Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved.
Rachel is a quick-witted and lovable stay-at-home mom. Frustrated with the realities of preschool auctions, a lackluster sex life and career that's gone kaput, Rachel visits a strip club to spice up her marriage and meets McKenna, a stripper she adopts as her live-in nanny.
A tragedy presents Laurel with the chance to reinvent herself as her idolized twin sister, Audrey. As she eases into the life she has always wanted, she must decide between continuing the lie or revealing herself as the perfect fraud.
Zak is a smart, good-looking nice guy whose heretofore charmed life starts coming apart as his longtime romance with Samantha, a painter whom he finds increasingly intimidating, begins to ... See full summary »
Jeffrey K. Miller,
Wallace, who is burned out from a string of failed relationships, forms an instant bond with Chantry, who lives with her longtime boyfriend. Together, they puzzle out what it means if your best friend is also the love of your life.
Two seemingly unconnected souls from different corners of the United States make a telepathic bond that allows them to see, hear and feel the others experiences, creating a bond that apparently can't be broken.
Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends-Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye. Written by
Sundance Film Festival
The screenplay for this film was featured in the 2007 Blacklist; a list of the "most liked" unmade scripts of the year. See more »
During certain scenes, Malin Akerman's hair is visible from under her head wrap. See more »
You can hear this, close your eyes
I just want you to listen to me. Humor me please?
[Annie closes her eyes]
It's not easy to be adored - you in particular - you have a tougher time with it than most, I get that, but I want you to give it a try. Think of it as an experiment. I promise I will be very wonderful at adoring you Annie. It an area where, I think I got a great deal of talent. You're worth the adoration Annie, you're worth it, and the fact that you don't believe it, has nothing to...
See more »
There seems to be a new kind of dramedy-type storytelling, and we liked what we saw in HappyThankYouMorePlease. Write off asking yourself why some of the characters did what they did; if you burden yourself with trying to understand their logic as the stories unfold, you may get too frustrated with one or more characters. Just embrace the film, as the characters will eventually answer the questions you've been asking.
At first I was a little confused with the way the stories were intertwined, but by allowing them to unfold, I truly began to empathize with almost everyone in the film. I understand that it's a "coming-of-age" flick. But the way the characters portrayed themselves and interacted with each other, I grew to enjoy everyone. And don't be gun-shy about another COA flick (even as they are being so played out, it seems).
The difference to me, was how the characters acted towards each other. There seemed to be a decent bit of ad-libbing that helps bring down the guard of a skeptical viewer. There were good friends that seemed like they were long-time friends who happened to get together to make this film. I found myself rooting for each main character. The photography was nice, the writing and acting were special. Direction was very sensitive to people who are complicated in their goals of streamlining their lives. I empathized with them as they had to confront their adversities (or, themselves). The deduction I gave was for feeling a bit confused during the first part of the film. By its end, I was very satisfied.
20 of 32 people found this review helpful.
Was this review helpful to you?