A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith
Lewis is a brilliant inventor who meets mysterious stranger named Wilbur Robinson, whisking Lewis away in a time machine and together they team up to track down Bowler Hat Guy in a showdown that ends with an unexpected twist of fate.
Stephen J. Anderson
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
A scheming raccoon fools a mismatched family of forest creatures into helping him repay a debt of food, by invading the new suburban sprawl that popped up while they were hibernating...and learns a lesson about family himself.
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
In the walled city of Thneed-Ville, where everything is artificial and even the air is a commodity, a boy named Ted hopes to win the heart of his dream girl, Audrey. When he learns of her wish to see a real tree, Ted seeks out the Once-ler, a ruined old businessman outside of town in a stark wasteland. Upon hearing of how the hermit gave into his greed for profits and devastated the land over the protests of the Lorax, Ted is inspired to undo the disaster. However, the greedy Mayor of Thneed-Ville, Aloysius O'Hare, has made his fortune exploiting the environmental collapse and is determined to stop the boy from undermining his business. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Although they go uncredited because they have no lines of dialogue at all in the movie, O'Hare's henchmen are called Buddy and Mcgirt, O'Hare calls them by name only once when he orders them to search Ted's room for the Truffula seed. Together they are named after retired champion boxer James Walter "Buddy" McGirt, who during his boxing career was the IBF light-welterweight champion and Lineal/WBC welterweight champion. See more »
The second time Ted goes to see the Once-ler, he accelerates his scooter using the left handle; in the rest of the movie, the accelerator is in the (usual) right-hand handle. See more »
You've got a beautiful town here, Ted! I can't think of any reason you'd want to leave town... ever again.
See more »
It's hard for Hollywood to make an adaptation of a book by Dr. Seuss. Especially if it's something like The Lorax. The Lorax is one of Dr. Seuss' darkest tales with a serious sentiment. This film adaptation keeps the story but it focuses too much to its fun characters and gimmickry of the 3D than the environmental message. It leaves the message as the background of the film. As a whole, it's colorful and fun but it feels very different.
The film adds a lot of new things to stretch this small story. Like the Once-ler reveals his face and the kid from from the beginning has a different motive why he went to the Once-ler. It's strange and clever. This is from the creators of Despicable Me and the studio's trademark is to add some cute comic relief characters. The Humming Fish, Swomee Swans, and The Barbaloots are cute enough.
It's easy to say that Danny DeVito is perfect as the Lorax and Ed Helms is a bit charming as the Once-ler. Everything in this film fun. The songs are pretty good although it's not quite memorable. What disappoints here is the execution of the story. Yes, the message is there but it feels like it's just the background of the film. More goes to the fun. There's nothing wrong with that but it's too light for this dark story.
The film has the heart and soul to show Dr. Seuss' illustration but the storytelling feels too different. The message is there but it's not as compelling as the book. It's pretty hard to say it's a bad film because it's entertaining and fun. It's hard to say it's great because it lacks eagerness to the message. It seems like Horton Hears A Who will remain as the best Dr. Seuss adaptation so far.
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