, philosophy, the politics of concert halls, mother daughter relationships scarred by mental illness - and in the end succeeds in dealing with some ethical questions.
Katarina (Alicia Vikander, a brilliant, young, fresh 22 year old Swedish actress) lives in poverty with her boyfriend Mattias (Martin Wallström, a handsome, sensitive blue-eyed actor) in an unkempt apartment where Mattias spends his days watching television while Katarina seeks meaning to her grungy life on the streets as a prostitute. Her family is in disarray - her mother Birgitta (Josephine Bauer) is an alcoholic and a mentally ill wasted person - and Katarina is discontent. By chance she hears some Mozart played on the YouTube and has an epiphany moment. She has been a driven, hurt and hopeful soul, but Hearing Mozart somehow changes that. The music draws her to the Gothenburg Symphony Concert Hall where because of some free tickets she and Mattias hear a performance of the Mozart Requiem as conducted by Adam (Samuel Fröler): the experience bores Mattias but transforms Katarina. The concert hall becomes a magnet for Katarina and as she sneaks into the hall for a rehearsal of the Beethoven 3rd she is mistakenly identified by receptionist Nya (Isabella Bauer) as a potential candidate for job in the hall. Katarina's apparent love for music and her openness gain her the position of Concert Hall receptionist: she has escaped her dreary life and is surrounded by classical music. Gradually Katarina meets and becomes friends with Adam who finds her refreshing and in addition to talking about music he introduces her to great literature and philosophy. The bond grows and Katarina and Adam have an affair, a relationship that is transient because Adam is married. When Adam shares with Katarina that the affair must not go on, Katarina is crushed, and because of the fear Adam holds about her omnipresence in the concert hall, he has her fired. The manner in which this abrupt change in Katarina's transformed new life progresses echoes one of the phrases of Kierkegaard the Adam taught her
"Courage is life's only measure' - and the story takes surprising
turns and an even more surprising end.
Much of the success of the film is due to the extraordinary acting by Alicia Vikander, a young talent who seems wise beyond her years as far as intuitive acting skills. The musical score is attributed to Per-Erik Winberg, though the music throughout the film is Beethoven, Mozart, Bach and Massenet. In addition to the story being well written and directed and performed, there is a secondary message for the audience: the introduction to classical music and to cultural concepts can change lives of young people if they gain exposure. It is a challenge we should attempt of provide.
36 of 38 people found this review helpful.
Was this review helpful to you?