In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
One of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands. Written by
The coordinates given in the movie (41.146576, -73.975739) take you to a cul-de-sac on 17 Mein Dr, New City, New York. See more »
When the three drones descend on the Scav base at the end of the movie, they sweep past the camera as they approach at full speed. The center drone nearest the cameras guns are partially outside and below their housings in this shot, incorrectly positioned by the VFX team. See more »
Earth, before the war. New York, before I was born. A place I've only seen pictures of. I know you... But we've never met. I'm with you... But I don't know your name. I know I'm dreaming. But it feels like more than that. It feels like a memory. How can that be?
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The Universal logo in this film is a representation of the Earth in the year 2077, and the text "Universal" is rusted. See more »
Here's a fine example of a film that may have an inconsistent and a familiar screenplay, but still makes up for an exciting watch due to its director Joseph Kosinski's extra-ordinary sense of creating spectacles that feel like breathing artworks. The effective background music makes them feel even grander. I think Kosinski's creative process starts basically from the music. It's essentially an orgasmic audio-visual fair, just like Kosinski's previous and debut film- Tron:Legacy. He's more ambitious here, and more passionate. Although, you can't help but recognize the influences behind the story-which are some sci-fi epics I won't name here-and feel deja-vu; it still never stops being exciting and interesting. Oh, BTW I suggest to listen to Oblivion OST by M83 (amazing shoegaze/electronica band) before going for the film. Really! M83's soundtrack feels like Hans Zimmer-Daft Punk-M83 all together at once. And that's effing awesome!
I wait for the day when Kosinski is handed an ambitious and promising screenplay. That day, I believe, he will make a master-piece worth savoring for lifetime.
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