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Tim Lippe (Helms) has been living in über-sleepy Brown Valley and still
"pre-engaged", while selling insurance to protect other people's
dreams. But now he's headed to a "major" metropolis - Cedar Rapids,
Iowa - where he must try to save his company at a do-or-die insurance
The movie goes for the cheap and easy laugh but don't delivers. There are some funny scenes in this movie. Overall it's just mediocre, to over the top and not funny at all. There were several parts in the movie that really didn't need to either be in the movie, or made sense.
Ed Helms falls in this film violently by the basket. Like the rest of the cast. The only one that remains is Anne Heche. But she can't keep this film out of trash on her own.
The movie could have been hilarious, but it certainly wasn't.
Miniscule-town insurance agent Tim Lippe (Ed Helms) has cocooned
himself from reality in a world of naive love and impregnable honesty.
Self 'pre-engaged' to his former primary school teacher Macy Vanderhei
(Sigourney Weaver) works for a company, which prides itself with
consequently winning an award for best insurer. After the estranged
death of his colleague, Lippe is forced to venture to the 'big-city' of
Cedar Rapids to pitch for his company winning another trophy at a big
convention. Released from his safe environment Lippe is thrown in with
the sharks, such as the restrained African-American Ronald Wilkes
(Isiah Whitlock Jr.) and the obscene and in-your-face Dean Ziegler
(John C. Reilly), both his roommates, or the seductive Joan
Ostrowski-Fox (Anne Heche). With his innocent charm Lippe manages to
befriend the local prostitute Bree (Alia Shawkat) and soon becomes a
focus of interest by both Ziegler and Ostrowski-Fox, both intent on
'deflowering' him in their own way...
Thrown over some silly humour the cast fail to stir up any excitement, apart from the entertainment provided by Reilly spurting out crude gibberish with his crass, but endearing and well-meaning character. Somewhere in between I suppose a sense of social comedy was supposed to be afloat, let's say an odd coming-of-age story, but ultimately it just slowly drifts by failing to deliver some fire or captivate with quirky characters. The dialogue is rigidly awkward, probably intentionally, but the manner of narrative failed to appeal, instead dragging until the final credits.
*** This review may contain spoilers ***
Miguel Arteda's comedies get less dark and more conventional as his
career progresses. This one, "Cedar Rapids", stars Ed Helms as Tim
Lippe, a naive and idealistic small town insurance agent who "goes to a
big city seminar" and "learns that everyone has corrupt values", "no
integrity" and "readily sells their souls in the interest of profits,
pleasure and business".
It's a funny film, Frank Capra with swearing, but the plot's cliché and Arteda sells out by having Lippe return to his small town and start a "good business", the implication being that "ethical capitalism" is somehow possible (the film turns systemic problems into an issue of personal morality, and misses the point of its own frequent allusions to the "The Wire"). Still, actors John C. Reilly and Sigourney Weaver are fun and the film does well to satirise mid-western conservatives.
7.9/10 Worth one viewing.
With all of the Hollywood movies either being a superhero movie, sequels, or remake/fairytale ripoffs it is finally good to see a new original script. This movie is hilarious. Great characters and cast chemistry. Ed Helms steps onto the big screen from the Office and does not miss a beat. I see him getting bigger in the coming years. John C. Reilly however absolutely steals the show playing the scumbag salesman with a good heart. Movie is a little dark at times and was somewhat disappointed in the ending but overall a solid original comedy with great acting. It is good to watch a comedy that does not feature the Apatow dick and fart jokes that last for 2 and half hours or a Will Ferrell movie that is mindless humor.
*** This review may contain spoilers ***
It's probably no coincidence that Alexander Payne, one of the producers
of the new quirky farce, 'Cedar Rapids', chose to support such a
project, as there are a number of parallels with his 2002 quirky
comedy, 'About Schmidt', starring Jack Nicholson. Both films have
protagonists who work in the insurance industry. Schmidt is an
insurance actuary and Ed Helms, who plays Tim Lippe in 'Cedar Rapids',
is an insurance agent. Both films are set in the Midwest with 'Schmidt'
set in Omaha, Nebraska and 'Cedar Rapids' in Iowa.
Director Miguel Arteta improves on the smugness of Payne's Schmidt character by making his Tim Lippe protagonist much more likable. Even the principal antagonist of the piece, President Helgesson (played by the always solid Kurtwood Smith) hardly seems offensive at all (just about the worst thing he does is take a $1500 bribe from Tim). As usually is the case with these quirky indie comedies or farces, the quirky protagonist must go on a journey of self-discovery, shedding a repressed upbringing while thwarting the goals of a reactionary group that wishes to maintain the status quo. Here, Tim partners with his lovable loser insurance agents, and thwarts his greedy boss who plans to sell Tim's Blue Diamond Insurance Company (another example of a conservative group getting their comeuppance at the hands of a quirky outsider are the beauty pageant officials in 'Little Miss Sunshine').
'Cedar Rapids' can be viewed as a farcical variation on the classic 'buddy' picture, 'The Wizard of Oz'. Ed Helms plays the 'Dorothy' character whose life is thrown in disarray when he's sent on an assignment to Cedar Rapids, to ensure that his insurance company wins the prized 'Two Diamond Award' for a third year in a row. Ultimately he seeks to return home restored to a state of equilibrium after visiting Cedar Rapids, an 'Emerald City' which he is dazzled by (Nerdy and naïve Tim has never even seen a card key to open a hotel door). Along the way, Tim meets three allies who aid him in his quest, similar to the Scarecrow, Tin Man and Lion from 'Oz'.
Tim needs someone with some 'brains' to overcome his childish infatuations. When he's dumped by Macy, the older girlfriend played by Sigourney Weaver, Anne Heche, adopting the Scarecrow role as bold housewife Joan, appeals to Tim's intellect and manages to help him reflect on his behavior, and actually calm him down to the point where he's able to function more like an adult.
Isiah Whitlock as Ronald Wilkes, is similar to the Tin Man, as he ultimately turns out to have a big heart. Wilkes saves Tim after he's knocked down and assaulted at the party, an 'inmost cave' where the group battles dark forces (in terms of 'Oz', the Wicked Witch's castle comes to mind). Whitlock has his best scene in the film when he pretends to be a bad-ass from the ghetto, as opposed to revealing his true demeanor as a mild mannered insurance agent.
Finally, there's John C. Reilly as Zeigler, the 'Cowardly Lion' who has the 'nerve' and 'courage' to encourage Tim to just be himself. Like the 'Cowardly Lion' in Oz, Zeigler provides the comic relief throughout the film, constantly challenging the status quo by uttering one outrageous bon mot after another.
President Helgesson might be the Wizard of the piece here, who leads Tim in the wrong direction by awarding The Two Diamond Award to Tim's company after he accepts the bribe. This is akin to Dorothy's fruitless quest for the Wicked Witch's broomstick. And just as the Wizard is 'found out', President Helgesson must be exposed in the end by Tim and his intrepid allies.
'Cedar Rapids' wins points for following the classic story pattern of a hero's mythic journey, albeit told in a decidedly comic fashion. It's also pretty good natured, which is an improvement over Director Arteta's recent and rather cold effort, 'Youth in Revolt'. Nonetheless, 'Cedar' continues the unwholesome tradition of many quirky indie filmsthe protagonists, in their 'anything goes' behavior, are held up as morally superior to the antagonists, who are merely 'straw men', derided as either sexually perverse, greedy and/or emotionally repressed.
If you dig Cedar's 'anything goes' philosophy, and you accept the simplistic premise that there is an inferior underclass of conservative reactionaries, this is a film that will warm you to the bone. Others , such as myself, will find these types of films to have a few amusing moments but ultimately too smug to be taken seriously.
*** This review may contain spoilers ***
I got caught up reading one of those end-of-year retrospectives the
other day, and I ran across a column about the ten movies you probably
should have seen in 2011 but didn't. Cedar Rapids was listed as one of
them, and while I didn't know much about the film I had shied away from
it largely because it looked like a typical fish-out-of-water comedy,
and I'm leery of most comedy movies these days. But, obviously, I bit
the bullet and took a chance.
Cedar Rapids follows one Tim Lippe (Ed Helms), a stereotypical man-child so common in American comedies these days. Tim is of the kindly boy mold; he's in awe of superstar rep Roger (Thomas Lennon), and is suddenly picked to go to an insurance award convention upon Roger's untimely death. Tim has never left his tiny hometown, and to him even Cedar Rapids is "the big city." As expected, Tim displays the usual naiveté once away from home, not recognizing a hooker who loiters around the hotel as a lady of the night and so on; you've seen it before, small town = rube. Tim is thrown together in a room with two other insurance men, Ronald Wilkes (Isiah Whitlock), who, like Tim, is nerdy, but is far more successful at his job, and Dean Ziegler (John C. Reilly), who is basically everyone's drunken uncle, with his double entendres, smut talk, and wild behavior ill-suited to someone pushing fifty. Rounding out the little group is Joan (Ann Heche), who treats the yearly awards meeting as her version of Las Vegas, where whatever she does never leaves the city. All pretty much by the book for this sort of thing.
However, the performances are all so well done that the movie manages to rise above its middling material and engage the viewer. While Helms' shtick as Lippe is nothing new, and no real stretch for him, the other three leads are all really sharp. Whitlock manages to make the slightly stuffy Wilkes incredibly likable, and Heche, while delivering pretty much the same performance as Vera Farmiga in Up in the Air, nonetheless is excellent as Joan, possibly the only character in the film who actually achieves three dimensions. Reilly is, naturally, spot-on; this kind of role is not a challenge for him, but he makes the character funnier as the movie progresses, turning in a strong performance (and getting the best line of the film and of the year, one that made me laugh so hard I had to stop the disc for several minutes to recover). Sigourney Weaver has a small role as Tim's girlfriend, but she's very sharp, just perfect.
The movie gets better as it proceeds, as the leads are allowed more free reign to try and overcome the somewhat hackneyed set-up. Cedar Rapids succeeds despite its shortcomings, and ends much better than it begins, which is certainly better than the other way round. It's certainly worth a look for an evening's diversion.
*** This review may contain spoilers ***
Ed Helms plays his usual loser character in the latest film from
director Miguel Arteta, Cedar Rapids. Cedar Rapids is a film about
bland people who go to a bland place, but for them its something
extraordinary. You know how bland they are. From the opening scene. But
thats why you root for them, and thats part of what makes it so
Ed Helms, who we know from The Office and both Hangover films, finally gets the lead role he's deserved as Tim.Tim is a boring guy. He works in insurance, and he's sleeping with a much older woman(Sigourney Weaver). He is sent to Cedar Rapids, a boring little town, for a meeting. Tim, along with other employees(including John C. Reilly and Anne Heche), find real excitement in Cedar Rapids.
The film is weirdly funny,like the films heroes. The movie wants you to love them, and you do. I mainly enjoyed them because its amazing to see how bland some people can be. Its a lot of fun, and it goes down roads you wouldn't expect.
There is one star here that I don't know his name. He's black, and i'm pretty sure that he was on the show The Wire(because he references it a lot in the film). He stole the show for me. But there are a lot of scene stealers here.
The film has a lot of funny moments and fun elements. What should be boring is made interesting by these boring people. But I suppose that is what Arteta does best. I mean, this is the guy who directed The Good Girl, a film about a boring woman that is actually very entertaining. Cedar Rapids is about a boring man that is actually very entertaining. I guess all of us boring people have our entertainment.
*** This review may contain spoilers ***
Cedar Rapids is a quaint, sometimes funny movie for fans of Ed Helms or
John C. Reilly. It's basically a fish-out-of-water story for Tim Lippe,
Helms' character, who is on the road trying to win his small town
insurance company another prestigious "2-Diamond Award" at an annual
awards ceremony. He has to encounter dealing with big-city types who
are used to a life of adult-fare (drinking, sex, drugs, etc), and when
he finds himself questioning how far should he go for the award, he
runs into a lot of personal hurdles and choices he's never encountered
For any fan of Helms, either in Hangover 1 & 2 or The office (amongst many other roles), this is a great movie to watch. He acts like he seriously doesn't have a clue about life outside of his hometown, and John C. Reilly is just the guy to shake things up. I loved these two men throughout the entire film, and Helms' acting while on the phone with an old teacher of his from his hometown, telling her dramatically that "he's dying" inside, is a very heart-wrenching moment.
The music was very interesting, and it was the perfect blend of comedic lightness VS rip-roaring scenes that make comedies like this great. It was good to see Arrested Development's "Maeby" character (Alia Shawkat) in a role since A.D. Interesting to see Rob Corddry almost reprise his role in "Hot Tub Time Machine" as a badass who fights no-holds-barred with Helms.
Overall, I liked it, but I wouldn't watch it over and over. It was a bit depressing at times watching Lippe have to experience all of this in one weekend and a little less plausible/realistic maybe. It's a good indie comedy with some good star power, though.
Ed Helms is more widely known for either one of three things: 1. His
role in the popular Hangover movies, 2. His role as Andy on the
American version of TV's The Office or where he got his start, 3. a
correspondent on The Daily Show. It's nice to see him shine here -- in
his own movie.
Tim Lippe (Helms) has to step up and attend the ASMI convention in Cedar Rapids when his co-worker who was supposed to attend dies suddenly. Once there, he meets Ronald Wilkes (Whitlock Jr.), Joan Ostrowski-Fox (Heche) and Dean (call me 'Deanzie') Ziegler (Reilly). Now, his boss (Root) told him to stay away from Ziegler -- but that's kind of hard when you're forced to double-up at the hotel and the man is your new roomie. Tim is not your average guy... to say he is naive is like saying Norman Bates is a 'little bit nuts', but Tim's a nice guy all the same. He's got a mature lady friend, Macy (Weaver), great job and excellent manners. He will have no horseplay-smacking of his behind, thank you very much! So, it's just that much more fun when we get a peek inside a weekend of this character's life. He's like a dog that only gets off the leash once every five years. Thing is -- even though Helms is fun to watch... his co-star, John C. Reilly steals the show. This isn't a laugh riot film by any means but it is extremely fun to see what some tight-suited insurance agents do to unwind -- the pool scene alone is worth either the rental or purchase. This is certainly one film that I will be watching again because of the subtle, funny performances by practically everyone involved. More reviews at www.soveryterry.com Final Grade: B+
At first sight, it might seem that Cedar Rapids is another vulgar
modern comedy about immature men behaving like idiots...and that
description might be appropriate to some point. However, screenwriter
Phil Johnston and director Miguel Arteta achieved something much more
inspired and entertaining, which starts in a similar line to the "Judd
Apatow style" in order to eventually become an honest and very funny
film about personal growth, whose lack of excesses reflects a narrative
maturity. Besides, Cedar Rapids offers excellent performances from the
whole cast and a thematic deepness which is not very common to find in
a comedy. In summary, this film has enough material to make us laugh,
but its biggest value resides on its emotional background and on its
observations about the insurance salesmen.
Cedar Rapids is kinda like a light interpretation of two classic films about salesmen (Tin Men and Glengarry Glenn Ross), because it employs the same strategy of putting the matter of the sales on the background, in order to focus into the contrasting personalities from the salesmen and the different attitudes with which they face that difficult activity. But the main subject of Cedar Rapids is the "awakening to life" from a repressed man who ignored the complexities from the "real world", including the contradictions of friendship, the temptation of sex without any compromise and the religious hypocrisy. This kind of stories is usually reserved for teenage characters; the fact that the main character in this case is a thirty-something man makes Cedar Rapids funny, emotive and irreverent.
Ed Helms makes a brilliant work in the leading role, because not many actors could have interpreted such a sincere and naive character without making him look like an idiot of an improbable ignorance. John C. Reilly also brings a perfect performance, because of the humanity he brings to his character. And I also liked the performances from Isiah Whitlock Jr., Alia Shawkat, Kurtwood Smith and Anne Heche very much.
The premise from Cedar Rapids might sound a bit dry and banal, but that is part from its charm. We are accustomed to see complicated screenplays at the Hollywood style, where (for example) a reporter investigates a missing bike and he ends up discovering a conspiracy to assassinate the President of the United States, or something like that. On the opposite, Cedar Rapids seems to delight itself with its puerility, and the importance that the characters put to things which might seem trivial and absurd to many spectators. However, this film's big achievement is making us understand why those things are so important to them, and making us share the suspense for the main character's triumph or failure. In conclusion, I very enthusiastically recommend Cedar Rapids as an excellent comedy which is simultaneously intelligent, very funny and hugely entertaining.
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