In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
A team of explorers discover a clue to the origins of mankind on Earth, leading them on a journey to the darkest corners of the universe. There, they must fight a terrifying battle to save the future of the human race.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
One of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands. Written by
Joseph Kosinski and Claudio Miranda didn't like the extensive use of blue screen mattes in TRON: Legacy (2010), that for this film, they wanted to use real glass, mirrors and shiny surfaces for the glass tower set. The sky footage was projected on a 500 by 45 feet screen consisting of 21 monitors taken from three weeks of footage of a volcano in Hawaii. The monitors took 10 technician weeks to install and fine tuning with floor-level rig support. In the end it had the actors complimenting the production team for that set design that as such Tom Cruise declared that the glass tower was one of his favorite film sets. See more »
When the 3 drones attack the Scavs cave/dwelling and Jack is thrown aside by a drone hitting him, the table he lands on bends at his weight until he falls off - revealing a soft or padded fake table. See more »
Earth, before the war. New York, before I was born. A place I've only seen pictures of. I know you... But we've never met. I'm with you... But I don't know your name. I know I'm dreaming. But it feels like more than that. It feels like a memory. How can that be?
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During the opening scene, behind the Universal logo Earth, is shown destroyed due to war and the natural disasters mentioned in the film. See more »
Here's a fine example of a film that may have an inconsistent and a familiar screenplay, but still makes up for an exciting watch due to its director Joseph Kosinski's extra-ordinary sense of creating spectacles that feel like breathing artworks. The effective background music makes them feel even grander. I think Kosinski's creative process starts basically from the music. It's essentially an orgasmic audio-visual fair, just like Kosinski's previous and debut film- Tron:Legacy. He's more ambitious here, and more passionate. Although, you can't help but recognize the influences behind the story-which are some sci-fi epics I won't name here-and feel deja-vu; it still never stops being exciting and interesting. Oh, BTW I suggest to listen to Oblivion OST by M83 (amazing shoegaze/electronica band) before going for the film. Really! M83's soundtrack feels like Hans Zimmer-Daft Punk-M83 all together at once. And that's effing awesome!
I wait for the day when Kosinski is handed an ambitious and promising screenplay. That day, I believe, he will make a master-piece worth savoring for lifetime.
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