A 12-year-old boy searches for the one thing that will enable him to win the affection of the girl of his dreams. To find it he must discover the story of the Lorax, the grumpy yet charming creature who fights to protect his world.
A woman transformed into a giant after she is struck by a meteorite on her wedding day becomes part of a team of monsters sent in by the U.S. government to defeat an alien mastermind trying to take over Earth.
In the walled city of Thneed-Ville, where everything is artificial and even the air is a commodity, a boy named Ted hopes to win the heart of his dream girl, Audrey. When he learns of her wish to see a real tree, Ted seeks out the Once-ler, a ruined old businessman outside of town in a stark wasteland. Upon hearing of how the hermit gave into his greed for profits and devastated the land over the protests of the Lorax, Ted is inspired to undo the disaster. However, the greedy Mayor of Thneed-Ville, Aloysius O'Hare, has made his fortune exploiting the environmental collapse and is determined to stop the boy from undermining his business. Written by
Kenneth Chisholm (email@example.com)
Unlike the original book, the Once-ler is shown fully in the story as a human. Executive producer Christopher Meledandri said of the change, "The minute you make the Once-ler a monster, you allow the audience to interpret that the problem is caused by somebody who is different from me, and it ceases to be a story that is about all of us. Then it's a story about, 'Oh I see, the person who led us into the predicament is not a person. It's somebody very, very different.' And so it takes you off the hook." See more »
Just after Ted kisses the cereal box, a juice carton is on the table. When Ted walks away from the table and is stopped by his mom, the carton is gone. See more »
Why do you need a tree? It just... sticks out of the ground and it does what? I don't even know what it does. Look! We've GOT a tree! It's the Oak-a-matic! Three modes! Summer, Fall, Winter, and... Disco!
Come on, honey, dance with the tree.
Oh, it hurts, mom. Please stop.
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Look just because a movie is a kid's movie doesn't mean that the writer's should just slap some crap together and put it out there. I know that kids are easily entertained, but here's a thought, when you make a movie, HAVE A POINT! The Lorax meandered through it's thin storyline like a teenage girl through the mall on a Saturday afternoon, stopping everywhere just to "look at stuff". The best lines of the movie were blurted during all of the previews for weeks ahead of time, and they had no more. The main character wasn't interesting and I saw several children fast asleep clutching their soda or candy. The best thing about this movie will end up being the fact that harried parent's will be able to put it on at bedtime, guaranteed that their little one will indeed be asleep shortly.
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