In the year 2154, the very wealthy live on a man-made space station while the rest of the population resides on a ruined Earth. A man takes on a mission that could bring equality to the polarized worlds.
As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
Following clues to the origin of mankind a team journey across the universe and find a structure on a distant planet containing a monolithic statue of a humanoid head and stone cylinders of alien blood but they soon find they are not alone.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
A military officer is brought into an alien war against an extraterrestrial enemy who can reset the day and know the future. When this officer is enabled with the same power, he teams up with a Special Forces warrior to try and end the war.
After the crew of the Enterprise find an unstoppable force of terror from within their own organization, Captain Kirk leads a manhunt to a war-zone world to capture a one-man weapon of mass destruction.
One of the few remaining drone repairmen assigned to Earth, its surface devastated after decades of war with the alien Scavs, discovers a crashed spacecraft with contents that bring into question everything he believed about the war, and may even put the fate of mankind in his hands. Written by
The Tower 49 set was built with giant screens on which video previously recorded by the director and his crew of the view from the summit of Haleakala volcano in Maui was projected. The rooms with windows were lit by the light from those projections to make the scenes look like they really were from a place perched above the clouds. See more »
After the drone kills Victoria 49, Jack and Julia talk to "Sally", seeing her image on the monitor. Julia should have recognized the image as the Mission Control director from the original mission to Tet, and told Jack as much at that time. See more »
Earth, before the war. New York, before I was born. A place I've only seen pictures of. I know you... But we've never met. I'm with you... But I don't know your name. I know I'm dreaming. But it feels like more than that. It feels like a memory. How can that be?
See more »
The Tet can be seen in the opening Universal logo. See more »
Here's a fine example of a film that may have an inconsistent and a familiar screenplay, but still makes up for an exciting watch due to its director Joseph Kosinski's extra-ordinary sense of creating spectacles that feel like breathing artworks. The effective background music makes them feel even grander. I think Kosinski's creative process starts basically from the music. It's essentially an orgasmic audio-visual fair, just like Kosinski's previous and debut film- Tron:Legacy. He's more ambitious here, and more passionate. Although, you can't help but recognize the influences behind the story-which are some sci-fi epics I won't name here-and feel deja-vu; it still never stops being exciting and interesting. Oh, BTW I suggest to listen to Oblivion OST by M83 (amazing shoegaze/electronica band) before going for the film. Really! M83's soundtrack feels like Hans Zimmer-Daft Punk-M83 all together at once. And that's effing awesome!
I wait for the day when Kosinski is handed an ambitious and promising screenplay. That day, I believe, he will make a master-piece worth savoring for lifetime.
205 of 336 people found this review helpful.
Was this review helpful to you?