Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Annie (Kristen Wiig), is a maid of honor whose life unravels as she leads her best friend, Lillian (Maya Rudolph), and a group of colorful bridesmaids (Rose Byrne, Melissa McCarthy, Wendi McLendon-Covey and Ellie Kemper) on a wild ride down the road to matrimony. Annie's life is a mess. But when she finds out her lifetime best friend is engaged, she simply must serve as Lillian's maid of honor. Though lovelorn and broke, Annie bluffs her way through the expensive and bizarre rituals. With one chance to get it perfect, she'll show Lillian and her bridesmaids just how far you'll go for someone you love. Written by
When Annie and Rhodes are on the side of the road with the radar, Rhodes says for her to aim at the license plates of the cars, which gives the best reading. This is not true, as radar is a frequency that emits a cone that will respond to any moving object within range, and its range is infinite. Radar doesn't react to reflective license plates, but to moving objects. See more »
A somewhat tender film that pushes the boundaries of comedy
I'm not the biggest Judd Apatow fan, but I do consider his films entertaining. A good majority of the films produced under the Apatow Productions moniker are more than a little amusing, as well. In fact, I'm partial to both Anchorman and Pineapple Express. Despite Apatow's involvement with the film, Bridesmaids didn't really interest me all that much in concept. Another R-rated comedy revolving around a wedding with a mostly female cast? Who cares? The underestimation on my part probably helped the film more than anything as Bridesmaids turned out to be an adult comedy with a little more meat on its bones than the trailers perhaps lead you to believe.
While the film is both filthy and raunchy at times, the foundation of Bridesmaids lies within the relationship between Annie and Lillian. Their chemistry along with the way they both screw up their lives when they're away from one another is the heart and soul of the film. Lillian's marriage falling apart is kind of a given just with how eccentric each character in the main cast is, but Annie's depression, downward spiral, and inability to drive herself forward rather than continuously pushing herself back is key to giving the film an emotional kick that isn't even hinted at in the trailers. Melissa McCarthy steals nearly every scene that she's in thanks to her outrageous antics and incredibly high self esteem. Nearly every one of the bridesmaids gets a good laugh at some point in the film even if a few of them (Reno! 911's Wendi McLendon-Covey and The Office's Ellie Kemper) don't get as much screen time as others.
Bridesmaids almost felt like it was stronger during its more dramatic and softhearted sequences in comparison to the overall comedic atmosphere of the rest of the film, which is weird since it is absolutely a comedy. While the obscene and sometimes scatological jokes used in the film were mostly original in execution and chuckle-worthy at times, it somehow all just felt very familiar to me. The Brazilian food that gave them all food poisoning felt like it borrowed heavily from Dumb & Dumber, the Wilson Phillips joke was funnier in Harold & Kumar Go to White Castle, while most of the scenes on the airplane seemed to offer a female version of a scene straight out of Planes, Trains, and Automobiles with more profanity. Then there's the film itself which was like Wedding Crashers if seen through the eyes of the women in the actual wedding. I guess on one hand, that isn't necessarily a bad thing. All of those comedies are rather exceptional while at least two of them would be considered classics, but that sense of familiarity was still there like Déjà vu sneaking up behind you and trying to tickle you while spewing a constant string of F-bombs.
Bridesmaids is a dirty, vulgar, over the top comedy that attempts to affect your limits of compassion just as much as the extent of your hilarity. While some of the gross-out humor came off as a little much at times, Kristen Wiig is able to prove just how talented she really is. It is at least able to offer an R-rated comedy that both sexes will enjoy, which is more that can be said for most PG-13 romantic comedies. Bridesmaids is an entertaining stumble into borderline comedic genius that will keep people talking about it long after it's relevant.
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