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| Derlin Brynford-Jones | .... | technocrane operator: 3D unit |
| Robin Bursey | .... | camera utility: "a" camera, 3D unit |
| Cary Caraway | .... | lead tech: mosys |
| Mark Cunniffe | .... | lighting operator |
| Mark Cunniffe | .... | lighting programmer |
| John D'Avignon | .... | additional camera operator |
| Andrew Degnan | .... | convergence puller: "a" camera, 3D unit |
| Kevin Deon | .... | camera operator |
| Ric Ellington | .... | still photographer: 3D unit |
| Ric Ellington | .... | still photographer: second unit |
| Jamie Felz | .... | first assistant camera: "a" camera, 3D unit |
| Demfis Fyssicopulos | .... | lighting programmer |
| Richard Gorrod | .... | lighting crew chief (as Rich Gorrod) |
| Bruce Green | .... | video: live show |
| Joe Guzman | .... | rigging grip |
| Darin Haggard | .... | additional camera |
| Greg Harrington | .... | additional camera |
| Beck Hoehn | .... | second assistant camera: "a" camera, 3D unit |
| James Jermyn | .... | second assistant camera: second unit |
| Gary Johnson | .... | second assistant camera: "b" camera, 3D unit |
| Patrick Meade Jones | .... | camera utility: second unit Phantom camera |
| Bob Kertesz | .... | additional digital imaging technician |
| Robert Knouse | .... | additional camera (as Robbie Knouse) |
| Dennis Kornegay | .... | technical advisor |
| J.P. Lipa | .... | cinematographer: intro sequence |
| Carlos Lopez Calleja | .... | first assistant camera: second unit Phantom camera |
| Kim Marks | .... | camera operator: "a" camera, 3D unit |
| Kim Marks | .... | director of photography: second unit |
| Ryan Nguyen | .... | additional digital imaging technician |
| Rick Page | .... | first assistant camera: "b" camera, 3D unit |
| Michael Pagen | .... | lead crane tech, 3D unit |
| Doug Price | .... | convergence puller: "b" camera, 3D unit |
| Greg Reynolds | .... | additional camera operator |
| Jeff Ross | .... | 3D technician |
| Paul Sanchez | .... | director of photography: 3D unit |
| Chris Shadley | .... | key video assist |
| Garrett Shannon | .... | camera utility: "b" camera, 3D unit |
| Ryan Sheridan | .... | on-set 3D engineering |
| Robert Simoneaux | .... | lighting technician |
| Chris Squires | .... | camera operator: "b" camera, 3D unit |
| Chris Squires | .... | director of photography: second unit |
| Chris Squires | .... | steadicam operator |
| Phil Stoole | .... | videographer: UK |
| John Stradling | .... | first assistant camera: second unit |
| Larissa Supplitt | .... | second assistant camera: "a" camera, 3D unit |
| Nick Theodorakis | .... | chief digital imaging technician: 3D unit |
| Paul Vought | .... | technocrane technician: 3D unit |
| Damien Wasylkiw | .... | videographer: UK (as Damien Wasylki) |
| Patrick Woodroffe | .... | lighting designer |
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| Doug Adams | .... | production services: live show, Pyrotek FX |
| Michael Amir | .... | personal assistant: Michael Jackson (as Michael Williams) |
| Alexandra Apjarova | .... | aerialist |
| Celina Aponte | .... | publicity: UK |
| Keith Balser | .... | set production assistant |
| Nick Bass | .... | dancer |
| David 'Elsewhere' Bernal | .... | movement coach: Michael Jackson (as David Bernal) |
| Peter Blue | .... | head technician: LED screen |
| John Branca | .... | legal counsel: Michael Jackson, Ziffren Brittenham LLP |
| Miko C. Brando | .... | personal assistant: Michael Jackson (as Miko Brando) |
| Irina Brecher | .... | ballet instructor |
| Lars Brogaard | .... | production services: live show, Major Tom |
| Steve Burkow | .... | production counsel |
| David Byrnes | .... | legal counsel: Michael Jackson, Ziffren Brittenham LLP |
| Alex Candia | .... | production assistant |
| Daniel Celebre | .... | dancer |
| John Charles | .... | software manager: Sony DAC |
| Ann Clark | .... | production counsel |
| Todd Cogan | .... | stereographer |
| Michael Cotton | .... | title designer (as Michael Cotten) |
| Mekia Cox | .... | dancer |
| Michael Curbishley | .... | production services: live show, PRG (as Mickey Curbishley) |
| Dawn C. Dreiling | .... | script supervisor: second unit |
| Alan Edwards | .... | publicity: UK |
| James Fairorth | .... | production services: live show, Tait Towers |
| Lou Ferrigno | .... | conditioning coach: Michael Jackson |
| Chris Grant | .... | dancer |
| Misha Gabriel Hamilton | .... | dancer (as Misha Gabriel) |
| Shannon Holtzapffel | .... | dancer |
| Jacqueline Hutchinson | .... | associate producer: film and video content |
| Michael Jackson | .... | choreographer |
| Devin Jamieson | .... | dancer (as Devin Andrew Jamieson) |
| Dondraico Johnson | .... | second assistant choreographer |
| Michael Kane | .... | business manager: Michael Jackson |
| Joel A. Katz | .... | legal counsel: Michael Jackson, Greenberg Traurig LLP (as Joel Katz) |
| Charles Klapow | .... | dancer |
| Karen Langford | .... | production counsel |
| Richard Leher | .... | legal counsel: Michael Jackson, Greenberg Traurig LLP |
| Arlyne Lewiston | .... | assistant: Randy Phillips |
| David Loeffler | .... | production associate |
| Laurent Marchand | .... | caterer |
| David Mendoza | .... | production services: live show, Show FX |
| Jasmine Mohamed | .... | assistant: Bruce Jones |
| Kenny Ortega | .... | choreographer |
| Daniel A. Parker | .... | assistant production coordinator |
| Rebekah Parr | .... | production secretary |
| Travis Payne | .... | choreographer |
| Laura Pearson-Smith | .... | marketing and distribution (as Laura Pearson) |
| James Phares | .... | assistant: Kenny Ortega |
| Brahim Rachiki | .... | second assistant choreographer |
| Frank Ramey | .... | first assistant accountant |
| Nancy Ramey | .... | payroll accountant |
| Dres Reid | .... | dancer |
| Jonathon Rice | .... | choreographer: catwalk choreography (as Jonathan Rice) |
| Deborah Ricketts | .... | footage clearance |
| Deborah Ricketts | .... | footage research |
| Danielle Rueda-Watts | .... | aerialist |
| Danielle Rueda-Watts | .... | associate choreographer |
| Jesse Sandler | .... | tour manager |
| Brigitte Segal | .... | tour manager: Michael Jackson |
| Laura Sevier | .... | clearances: Entertainment Clearances, Inc. |
| Mitch Spacone | .... | system support: FotoKem |
| Tyne Stecklein | .... | dancer |
| Timor Steffens | .... | dancer |
| Brian Sullivan | .... | production services: live show, B-R Scenery |
| Nadia Swarovski | .... | production services: live show, Swarovski Crystals (as Nadia Swarovsky) |
| Julia Tasker | .... | script supervisor: 3D unit |
| Evvy Tavasci | .... | archivist |
| Tony Testa | .... | assistant choreographer |
| Tohme R. Tohme | .... | personal advisor: Michael Jackson (as Tohme R.Tohme) |
| Shawn Trell | .... | legal counsel: AEG |
| Keith Udin | .... | backline crew chief (as Keith Uddin) |
| Stacy Walker | .... | associate choreographer (as Stacy A. Walker) |
| Dreya Weber | .... | aerialist |
| Dreya Weber | .... | associate choreographer |
| C. Randall White | .... | show caller (as C Randall White) |
| Sixx Williams | .... | technician: LED screen |
| Chris Winn | .... | craft service |
| Timm Woolley | .... | business manager: tour |
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| Jasmine Alveran | .... | additional thanks (as Jasmine 'Earth Girl' Alveran) |
| Yvette Alveran | .... | additional thanks |
| James Bates | .... | thanks: The Michael Jackson Company wish to thank the following |
| Dan Beckerman | .... | thanks: The AEG producers wish to thank the following |
| Gord Berg | .... | thanks: The AEG producers wish to thank the following |
| Bruce Black | .... | thanks: The AEG producers wish to thank the following |
| Alan M. Brunswick | .... | thanks: The Michael Jackson Company wish to thank the following (as Alan Brunswick) |
| Gregg Burge | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works |
| David Campbell | .... | thanks: The AEG producers wish to thank the following |
| Colin Chapple | .... | thanks: The AEG producers wish to thank the following |
| Vincent Chieffo | .... | thanks: The Michael Jackson Company wish to thank the following (as Vince Chieffo) |
| Jeryll S. Cohen | .... | thanks: The Michael Jackson Company wish to thank the following (as Jeryll Cohen) |
| Marquis Davis | .... | thanks: The Michael Jackson Company wish to thank the following |
| Christopher Demers | .... | additional thanks: IDEA Brokerage |
| Terry Fahn | .... | thanks: The Michael Jackson Company wish to thank the following |
| Kristen Fancher | .... | thanks: The Michael Jackson Company wish to thank the following |
| Andrew Feldman | .... | thanks: The AEG producers wish to thank the following |
| Joel Feldman | .... | thanks: The Michael Jackson Company wish to thank the following |
| Ted Fikre | .... | thanks: The AEG producers wish to thank the following |
| Luke Flynn | .... | thanks: The AEG producers wish to thank the following |
| Michael Goldfine | .... | thanks: The AEG producers wish to thank the following |
| Rob Hallett | .... | thanks: The AEG producers wish to thank the following |
| Jennifer Hebert | .... | the producers and director wish to thank |
| Matt Heckman | .... | thanks: The Michael Jackson Company wish to thank the following |
| Paul Gordon Hoffman | .... | thanks: The Michael Jackson Company wish to thank the following (as Paul Hoffman) |
| Julie Hollander | .... | thanks: The AEG producers wish to thank the following |
| Joe Jackson | .... | very special thanks: The Michael Jackson Company wish to thank the following (as Mr. Jackson) |
| Katherine Jackson | .... | very special thanks: The Michael Jackson Company wish to thank the following (as Mrs. Jackson) |
| Michael Jackson | .... | acknowledgment: original concert production created by |
| Michael Jackson | .... | acknowledgment: original concert production directed by |
| The Jacksons | .... | very special thanks: The Michael Jackson Company wish to thank the following |
| Kathy Jorrie | .... | thanks: The AEG producers wish to thank the following |
| Jessica Koravos | .... | thanks: The AEG producers wish to thank the following |
| David Lande | .... | thanks: The Michael Jackson Company wish to thank the following |
| Allison Latham | .... | thanks: The AEG producers wish to thank the following |
| Barry Lather | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works |
| Norman Lear | .... | additional thanks |
| Tim Leiweke | .... | thanks: The AEG producers wish to thank the following (as Timothy J. Leiweke) |
| Richard Leroy | .... | thanks: The Michael Jackson Company wish to thank the following (as Richard LeRoy) |
| Dennis Luderer | .... | thanks: The Michael Jackson Company wish to thank the following |
| Courtney Miller | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works (as Courtney Miller Jr) |
| Tom Miserendino | .... | thanks: The AEG producers wish to thank the following |
| Amy Morrison | .... | thanks: The AEG producers wish to thank the following |
| Kenny Ortega | .... | acknowledgment: original concert production created by |
| Kenny Ortega | .... | acknowledgment: original concert production directed by |
| Vincent Paterson | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works |
| Travis Payne | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works |
| Michael Peters | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works |
| Jennifer Phillips | .... | thanks: The Michael Jackson Company wish to thank the following |
| Zane Rambaran | .... | thanks: The AEG producers wish to thank the following |
| Svetlana Scheck Ramzy | .... | thanks: The AEG producers wish to thank the following |
| Martha Rindels | .... | thanks: The Michael Jackson Company wish to thank the following |
| Michael Sitrick | .... | thanks: The Michael Jackson Company wish to thank the following |
| LaVelle Smith Jr. | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works (as LaVelle Smith Jr) |
| Jeffrey Smith | .... | thanks: The Michael Jackson Company wish to thank the following |
| Diana St. Amand | .... | thanks: The Michael Jackson Company wish to thank the following |
| Joyce Szudzik | .... | thanks: The AEG producers wish to thank the following |
| Anthony Talauega | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works (as Tone Talauega) |
| Richmond Talauega | .... | acknowledgment: Michael Jackson wanted to thank the Choreographers who collaborated with him on past works (as Richmond) |
| Rick Webking | .... | thanks: The AEG producers wish to thank the following |
| David Weil | .... | thanks: The AEG producers wish to thank the following |
| Howard Weitzman | .... | thanks: The Michael Jackson Company wish to thank the following |
| Charmaine Williams | .... | thanks: The Michael Jackson Company wish to thank the following |
| Keith Wood | .... | thanks: The AEG producers wish to thank the following |
| Geraldine A. Wyle | .... | thanks: The Michael Jackson Company wish to thank the following (as Geraldine Wyle) |
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Forget everything you think you know about Michael Jackson. Forget the scandals, the surgeries, the rumors, the mysteries. Just accept that we're all innocent until proved guilty in America and let it all go. Michael Jackson was the greatest dancer in the history of mankind. This documentary shows that hours before his death, he remained the greatest dancer in the history of mankind. He was a revelation, pure and simple. And the greatest achievement in Kenny Ortega's simple, elegant tribute is that it allows the viewer, without a shred of distraction, to witness the process of an artist. Sure, some of the footage is a little amateurish, as this was meant for Michael Jackson' records more than anything else. But that's the fun of it. The viewer gets to witness the raw nature of the artist rather than the glossy outcome that would have been the final product. If you're concerned that the film will be an act of gross exploitation and an attempt to squeeze every last dime in the wake of Michael Jackson's death, know this: I haven't the slightest doubt that Michael would have wanted his fans to see this footage. Of course it's exploitive, don't fool yourself into thinking otherwise, but so what: All documentaries are exploitive to some degree and tasteful exploitation is better than tasteless exploitation. This is a film about the process, nothing more. We're just lucky that this process happens to revolve around the finest entertainer of our time. If you're even the slightest fan, this is a must see. If you're not, I dare you not to be won over. Also, if you're looking for signs of fatigue from Michael Jackson, you will be disappointed. In fact, if there's one thing that bothered me about the film, it's that Michael was in such terrific shape that it's angering to think he died so close to the finish line. We don't have many great entertainers left in the world. And the fact that at 50 years of age, operating at about 80% energy wise, Michael blows the top 10 pop singers of today out of the sky, is rather remarkable. Prepare for an emotional and downright exciting concert-film. "This is it" will show the world that with all the noise, all the distractions, all the craziness: Michael Jackson still had it. And then some...