Directed by
| M.F. Bernier | ... | (as Marlo Bernier) |
Writing Credits (in alphabetical order)
| Tim Anderson | ... | (story and original screenplay) |
| M.F. Bernier | ... | (screenplay) (as Marlo Bernier) |
| Jennifer Fontaine | ... | (screenplay) |
Cast (in credits order)
Produced by
| Tanner Stewart Anderson | ... | assistant producer |
| Tim Anderson | ... | executive producer |
| M.F. Bernier | ... | producer (as Marlo Bernier) |
| Jennifer Fontaine | ... | producer |
| Shalene Portman | ... | associate producer |
| Lonnie Schuyler | ... | executive producer |
Music by
| Evren Edler | ||
| Emir Isilay | ||
Cinematography by
| Jenny Stolte Dewes | ... | (as Jenny Stolte) |
Editing by
| Derek Cox | ... | (additional editing) |
| Phillip Manke | ||
| David Mattey | ... | (additional editing) |
Casting By
| Candice Rose | ||
Production Design by
| Corbin Booth | ||
Costume Design by
| Laura Cooper | ||
Makeup Department
| Mary-Kate Gales | ... | hair department head (as Mary Kate Gales) / makeup department head (as Mary Kate Gales) |
| Kristen Leigh | ... | assistant makeup artist |
Production Management
| Tim Anderson | ... | post-production manager |
| Travis Kraus | ... | unit production manager |
| Phillip Manke | ... | post-production manager |
Second Unit Director or Assistant Director
| Tim Anderson | ... | second unit director |
| Lee D. Andrews | ... | second second assistant director |
| Chris Butzke | ... | second assistant director |
| Ted Campbell | ... | first assistant director |
Art Department
| Robert Alexander | ... | set dresser |
| Roman Antolic | ... | property master |
| Bill Hamilton | ... | lead scenic |
| A.J. Haut | ... | on-set dresser |
| Kat Jackson | ... | art department coordinator |
| Andrea Metzler | ... | set dresser |
| Howard Miller | ... | leadman |
| Marc Muehleip | ... | construction coordinator |
| Helen Roushar | ... | construction |
| Chris Traeger | ... | lead graphic designer |
Sound Department
| David Clevenger | ... | foley artist |
| Derek Cox | ... | sound designer |
| Ken Moehn | ... | sound mixer |
| Kevin James Patrick | ... | sound mastering |
Stunts
| David Mattey | ... | stunt coordinator |
Camera and Electrical Department
| Brian Banse | ... | dolly grip |
| Mike Bove | ... | best boy electric |
| Dave Dewes | ... | gaffer |
| Ben Effinger | ... | first assistant camera |
| Kelsey Hammer | ... | assistant camera |
| Daniel Hampel | ... | grip |
| Kerem Hanci | ... | still photographer |
| Spencer Meffert | ... | second assistant camera |
| Matt Olson | ... | key grip |
| Cory Reed | ... | best boy grip |
| Jon Van Allen | ... | jib operator |
| Samuel E. White | ... | grip |
Costume and Wardrobe Department
| Laura Cooper | ... | wardrobe supervisor |
| Robin Hellmann | ... | costume assistant |
| Cerah Tymoshuk | ... | key costumer |
Editorial Department
| Derek Cox | ... | colorist: restoration |
| Stephanie Dzieglo | ... | colorist: digital color correction |
| Axton Upton | ... | assistant editor |
Location Management
| Finding John Smith | ... | location manager |
Script and Continuity Department
| Laura Wallace | ... | continuity |
Additional Crew
| Derek Cox | ... | post production supervisor |
| Lema Hezayen | ... | dialect/language coach |
| Sam Knutson | ... | product placement |
| Jacob McPartlin | ... | behind the scenes editing supervisor |
| Georgia Menides | ... | marketing |
| Jason Sears | ... | production assistant (as Jason Auer-Sears) |
| Travis Shepherd | ... | production assistant |
| Chris Traeger | ... | key set production assistant |
