In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
One of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands. Written by
Initially, Disney had acquired the rights to Joseph Kosinski's script in a heated auction. However, they later realized that making a PG-rated film based on the script would require a lot of story changes. The rights were subsequently acquired by Universal Pictures. See more »
When Jack is investigating drone 172 in the library sinkhole: after the cable being snapped and him falling, you can see the sling on his weapon during the slow motion scene. But when the weapon falls off the ledge shortly after, the sling is not on the weapon. See more »
Earth, before the war. New York, before I was born. A place I've only seen pictures of. I know you... But we've never met. I'm with you... But I don't know your name. I know I'm dreaming. But it feels like more than that. It feels like a memory. How can that be?
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During the opening scene, behind the Universal logo, Earth is shown destroyed due to war and the natural disasters mentioned in the film. See more »
A memorable sci-fi fantasy world with a human heart at its core.
If there is a soul, it is made from the love we share.
There are many ways to describe Oblivion, but the softly spoken afterword by Tom Cruise's character really makes you feel the human heartbeat of this sci-fi epic.
As always, the trailer is full of explosions and set pieces. Oblivion the movie is an entirely different beast that values a human story and characters that are driven by common purpose. While the cast is tiny, I found much to enjoy from Cruise, Riseborough, Freeman and that Nordic guy from Headhunters who is showing up more frequently in Hollywood blockbusters. Aside from unusually limited screen-time, Morgan and other supporting cast are effective and memorable.
The threads of the plot are well-woven and I won't give anything away, so what I will tell you is to prepare for a powerful journey into the unknown where nothing is what it seems. Explosive set pieces take a backseat for sci-fi philosophy with twists to spare.
Oblivion ticks all the boxes for correct use of literary devices and establishes enough original cannon to stick in your mind long after the credits start rolling. It is a distinct success among the largely abysmal offerings of 2013 so far, don't miss it.
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