A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.
Flint Lockwood now works at The Live Corp Company for his idol Chester V. But he's forced to leave his post when he learns that his most infamous machine is still operational, and is churning out menacing food-animal hybrids.
A teenager finds herself transported to a deep forest setting where a battle between the forces of good and the forces of evil is taking place. She bands together with a rag-tag group of characters in order to save their world -- and ours.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
Barry B. Benson, a bee just graduated from college, is disillusioned at his lone career choice: making honey. On a special trip outside the hive, Barry's life is saved by Vanessa, a florist in New York City. As their relationship blossoms, he discovers humans actually eat honey, and subsequently decides to sue them.
Simon J. Smith,
In the walled city of Thneed-Ville, where everything is artificial and even the air is a commodity, a boy named Ted hopes to win the heart of his dream girl, Audrey. When he learns of her wish to see a real tree, Ted seeks out the Once-ler, a ruined old businessman outside of town in a stark wasteland. Upon hearing of how the hermit gave into his greed for profits and devastated the land over the protests of the Lorax, Ted is inspired to undo the disaster. However, the greedy Mayor of Thneed-Ville, Aloysius O'Hare, has made his fortune exploiting the environmental collapse and is determined to stop the boy from undermining his business. Written by
Kenneth Chisholm (email@example.com)
The film boasts more than seventy product integration deals, a rather high number considering the ecological message that the film imparts. One of the partnerships, with Mazda, was particularly singled out for being ill-judged. See more »
Just before the "How bad can I be?" song a close-up of the guitar the Once-ler is playing shows a considerable amount of white tape wrapped round the fret board. Moments later when he is playing the guitar outside, the tape is gone. See more »
[first meets Once-ler]
[Once-ler screams and falls backwards]
Did you chop down this tree?
Who did it?
[the Lorax looks back and Once-ler drops his ax on Pipsqueak the Bar-ba-loot]
I think he did it.
Leave! Vacate the premises! Take your ax and get out!
And who are you?
[...] See more »
"Unless someone like you cares a whole awful lot, nothing is going to get better. It's not." See more »
It's hard for Hollywood to make an adaptation of a book by Dr. Seuss. Especially if it's something like The Lorax. The Lorax is one of Dr. Seuss' darkest tales with a serious sentiment. This film adaptation keeps the story but it focuses too much to its fun characters and gimmickry of the 3D than the environmental message. It leaves the message as the background of the film. As a whole, it's colorful and fun but it feels very different.
The film adds a lot of new things to stretch this small story. Like the Once-ler reveals his face and the kid from from the beginning has a different motive why he went to the Once-ler. It's strange and clever. This is from the creators of Despicable Me and the studio's trademark is to add some cute comic relief characters. The Humming Fish, Swomee Swans, and The Barbaloots are cute enough.
It's easy to say that Danny DeVito is perfect as the Lorax and Ed Helms is a bit charming as the Once-ler. Everything in this film fun. The songs are pretty good although it's not quite memorable. What disappoints here is the execution of the story. Yes, the message is there but it feels like it's just the background of the film. More goes to the fun. There's nothing wrong with that but it's too light for this dark story.
The film has the heart and soul to show Dr. Seuss' illustration but the storytelling feels too different. The message is there but it's not as compelling as the book. It's pretty hard to say it's a bad film because it's entertaining and fun. It's hard to say it's great because it lacks eagerness to the message. It seems like Horton Hears A Who will remain as the best Dr. Seuss adaptation so far.
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