| Miguel Ferrer | ... | Eli | |
| Will Yun Lee | ... | Marcus | |
| Mercedes Renard | ... | Cordelia | |
| Hiro Hayama | ... | Ken | |
| Emilie Guillot | ... | Eva | |
| Oliver Williams | ... | Chase | |
| Kirt Kishita | ... | Tai Lung | |
| Paul Sheehan | ... | Big Ben | |
| Ines Laimins | ... | Nadine | |
| Barry O'Rorke | ... | Jonas | |
| Michael C. Pizzuto | ... | Maximo |
Directed by | |||
| Stanley J. Orzel | |||
Writing credits(in alphabetical order) | ||
| Stanley J. Orzel | ||
Produced by | |||
| C. Joseph Bendy | .... | co-executive producer | |
| Patrick Durham | .... | co-executive producer | |
| Maria Lo Orzel | .... | producer | |
| Eddie Ng | .... | line producer | |
| Richard J. Siemens | .... | executive producer | |
| Wesley Wong | .... | co-executive producer | |
Original Music by | |||
| Andre Matthias | |||
Cinematography by | |||
| Wah-Chuen Lam | |||
Film Editing by | |||
| Darren Richter | |||
Production Design by | |||
| Lok Man Leung | |||
Set Decoration by | |||
| Ping Chi Chan | |||
| Siu Hong Yung | |||
Costume Design by | |||
| Kitty Chau | |||
Production Management | |||
| Yuk Wah Cheung | .... | unit manager | |
| Aaron Lai | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stanley Chow | .... | second assistant director | |
| Julie Siu Wai Lau | .... | first assistant director | |
Sound Department | |||
| Chi Kien Chen | .... | sound recordist | |
| Man Kin Leung | .... | boom operator | |
| Ken Wong | .... | sound re-recording mixer | |
| Woody Woodhall | .... | additional dialogue recording | |
Visual Effects by | |||
| Scott Wheeler | .... | visual effects supervisor | |
Stunts | |||
| Jack Wong Wai Leung | .... | stunt coordinator | |
| Leung Pui Yee | .... | stunt double: Mercedes Renard | |
Camera and Electrical Department | |||
| Dandy Chan | .... | assistant camera | |
| Hoi-man Mak | .... | b-camera operator | |
| Kwok-Keung Mak | .... | gaffer | |
Costume and Wardrobe Department | |||
| Sheila Lee | .... | costume supervisor | |
Editorial Department | |||
| Ricky Hayner | .... | on-line editor | |
Music Department | |||
| Sandro Friedrich | .... | musician: ethnic wind instruments | |
| Ingmar Süberkrüb | .... | musician: viola | |
Thanks | |||
| William Kong | .... | special thanks | |
| Ryan Martin | .... | special thanks | |
| Steve Muller | .... | special thanks | |
| Paul Santana | .... | special thanks | |
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| Rush Hour 2 | The Matador | One Way Passage | Across the Hall | Gorgeous |
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IMDb User Rating: |
IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Thriller section | IMDb Hong Kong section |
Contrary to some of the user reviews, this is actually a worthwhile, claustrophobic drama. If you're expecting a "bang-bang-guns-ablazing-shoot'em up" as suggested by the title -- look elsewhere.
But if you're into a character study of four killers examining how they got to where they are while dealing with an unfinished hit, then this is for you. Yes, it takes it's time. But it's a rewarding slow build to a tense climax.
Will Yun Lee and Miguel Ferrer are stand-outs in a well-rounded cast. The movie's few action sequences are expertly choreographed and executed with style. Camera work is inventive given that the majority of the story takes place in one location. Even the music is impressive.
All in all, this is a classy indie movie.