A painter struggling for inspiration finds an unexpected muse after he accepts a teaching position in a small town and becomes the caregiver to Eddie, a seemingly docile art student with a rare sleepwalking condition.
Investment bank manager FRANK BERNDSSEN (c. 40), based in Berlin, believes life to be just a matter of careful advance planning. Currently, he works for a Swiss investor group keen on ... See full summary »
Hans Werner Meyer,
In a blackly satirical near future, a thriving industry sells celebrity illnesses to their obsessed fans. Employee Syd March's attempts to exploit the system backfire when they involve him in a potentially deadly mystery.
Caleb Landry Jones,
Hilarious, entertaining and deliciously demented, Bitchin' Kitchen is a comedy-cooking show based on the wildly popular web series. Chef-comedienne Nadia G. looks at the funny side of ... See full summary »
Garrett and Katrina are just two dysfunctional lost souls when they come across a remote house nestled in the hills. They take refuge, turning the house into a home. They learn even more ... See full summary »
Kurt T. Jones
Wesley J. Szabo,
Lars Olafssen, once a young celebrity in the art world is slipping away fast into the land of has-beens. His long-time art dealer, Ronny, is now an ungracefully aging hipster who desperately wants his meal ticket back. But Lars refuses to paint. His creativity comes at too high a cost - his inspiration is carnage - blood, guts and limbs. Not surprisingly, this lead to a dreadful breakdown in the past. Nevertheless, an eager Ronny arranges a teaching job for Lars at an art school in Koda Lake, a small Canadian town in the middle of nowhere. It's a "therapeutic" measure for Lars - a means to conquer his need to paint in the "safety" of a country retreat... That is, until Eddie comes into his life. Written by
dobbinnian / rodriguez
During the conversation scene between Ronny and Lars if you look over Ronny's shoulder you see an empty paint easel. At the end of the scene as Ronny leaves, Lars stands and looks back to the easel which now has a blank painting on it. See more »
I really enjoyed this one when I saw it at the Edinburgh International Film Festival: it's consistently funny, and reminiscent of the UK's Shaun of the Dead, except obviously with a Danish-Canadian spin. I'm not going to bore you with a summary of the film, as you can easily find that elsewhere on this page, but I will say that it was well cast, well acted, and very well paced. Great comedic timing, and a really interesting character dynamic, in that you feel sorry for almost everyone involved; you don't just feel sorry for Eddie, whose cannibalism is almost being taken advantage of by Lars, but also for Lars, who has trouble finding inspiration, and Lesley, who doesn't understand why he's acting so strangely. That makes for a really compelling story, which is wrapped up perfectly at the end. I left the cinema very satisfied, and it's one of my highlights from the whole festival.
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