In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
One of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands. Written by
The Oblivion project originated as an 8-page treatment written by Joseph Kosinski which was pitched in 2007 to Barry Levine and Jesse Berger at Radical Publishing as a graphic novel. The project was subsequently developed into an illustrated novella released to coincide with the film release. See more »
On approach to blow up the TET, Victoria is sitting next to Jack as co-pilot when Jack gets out of his seat to release Julie in her pod back to Earth. After discharging Julie's pod he floats back to his pilot's seat and Victoria is there. As the ship is going into the TET, Victoria looks at Jack with some fear and apprehension. After that all scenes show only Jack in his seat and Victoria's co-pilot chair is empty. See more »
Earth, before the war. New York, before I was born. A place I've only seen pictures of. I know you... But we've never met. I'm with you... But I don't know your name. I know I'm dreaming. But it feels like more than that. It feels like a memory. How can that be?
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The Universal logo in this film is a representation of the Earth in the year 2077, and the text saying 'Universal' is rusted. See more »
Here's a fine example of a film that may have an inconsistent and a familiar screenplay, but still makes up for an exciting watch due to its director Joseph Kosinski's extra-ordinary sense of creating spectacles that feel like breathing artworks. The effective background music makes them feel even grander. I think Kosinski's creative process starts basically from the music. It's essentially an orgasmic audio-visual fair, just like Kosinski's previous and debut film- Tron:Legacy. He's more ambitious here, and more passionate. Although, you can't help but recognize the influences behind the story-which are some sci-fi epics I won't name here-and feel deja-vu; it still never stops being exciting and interesting. Oh, BTW I suggest to listen to Oblivion OST by M83 (amazing shoegaze/electronica band) before going for the film. Really! M83's soundtrack feels like Hans Zimmer-Daft Punk-M83 all together at once. And that's effing awesome!
I wait for the day when Kosinski is handed an ambitious and promising screenplay. That day, I believe, he will make a master-piece worth savoring for lifetime.
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